You have to make him jealous, Mana has said. That’s why a man would want to keep you; to stop others from having you.
She tells her internuncio of a man who lives across the street and who stares at her every day. An Armenian banker, millionaire and the director of the Padishah’s mint. He clicks his tongue at her. He has sent his servant to her three times already. If she agrees to come to him, he would give her a purse filled with cekins.
‘What did you say to that,’ he asks.
‘That my master takes good care of me.’
But the man is insistent. Every time he catches her eye, he shows her something new to tempt her. A ruby as big as a nut. A diamond that glitters in the sun like the stars in heaven.
‘And you didn’t take it?’ the internuncio asks.
She shakes her head and says that nothing on this earth, no diamond, no ruby, no sapphire would ever make her turn away from her beloved master.
‘You shameless liar,’ the internuncio says and pinches her cheeks. ‘Confess right away. You are waiting for me to leave.’
‘Yesterday,’ she says, ‘he has parted the folds of his anteri and pulled out his own jewel.’
‘How big was it,’ the internuncio asks, and she whispers right into his ear that it was big enough to bring Saint Mary Magdalene to fall again.
His ensembles are embroidered with silver or gold threads. She likes the feel of velvet, the thin cambric of his shirts. He wants her to walk around the room barefoot. Sometimes he asks her to put her feet on a pillow for he likes to touch her toes.
He tells her strange and wonderful things. Tells her of that other Greece, the Greece he calls the land of wisdom and true culture. In that other Greece, men possessed true nobility of spirit. They were heroes and valiant warriors, their bodies as perfect as their minds and hearts. He also tells her about the women he calls haetteras, women so wise that the famous philosophers thronged to see them.
‘It is the art of conversation, my Dou-Dou, that distinguishes common souls from people of quality. Every woman knows how to spread her legs, but not everyone has learnt how not to bore.’
She listens to his every word.
The Greek women of today, he tells her, are but pale replicas of these other women, Lais and Phryne, women of quick minds and beauty seasoned with wisdom and refinement. He tells her that his heart bleeds when he thinks of modern Greeks; slaves, their hearts cowardly, unworthy of the glory of their ancestors.
How, he asks her, can a handful of lazy Turks keep with pistols and daggers the descendants of the ancient race who bore Homer and Scio in submission?
How could the descendants of such a noble race have sunk to the level of thieves and whores? He has been to miserable Greek villages littered with fragments of ancient pillars that once adorned an ancient temple. The peasants shamefully hide these traces of the past glory, as relics of pagan rites they wish no part of. In one of these villages, he tells her, he once saw a piece of white marble that bore the inscription: C. MARCIVS. MARSVS/V. F. SIBI. ET. SVIS. Covered with mud and manure it paved an ignorant peasant’s barn.
Had he not been taught to admire Grecian courage, wisdom, and talents, he might look upon the meanness of her race with less emotion. The victors from Marathon, Salamis, Platea, he says in an accusing voice, while his hand pats her buttocks, cringe at the feet of their Turkish masters. He tells her how, at the Isthmean Games, Titus Quinctius announced to the Greeks that they were free, but that was nothing but a ruse—a trap into which they all fell when they began shouting for joy. For the true freeman needs no trumpet to declare that he is free. His looks, his expression are the heralds of his own independence.
‘Does your little head understand any of this, Dou-Dou?’
He tells her that when beautiful Lais moved from her native Sicily to Greece, princes, lords, speakers, philosophers, all rushed to see and admire her. But then a few common women, jealous of her beauty, murdered her in the temple of Aphrodite, forty years before the birth of Christ.
She thinks about it for a while. About jealousy that can kill. About a knife plunged into a woman’s heart.
‘The art of conversation,’ he says, ‘is the most powerful of arts. It alone can open the doors of palaces.’
‘What did they talk about, these ancient haetteras.’
‘Philosophy, art, literature. They enjoyed exchanging arguments, civilised dispute. Things, my little Dou-Dou, you have no idea of and never will. Things far too complicated for you.’
‘Tell me,’ she asks.
‘Tell you what,’ he laughs at her eagerness, but he is not displeased. Clearing his throat he says: ‘La Mettrie contends that all we imagine comes from our senses: no senses, no thoughts; a few sensations of the body—a few notions in the mind. Do you understand?’
She thinks she does, but shakes her head. He laughs again.
‘If there is no soul, and if the essence of life can only be found in separate parts of the body, where would most of you be, Dou-Dou.’
She smiles and waits for what might follow, but he gets tired of his own game.
‘You have to learn French,’ he declares. ‘One cannot have an intelligent conversation in any other language. French is the language of polite company, the language of the courts and salons.’
‘Teach me,’ she asks.
‘La chambre, la cocotte, meux beaux oeils.’
He likes when she pours oil on his skin and massages it the way Mana has taught her. Gently at first, then deeper and deeper until she reaches the knots and dissolves them under her fingers. She is proud when he groans with pleasure.
Sans Vous je ne peux pas vivre.
Je suis Votre esclave.
In the Sultan’s palace, she tells him, beautiful slave women serve the Princess on their knees. Their breaths are sweet and their eyes deep and soft. The Sultan’s every order is obeyed instantly, for punishment is swift. She has seen a room where whips of black leather hang on the wall. A whole row of them, with knots and little hooks tied to their ends. She has seen burlap sacks filled with stones, ready for the death by drowning.
He is listening.
‘At the Seraglio, dinners are long. They can last for hours. Dishes are brought one by one.’
‘Everyone knows that,’ he says yawning.
‘Does everyone know the eunuchs make sure that all cucumbers are served sliced?’
His belly shakes when he laughs. One of his front teeth is longer than the other. It gives him a slightly lopsided look. His brows are thick, bushy, forming a straight line over his nose. Such brows, Mana has said, are a good sign in a man. This and a hairy chest.
He
