the Sultan’s palace.
Yes, a Russian diplomat would be best for Dou-Dou.
All talk, Mana says with bitterness. Liars are branded in this country for a reason. Her sister, may dear Lord forgive a widow’s bitterness, has always been fickle and not above jealousy. Just because she lives in the district of Phanar does not make her rich and powerful. And all these stories she comes with are nothing more than accounts of her own goodness. Fanciful accounts given to them like scraps from her own table. Maria Glavani knows such talk when she hears it. Didn’t she have a good teacher? Konstantin too never stopped weaving his schemes until the day of his death.
So Aunt Helena’s words are listened to but not believed. For there is always a little mishap in her stories, a small obstacle that would have to be waited through, ironed out, removed. The undersecretary who kept asking to see Dou-Dou before he would recommend her to his superiors was a known libertine and his request to meet Sophie had to be dismissed. We don’t want to cheapen her, Maria, her aunt has said. No touching if they are not buying.
The plague is what makes Sophie’s situation worse. The plague cools many a heart. In the presence of death, amour wilts and shrivels. Besides, even a foreign diplomat caught with a Greek woman would have to face the Ottoman justice. Not everyone wants to risk that much. Not even for such a beautiful pair of eyes.
In the Russian Mission, Monsieur Stachiev’s wife is so terrified of the plague that she has locked herself and her children in an upstairs bedroom and refuses to see or meet anyone. This, in itself, is not such a bad thing, for it leaves Monsieur Stachiev free to pursue his own merry interests. But it doesn’t help to have people talk that she has sent her surgeon away for wanting to bleed her. That she screams at the top of her voice. ‘We’ll all die here in this infidel country. We’ll all be punished.’ She has already cursed her husband. ‘Your sons will pay for your fornication,’ she said. ‘You will kneel at their coffins and then where will your whores be?’ She will call the Janissaries, if she but spots a Greek woman entering the mission building.
‘Dou-Dou, you are slowing me down,’ Mana says. They are coming back from the market, their baskets heavy with meat and fruit. As always, people stare at them as they pass. The men look at them with longing and often stop them, asking for directions or pretending they have mistaken them for someone else. Women’s eyes are curious, assessing their beauty as if it were a threat, a challenge.
‘Come on, girl, we don’t have all day.’
A black man who stops them is a eunuch. Not an ordinary eunuch either, but a eunuch from the Sultan’s court. His robes are woven with gold and silver and mazanne blue. The face under the burgundy fez is smooth, layers of fat testifying to the richness of his table. His voice is soft and warm. Having lived his life among women, he knows how to calm their fears.
‘Beautiful ladies,’ he says and smiles, flashing his teeth. As white as hers, Sophie thinks.
The Ottoman Princess, the Sultan’s daughter, has ordered him to stop them. He was summoned by his mistress, told to drop all he was doing, and go after them. Go after two Christian women who have caught the Princess’s eye.
Sophie’s eyes travel upwards, toward the palace windows. She cannot see anyone there. Perhaps it is the Sultan himself who has seen her. Perhaps, with one look of His eyes, her life has changed forever.
‘Follow me. We mustn’t make the Princess wait.’
‘Are you sure you are not taking us for someone else,’ Mana asks the eunuch, but the black man laughs. His mistress’s mind is an open book to him. They should not doubt their luck. The heavy baskets can be left with the servants who can take them to their home. ‘Just tell me where you live,’ he says.
‘We’ll take them on our way back,’ Mana says sharply. ‘Ourselves!’
Is there is a note of fear in Mana’s voice? Unease? Anger as she clasps her daughter’s hand in a firm grip as if she wanted them to turn away and run? But how can a Christian woman refuse an Ottoman princess? How can a Greek say no to a Turkish master?
Dou-Dou does not want to notice Mana’s fear. Her mind flutters with delicious visions of glittering jewels, gauzy dresses and garden paths bathing in sweet, dappled shade. She can feel the harsh impatience of her mother’s hand, the reluctance of her steps. She wants to laugh and assure her Mana there is nothing to worry about. She is ready. When her chance comes, she will know what to do.
They follow the black eunuch past the palace gate, past the first courtyard filled with cool shade, fragrant with the jessamines and honeysuckles that coil around tree trunks, past the giant clay vases filled with blooming roses. The big courtyard is bustling with life. Two tall grooms hold Arabian horses, snow white, with the legs of dancers. A short, fat man in a leather apron is rolling a big wooden barrel. A young man is whistling a merry tune, trailing Dou-Dou with his eyes until the eunuch’s look stops him.
Inside the Seraglio the sweet perfume of the jessamines penetrates the gilded sashes easily. A white marble fountain releases the stream of water that falls into four basins below. The sound is pleasing. By this fountain, the eunuch leaves them. ‘The Princess shall send for you,’ he says, lifting Dou-Dou’s head with his index finger and looking straight into her eyes.
‘Beautiful,’ he murmurs. ‘These eyes will shame the light of the moon.’
When they are left alone, Sophie looks around. The tiles on the floor are cool to the touch. She would have liked to take her shoes off and step on them with bare feet, but Mana’s eyes stop her. The walls are covered with tiles of different patterns. Most of them have blue, and gold in them, and the colours mingle in her eyes and shimmer. The thick stained glass windows dim the rays of the sun, make them dance with colours of amber and silvery dust. There are no chairs, but a few big cushions on a raised sofa covered with Persian carpets. The scent of honeysuckle joins the jessamine, the scent that penetrates her hair, her dress, clings to her skin.
Is this how the Sultan smells, she wonders. Is his skin as soft as she imagines? As cool as the tiles?
‘Don’t say anything until you are asked,’ her mother whispers. Her face is pale and her eyes dart around the room. What is it that she wants to find?
‘Don’t look at the Princess. Keep your eyes down.’
Mana has removed her own kerchief and wraps another layer of cloth over her daughter’s hair.
What if the Sultan will not care for her? What if he takes one look at her and sends her back?
But these are thoughts easily laughed away. In her heart of hearts she trusts her joy. A woman the Sultan summons becomes a quadin, a chosen one.
‘Someone must have seen you,’ Mana hisses, her voice rough with anger. ‘Didn’t I tell you not to wander alone.’
The servant woman who enters the antechamber is wearing a pink kaftan over blue drawers, her hand touching her heart and lips in greeting. Silent, she beckons with her right hand and they follow, their heels clicking on the tiles. They walk through long winding corridors of closed doors, past a big room where women sit on big satin cushions, smoking nargila, working on their embroidery. One of them with diamonds in her turban, sitting on a lap of a Negress throws herself into her arms as if to hide in them. In another room a woman in a red dress is bending over a big loom, absorbed in the invisible patterns. To Sophie these images seem like pieces of a puzzle, a mystery she alone would be allowed to solve. This is making her
