Silent on the Moor. Deanna Raybourn

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you think this is strange, you havena been to Scotland,” Morag snorted.

      We drank our tea and said nothing more.

      Some little while later, Amos collected us while Deborah fussed over our things and helped us into our freshly-brushed garments. We thanked her for the tea and paid her handsomely, and as we ventured out into the dying sunlight, I wished we might linger just a bit longer by the friendly little fire in her sitting room. Now that I had nearly reached Grimsgrave Hall—and Brisbane—my courage ebbed a bit, and I wondered what I had been thinking to come so far on a fool’s errand.

      Portia, sensing my mood, pushed me along, manoeuvring me into the cart and sitting heavily on the edge of my skirts, pinning me in place. “No running back to London, pet,” she murmured. “Time to pay the piper now.”

      If she had shown me any sympathy, I might well have run. But her cool common sense was just the prop for my failing nerve. Valerius joined us then, settling himself before the maids were handed in, the pets coming last in their assorted baskets and cages. I turned my face toward the windy moors and bade Amos drive on.

      The drive itself was interminable, and with every turn of the wheels, my stomach gave a little lurch of protest. Amos said little, but did manage to point out the lay of the land. He explained that the village lay at the edge of Grimsgrave Moor and that the Hall itself was on the other side. The road skirted the moor, but he nodded toward a footpath that led over the moor from the churchyard in Lesser Howlett.

      “Tha’s the quickest way to the Hall. By foot it’s more’n an hour. The road goes the long way round, and horses can never make more than a slow walk on account of the steepness and the stones. Two hour, maybe a bit more, and we’ll be there.”

      I shook my head, astonished. I had never imagined that anywhere within our tiny, crowded island, such isolation could still exist. The nearest railway was half a day’s journey, and even that was the smallest possible branch line. I had been reared in the South, where all roads led inexorably, and quickly, to London.

      I marvelled in silence at the landscape, in contrast to Minna, who chattered about anything and everything. Mercifully, the wind drowned her out, and though I could see her lips moving, I heard very little of what she said. Morag shot her a few filthy looks and attempted to sleep. The bench was unpadded wood and there was little support, but she managed, doubtless a skill she had learned in her days as a Whitechapel prostitute, paying a fraction of a penny to sleep upright lashed to a bench in a doss house.

      The dying daylight softened to thick grey shadows over the landscape. Val looked straight ahead, his face set to the wind, while Portia and I gazed out over the moors, watching the grasses move and shift over them like restless waves on a vast inland sea. A lopsided waning moon rose to shed a pale, unreal light over the scene as we continued on, winding our way ever higher, leaving the village far behind.

      At length we saw a tiny, ghostly light flicker in the distance. Amos pulled the reins and we stopped a minute. He raised his whip and pointed to the little light.

      “Tha’s Grimsgrave Hall.” The words sent a little chill into my heart. It crouched at the end of a long drive, straight over the moors, unmarked by tree or bush, save a few small, twisted thorns. We passed through a gate, and I could just make out the contours of the house itself, looming low and dark, like some beast crouching in the shadows. Just in front lay a flat, glassy spot—a reed-fringed pond—its black waters barely ruffled by the moor winds. Behind the pond, a wall of black stone rose against the night sky, three pointed arches fitted with windows. As I stared, I saw the moon rise through these windows, as if the moon itself dwelt in the house. And then I realised the wall stood alone, remnant of a ruined wing.

      “My God,” I murmured. There was no time to point out my discovery to Portia. Amos had drawn the cart to a stop at the front door of the house and had alighted to hammer upon the great oaken door. I alighted as well, grateful to be out of the cart, but the twist in my stomach did not leave me. All of the nerves I had suppressed in the bustle of the journey rose up with a vengeance, and I found it difficult to swallow, my mouth suddenly dry as tinder.

      Chiding myself for a coward, I brushed the dust from my skirts and went to stand behind Amos, feigning a courage I did not feel. I glanced about Brisbane’s new home as we waited, wondering why it was impossible to reconcile the urbane gentleman with this dark and forbidding place. The tiny, welcoming light seemed too small, too feeble now. It glowed from a single window leaving the rest of the house shrouded in darkness. Behind me I could hear Minna’s little voice reciting the Lord’s Prayer, and I very nearly bade her say one on my behalf as well.

      After an eternity, the door swung back on its hinges, and the tiniest woman I have ever seen, withered as a winter apple, stood in the doorway.

      “Aye, Amos?”

      “Ladies and a gennelman to stay wit’ Mr. Brisbane,” he called over his shoulder as he stalked to the cart and began flinging out baggage. There were a few protesting barks from the dogs and Grim, the raven, made an ominous noise in the back of his throat, but the pets were the least of my worries. I moved forward, inclining my head.

      “Good evening. I am terribly sorry to descend upon you without warning. I am Lady Julia Grey. This is my sister, Lady Bettiscombe. Our brother, Mr. Valerius March.” Val and Portia both nodded to the little winter apple who instantly stepped back into the hall.

      “Oh, ye must come in out of the wind,” she said, her expression one of profound bemusement. “Visitors indeed! We’ve not had so much excitement since the day the new schoolmaster came to Howlett Magna. Of course we must offer you shelter. Ye might be angels unaware, as the Bible does tell us! Come in, come in!”

      We did, and I noticed she wore a mob cap on her fluffy little white curls and a wide pinafore over her striped gown. The entrance hall itself was as old-fashioned as its inhabitant—all heavy oak panelling and great paving stones. A dark carved staircase stood at the back of the hall, its shadows pierced by a single candle on the landing.

      “I am Mrs. Butters, the cook-housekeeper,” she began, but before she could finish her introduction, I was aware of a presence on the staircase. Mrs. Butters must have seen my glance over her shoulder, for she paused and turned as the vision descended the stairs.

      And a vision she was. In spite of the severity of her hairstyle and the plainness of her clothes, she was the most beautiful woman I had ever seen. She was graceful, with a light, dignified step as she descended the staircase slowly. She moved into the light of the hall and I realised she was both older and poorer than I had first thought. She was well over thirty, with a gown that was twenty years out of fashion, its full skirts sweeping the stones of the hall as she walked. Even in the fitful light I could see the faint lines at the corners of her eyes, and at the seams of her dress where it had been turned more than once. But her gaze was calm and level and she looked at us as equals do, her chin high and her expression one of gentle reproof, perhaps at the lateness of the hour.

      Mrs. Butters drew back another step. “Guests at Grimsgrave, Miss Ailith. Lady Julia Grey and Lady Bettiscombe and Mr. Valerius March. They are friends of the master’s.”

      The cool, appraising look rested briefly on me, then my sister, lastly Valerius. She stared a long moment, as inscrutable as the Mona Lisa and just as arresting. Her features were beautifully sculpted; no Renaissance master could have fashioned her better. The skin was luminous as alabaster; the eyes wide and impossibly blue. Her brow was high and unmarked, and her corn-gold hair was parted severely in the centre, plaited, and wound round her head like a coronet. Upon a lesser woman, it might have seemed fussy, silly even. On her, it was a Madonna crown, light enough for that lily-neck to bear.

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