Stuart: A Life Backwards. Alexander Masters
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The surface of the desk is covered with envelopes, pens and a pile of posters:
Stuart tells me that he has changed since he began working on the campaign. People have got friendlier. They’ve taken seriously what he has to say. When the open meeting at Wintercomfort was over he had asked for a role, and was immediately given one. ‘I was really surprised, to be honest,’ he says. ‘I thought middle-class people had something wrong with them. But they’re just ordinary. I was a bit shocked, to tell the truth.’
Stuart and I have given nine or ten talks together about the campaign since we began working together: in Birmingham, London, Oxford, in villages around Cambridge, to a hall full of university students at Anglia Polytechnic. We are the only people on the campaign who have the time to do it and we have developed a good pattern. I speak first, for twenty minutes, about the details of the case and push the petition or protest letter to the local MP or the forthcoming march in London, then Stuart gets up and knocks the audience out of its seat with a story of his life.
‘I am the sort of person these two dedicated charity workers were trying to help,’ he says, in effect. ‘Do you see what a nightmare I was? Do you see how difficult it would have been to govern a person like me? Do you see now why we should have awarded Ruth and John medals for what they were doing rather than sending them to prison for what they could not control?’
Sometimes in his talk a stray ‘fuck’ or ‘cunt’ will slip past and then he’ll blush or laugh, put a hand to his mouth in an unexpectedly girlish fashion and apologise for ‘me French’. He often ends by suggesting that the government kick out their current homelessness ‘tsar’ and employ Ruth instead. ‘I really do honestly believe that.’
Clap! Clap! Clap!
More often than not, a standing ovation.
This speech and tactic are entirely Stuart’s ideas. He does two things for the campaign: he folds letters and he exposes his soul.
‘Here, Alexander, you’ve missed the bus,’ exclaims Stuart. He has startled me from my ruminations. ‘There isn’t one for another two hours. Do you want to stay for supper?’
My heart sinks. More palm-shaped sarnies?
‘Me favourite – curry.’
I go out to the local shop and return with supplies. Bulgarian white for me; eight cans more of lager and a packet of tobacco for him.
‘What’s that you’re having? Wine? Ppwaaah!’ Stuart sniffs the bottle. ‘Smells like sick. Have a Stella.’
Curry is ‘Convict Curry’. His mother’s recipe. On very special occasions, he used to try to make it in the inmates’ kitchen in HMP Littlehey, where he was serving five years for robbing £1,000 and a fistful of cheques from a post office.
‘Mushrooms?’ A tin of buttons; Stuart tips the little foetuses in.
Then he opens a packet of no-label, super-economy frozen chicken quarters. Pallid and pockmarked, they look like bits of frosted chin, as if he did over a fat Eskimo last week. He extracts an onion from behind the toaster and begins hacking at it with one of his knives.
I finish my survey of his bedsit room.
The picture on the wall is of a place with mountains and a lazy blue lake. The plaster it covers is gashed down to the brickwork from one of his periodic bouts of ‘losing it’, when he gets into a sort of maelstrom of fury and – highly private occasions, these, he does not like to think about them – takes it out on the furniture and fittings. On the floor beside the desk is an empty carton of Shake n’ Vac, decorated in pink flowers.
‘Good stuff, that. Use it for anything. Like, see round the bed there? There should be a huge stain because I overdosed there last week. But just put Shake n’ Vac down. All the spilt cans and vomit – cleaned it up really well. Leave it for a week first though, before you hoover.’
The bills on the bedside cabinet are red.
No, Stuart does not mind if I rifle through them.
Cable: he has five extra channels, none of them sport, and no telephone. The reason homeless people use mobiles is because they’re much cheaper than ordinary phones if you take only incoming calls. In fact, with pay as you go, they cost nothing. It’s when the homeless start hanging around the public payphones that they’re doing what ordinary people suspect them of doing on their mobiles: ringing their dealers. Stuart never uses anything but public phones for that sort of call.
Water: Stuart receives a hardship grant from his water company, and has a number of slow-paying arrangements that are taken off his dole cheque at source. As with Latinate medical names, he is an expert at these pathetic calculations – much more in control of them than I am of mine. They are part of what is unpleasantly termed ‘life skills’. Not unreasonably, a person sleeping rough must display ‘life skills’ to his support workers if he is to be found a flat, otherwise he’ll simply fall into arrears, annoy everybody and get evicted.
‘On the street you get the same money as you get on housing, but now it’s half-grant, half-loan to furnish your flat,’ he explains, and gives the curry an encouraging prod. ‘You could be £15 a fortnight down paying back the loan. So, instead of £102, it’s now about £85. The water was fucking £26 a month before they remitted all me fines when I had the meter put in. And that was without electric and the gas and my TV licence. So out of £85 a fortnight I was paying £9 TV licence, £20 in electric because it was winter, £14 food minimum. Then you’ve got all your toiletries. I was making £49 outgoings go into £42.50. Even on pay day, your money don’t do the bills because as soon as you cash your giro you just want to go out. So first thing you do if you’ve been on the street is fuck the bills. The only thing I made sure is that I had leccy. Spices?’
‘How can you live on that, even without the bills?’
That’s the point. I don’t.’
Stuart rattles through the shelves above his draining board: economy tomatoes, economy baked beans, economy corn flakes – everything, except the beer, in white packaging with blue lines. Economy raisins, economy powdered milk, economy spaghetti; finally, at the back, Sharwood’s high-expense, in-a-glass-jar, multicoloured-label Five Spice, essential