Brixton Beach. Roma Tearne
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Brixton Beach
ROMA TEARNE
In memory of N M C whose story,
discarded for forty years, is told at last.
And for Barrie,
Oliver, Alistair and Mollie.
All of life is a foreign country
JACK KEROUAC,
letter (24 June 1949)
Table of Contents
Epigraph
Part 1 - Bel Canto
Part 2 - Paradiso
Part 3 - Inferno
Part 4 - Purgatorio
Part 5 - Bel Canto
Acknowledgements
Also by Roma Tearne
Copyright
THERE ARE POLICE EVERYWHERE. From a distance it is the first thing he sees. Even before he hears the noise of sirens, the screams. Even before the BBC team appears. Acid-green jackets move grimly about, directing the traffic, securing blue-and-white tape, herding people away. That’s what he sees. A red, double-decker bus stands parked at an odd angle, black smoke pouring out of its windows. There is glass everywhere. His feet crunch on it and he notices shards glinting dangerously in the light. His first thought is, Someone might cut themselves; his second is, There must have been a fire.
‘Move along, please, clear the path,’ the policeman shouts, roughly.
He pushes several people back with the palms of his hands. Then he speaks into his radio. There is a smell of sweat and rubber. And explosives.
‘We need another ambulance over at checkpoint four,’ the policeman says. ‘Quickly. They’re bringing more out. Have all the hospitals been alerted?’
‘We need the reinforcements, now!’
‘Yes. They’re on their way.’
‘What happened?’ Simon asks, urgently. ‘Was it a fire?’
His voice is hoarse; his throat has tightened up. There is an even tighter constriction across his chest. He has been running. All the way over Lambeth Bridge, along Horseferry Road, up Park Lane towards Edgware Road. He wanted to go in the opposite direction, towards the Oval and the house named Brixton Beach. For a moment he had wavered, wanting to call at the house, knock on its blue-fronted door, but then he had carried on running. There are no taxis to be had. The traffic is gridlocked. It will be gridlocked for hours. He should be at work, he should be at his post, standing by waiting for the admissions, triaging the flood of casualties, but he has fled, unthinkingly. Never in the whole of his professional career has he behaved in this irresponsible way. Panic chokes his voice; fear grips his limbs as he scans the faces in front of him.
‘Clear the path, please.’
The noise of yet another ambulance siren deafens him. He isn’t used to hearing the sirens from the outside. He is used to the calm of the operating theatre, the controlled energy of work. Scalpels placed where they are always placed, nurses ready to second-guess his moves. He is not used to chaos.
‘Oh my God! Oh God! Look! Look!’ a woman screams.
Her voice goes on and on screaming, making sounds but no sense. It is only then Simon glances up and sees the bus. Its top has been completely blown off. Roof, seats, windows, people. Half a bus really, standing motionless save for the thin wisps of smoke sailing lazily out, upwards like a kite; into a sky of startling blue. A man in rags with blackened face and arms walks past holding on to a young boy. Tears furrow his face leaving rivulets of white flesh. Two new ambulances edge their way slowly forwards, sirens blasting, driving the onlookers aside, clearing a path, deafening in intensity, removing all possibility of speech. Three policewomen stand forming a barrier with their arms stretched out, faces braced for what they are about to receive. In a moment the ambulances are swallowed up in the crowd. Simon can smell burning. As the sirens grow fainter he begins to hear other, human sounds and he struggles to move forward.
‘Jesus!