Brigit
(Or Brighid.) In Celtic mythology Brigit is a daughter of the Tuatha de Danann in Ireland, a pagan goddess of poetry and smithcraft, possessing the powers of divination and healing.
Legends of her birth say she was bathed in milk and would take only pure milk from a fairy cow with white skin and red ears as her sustenance. Her birth is celebrated on the ancient Celtic festival of Imbolc in February when, in Scotland, the old woman of winter, Cailleach, drinks from the Well of Youth and metamorphoses into Bride, who, with her white wand, heralds the growth and regeneration of spring. By the hearthside a bridie doll of corn is left with offerings of bread and milk to ensure protection and abundance.
Brolga
In the Dreamtime Aboriginal myths of Australia, Brolga was a girl who was famous for her graceful dancing. A malicious sorcerer desired her as a wife, but he was rejected. As she danced alone one day she was engulfed by a whirling dust storm, which left behind no trace of her—the spurned magician had exacted his revenge and changed her into a beautiful silver-gray bird whose dance imitated the elegant movements of her arms. The Brolga bird dances to this day in northern Australia.
Brollachan
In Popular Tales of the West Highlands (1860–1962), J. F. Campbell describes the brollachan, from the Gaelic for a shapeless, deformed being, as having eyes and a mouth but no discernible shape and only the two words “myself” and “thyself” at his command.
The story tells of a lame young miller boy lying beside his fire in the mill when the brollachan enters and keeps him company. As the fire burns low, the boy throws on another peat and an ember jumps out onto the brollachan, who shrieks and howls loudly. His mother, a fuath (see Fuathan), bursts into the room and demands to know who is responsible for burning him. The brollachan can only reply, “Myself and thyself,” with which she has to be content, while the crippled boy hides beneath a sack and prays for his own safety. The fuath, not satisfied, chases a lone woman to her home and, just as she enters the door, tears off her heel in revenge. The woman is left lame for the rest of her life.
Broonie
In Shetland the tale is told of the King of Trows. His name was Broonie and he was responsible for guarding the corn. Farmers were glad of his benevolent spells as he sped from farm to farm, but Broonie liked to be left alone and would scatter the corn stooks hither and thither if he was disturbed. As the nights became colder, the good folk decided to make him a gift of a cloak and hood, and placed them so he would find them. But Broonie scorned the kind gift and left the neighborhood forever.
Brother Mike
In a Suffolk tale, a tiny “frairy” (the local dialect word for fairy) is caught in a farmer’s barn and cries out the name of Brother Mike in despair while struggling to escape.
Brown Man of the Muirs
A dwarf dwelling near the Keeldar Stone on the lonely moors of Northumberland. He is dressed all in brown and of a squat and stocky appearance, with a head of wildly curling red hair and glowing eyes. He is a jealous guardian of wild creatures and fiercely defends his territory from huntsmen trespassing on his land.
Brownie
A household spirit in the folklore of Scotland and northern England, generally described as a shaggy-haired little man about 3 feet (1 meter) tall, sometimes dressed in shabby brown clothes and sometimes naked. Meg Mullach, or Hairy Meg, is an example of a female brownie, but in most accounts they are male.
Brownies attached themselves to a particular household or farm. They came out at night to complete tasks left unfinished by servants or farm laborers, tending to livestock, threshing grain, reaping crops, cleaning the house and barns, churning butter, and taking care of numerous other chores. In return, housewives left out treats, placing a bowl of cream, or a tidbit of freshly baked bread or cake where the brownie was likely to find it by chance. It was important not to offer a brownie direct payment for his services, as this invariably led to his departure. Some say this was because brownies were only bound to work until considered worthy of payment; others that the brownie was too much of a free spirit to accept the bondage of human clothes or wages. The Cauld Lad of Hilton is one of many examples of a brownie who ceased his services when he was given the gift of clothing. In Cornwall, a pisky sometimes performed a similar role to a brownie, helping with the threshing of the corn. But when the pisky threshers were given new clothes, they vanished, never to return. In one unusual case a Lincolnshire brownie was annually given a linen shirt. One year the farmer substituted a shirt of coarse hemp and the brownie took offense at the poor quality of the garment and left.
Criticizing a brownie’s work was another sure way to cause offense and turn him from an industrious helper into a troublesome, mischievous boggart. However, when treated with respect, a brownie was very loyal to the master or mistress of the household, chiding and scolding lazy servants and laborers, and even fetching the midwife when his mistress went into labor.
See also Aiken Drum, Bodachan Sabhaill, Boggart, Bongas, Brownie-Clod, Bwbachod, Bwca, Tom Cockle, Dobbs, Dobie, Fenodoree, Gruagach, Haltija, Hob, Hobgoblin, Kaboutermannekin, Killmoulis, Kobold, Kodinhaltia, Korrigan, Niagriusar, Nisse, Phouka, Portunes,
