Voice of the Heart. Barbara Taylor Bradford

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she had so painstakingly created with Harrison and his family. A life she enjoyed, and was comfortable living, and one she was determined to protect at all cost. Nelson was correct in his assessment of her former friend. Wherever Katharine Tempest went she dragged trouble in her wake. No, Katharine could not be permitted to enter her life again.

      A sigh of deep sadness broke the heavy silence in the shadow-filled room. She and Katharine had been so very close once, inseparable for years, until that ugly denouement when everything had erupted so explosively and the loving friendship had ended abruptly, and with acrimony. They had not seen each other since that day, over ten years ago, and during this time Francesca had schooled herself not to think of Katharine, and eventually, as the years passed, she had succeeded in achieving her goal. And she had forgiven Katharine long ago, forgiven her for so many things, in the wisdom of her own growing maturity. But seemingly she had not forgotten. She understood that now.

      Memories began to assail her. Memories of other times, other places, other people. She endeavoured to push them aside, clearly recognizing that memories were ineluctably treacherous. Particularly memories of Katharine, for they were shrouded in a web of turbulent emotions and raw feelings, and they evoked pain, the pain of Katharine’s own treachery and betrayal of her. But Katharine had not always been like that. Not in the beginning. She had been different then. They had all been different at that point in time.

      At that point in time. Francesca repeated the phrase to herself, and she thought: There is no past, no present, no future. Time is not circumscribed. Albert Einstein proved that time is a dimension. The fourth dimension. Therefore all time exists now.

      The decades dissolved. It was a gradual dissolve, like a film running in slow motion before her eyes, and everyone was in perfect focus, and brilliantly captured on the film of her memory – the way they were then. And the year 1956 was as real to Francesca as it had been twenty-three years ago.

       It was now.

       Act One Downstage Right 1956

      ‘The most decisive actions of our life … are most often unconsidered actions.’

      ANDRE GIDE

       CHAPTER FIVE

      ‘Don’t be an old stick-in-the-mud,’ Kim said with a genial smile, lolling nonchalantly against the door frame. ‘You just said you don’t have a date this evening. Come on, Francesca, be a good sport.’

      Francesca was seated behind the large cluttered desk in the upstairs study of their father’s London house. She put down the pen she was holding and leaned back in the chair, regarding her brother with affection. She was amazed to discover that for once in her life she did not feel like being a good sport, not even for her adored Kim. She had been working all day, and now, in the late afternoon, she was exhausted yet determined to finish what she had set out to do that morning. Her brother’s unexpected arrival had surprised her, so absorbed was she in her papers.

      Conscious he was waiting for a response, she shook her head, and said in a weary voice that was also surprisingly firm, ‘I’d like to help you, Kim, but I simply can’t. I have to finish this research. I really do. I’m sorry.’

      ‘You and your mouldy old books!’ Kim exclaimed in goodnatured exasperation. ‘Whenever I see you these days you’re peering into them as if your life depended on it. Who cares about Chinese Gordon anyway? If the old geezer hadn’t been dead for hundreds of years I’d say you had some sort of girlish crush on him. I don’t see the point – ‘

      ‘Gordon hasn’t been dead for hundreds of years,’ Francesca interrupted mildly enough, but her eyes were intense. ‘Seventy-one years, to be precise,’ she went on, ‘and anyway, you know very well I am going to write a biography about him one day.’

      ‘You’re wasting your time, my girl. Nobody will buy it.’

      ‘Yes they will!’ Francesca retorted fiercely, her weariness instantly dissipating. ‘There are a lot of people who are interested in British history, and a great soldier and hero like Chinese Gordon. I intend to take a fresh approach, to delve into the psychology of the man. It will be a modern study, and I’m going to write it in such a way it will make very popular reading. Father agrees with me. He thinks it will work, and that it might even be commercial. So there, Kim Cunningham! Shoo! Go away and leave me in peace.’

      Kim was taken aback by her vehemence, and he realized, for the first time, that she was in earnest about the book, a project she had talked about for some months. Inwardly he reproached himself for his remark, which had been made in an off-hand manner, and thoughtlessly so. He had not only given offence, but hurt her, and that was the last thing he wanted to do. Apart from being his sister and very dear to him, Francesca was his best friend and confidante, and they had always been inseparable.

      He tried to be conciliatory. ‘I’m sorry, Francesca darling. I didn’t mean to be dismissive. Father is undoubtedly right.’ He flashed her a wide smile tinged with self-mockery. ‘What do I know about books? I’m not blessed with intellectual capacities, like you and the old man. You’ve got all the brains in the family, my love. What’s a dull farmer like me to do?’ He grimaced and went on, ‘My only excuse is that I didn’t quite understand how serious you were about the book. I will be supportive, I promise. Truce?’

      Francesca managed a watery smile and a nod, not trusting herself to speak. She buried her head in the papers, so that he would not see her incipient tears.

      Aware of her discomfiture, Kim wisely remained silent. He positioned himself in front of the fireplace, warming his back, his long legs spread wide apart, his hands thrust into the pockets of his tweed jacket. Made of fine cloth and tailored in the best Savile Row tradition, this had long since seen better days, was worn and out of shape. But Kim had such an air of distinction about him, wore the jacket with such panache, its shabbiness was hardly noticeable.

      Adrian Charles ‘Kim’ Cunningham, the 14th Viscount Ingleton, who would one day become the 12th Earl of Langley, was not handsome in the given sense of that word; however, a number of unusual qualities combined to lift him out of the ordinary. He was a pleasant-looking young man, with a fair complexion, light brown hair that was soft and straight, and a sensitively-wrought face whose chief characteristic was one of gentleness. His personality was most apparent in his generous mouth, always touched with laughter, and in his liquid grey eyes, which were, for the most part, illuminated by kindness, humour and goodwill. They rarely flashed with anger or temperament, for Kim was easy-going and placid by nature.

      He had inherited the tall, lean build of his ancestors, but his slender-looking frame was deceptive. Blessed with a grace and elegance unusual in a man, he carried himself with extraordinary self-assurance that bespoke his breeding and his centuries-old lineage. All in all, at twenty-one, he was so prepossessing, so sincere, and so good natured, everyone, and most especially young women, found him to be an engaging friend and companion.

      As he stood reflectively gazing at the tips of his shoes, waiting for his sister to compose herself, Kim was thinking of one young woman in particular, and wondering how to persuade Francesca to agree to his plans for that evening. After a moment he said, ‘Well, if you feel you must work, I suppose you must. But it is Saturday night, and to tell you the truth, I thought it would be fun for you to meet this girl. You’re always telling me that you love cooking and find it relaxing.’

      Francesca,

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