Billy Connolly. Pamela Stephenson

       Introduction

      Much has been written already about the chimerical joker known to the world as ‘Billy Connolly’. That creature, however, is a fictional one, a Bill-o’-the-wisp that dances from tabloid to tome with relentless inaccuracy. Nothing unusual about that: everyone who comes to public attention is reflected in fragments, half-truths and downright lies since every observer projects his own fantasy upon the famous person in an illusory folie à deux. In any case, when it comes to chronicling a person’s life there is no such thing as absolute reality, even if the writer happens to be his wife and a ‘shrink’ to boot. I, for one, subscribe to the notion implied by the Heisenberg Principle, that nothing in the universe can ever be accurately observed because the act of observation always changes it. For every one life, there are a million observed realities, including several of the subject’s. ‘A stranger caught in a portrait of myself,’ as Nabokov described the phenomenon, is commonly reflected back to a bemused interviewee.

      ‘Who HE?’ Billy will shout, slapping down the latest visual or written appraisal he considers is a dark imitation of his former self. In my paradigm, every person holds the reality of his own experience either in his mind’s eye or just below the surface of consciousness, or even deeper in the unconscious mind; but in the latter level we are all strangers, even to ourselves, and the mysterious workings of our unfathomed parts are revealed only in our dreams. Even within families, shared times are experienced differently, coloured by the age, family role or state of mind of each member. Small wonder, then, that some of Billy’s relatives and friends have disparate impressions of the following events. For Billy, reading each chapter after completion has elicited the shock of self-confrontation, accompanied by frequent laughter, occasional fury and a few precious tears as he painfully re-experienced many traumatic events. Most rewardingly for the author, the process of drawing together the following occurrences and providing insights might well have been a catalyst for his further healing, although Billy will have none of that: ‘Pish!’ he cries. ‘As my old granny Flora used to say, “The more you know, the less the better.”’ Another gem of Flora’s was: ‘Never clothe your language in ragged attire.’ Billy obviously missed the word ‘never’ because, purely in an attempt to please his dear old gran, he continues to say the ‘f ’ word in every single sentence and double on Sundays. I actually wondered about Tourette’s syndrome when I first met him. People try to stop Billy’s profanity, but that only encourages him. I myself have found great utility in those special collars for large pet dogs, with the remote control device that administers savage electric shocks to the neck of any beast that gets too close to the mark. Undetectable beneath his polka-dot shirt collar, it came in very handy recently when Billy gave a graduation address at our children’s school. You know where this is leading … try to guess the number of ‘f ’ words in this book before you read it. Be creative: it’s just like guessing the number of marbles in a jar so run a sweep, raise money for charity or decide who buys the next round. The answer can be found later.

      I’m just playing with you. When this book was first published, people were frantically turning pages to satisfy their mathematical sensibilities. This was a trap. If observed, one risked being accused of committing the appalling readers’ crime of turning to the last page for an unearned glimpse of the ending. But by now, almost everyone who picks up this book knows how Billy’s childhood story ends – with the triumph of a successful life as a beloved comedian. However, the paragraphs above were written ten years ago, when HarperCollins was just about to publish Billy for the first time. It was a nerve-wracking time. In

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