The Last Judgement. Iain Pears

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      ‘It’s nearly eleven,’ she pointed out.

      ‘Put in an overtime claim,’ he replied unsympathetically. ‘I’ll have all the bits of paper you need in the morning. Come and get them before you go.’

       7

      Six o’clock in the morning. That is, seven hours and forty-five minutes since he got in, seven hours and fifteen minutes since he went to bed. Not a wink of sleep and, more to the point, no Flavia either. What the hell was she doing? She’d gone off with the Carabinieri. And that was the last he’d heard. Normally Argyll was a tranquil soul, but Fabriano had irritated him beyond measure. All this muscular masculinity in a confined space, the sneering and posturing. What, he wondered for the tenth time, had she ever seen in him? Something, evidently. He rolled over again, eyes wide open. Had she been there, Flavia would have informed him dourly that all he was suffering from was a bad case of over-excitement, dangerous in someone who liked a quiet life. Murders, robberies, interviews, too much in a short space of time. What he needed was a glass of whisky and a good night’s sleep.

      With which diagnosis he would have agreed, and indeed he had been agreeing with it all night, as he tossed and turned. Go to sleep, he told himself. Stop being ridiculous. But he couldn’t manage either and, when he could no longer endure listening to central Rome’s limited bird population saluting the morn, he admitted final defeat, got out of bed and wondered what to do next.

      Go to Paris, he’d been told, so maybe he should. If Flavia could absent herself in such an inconsiderate way, he could demonstrate this was no monopoly of hers. Besides, it would get an unprofitable task over and done with. He looked at his watch as the coffee boiled. Early enough to get the first plane to Paris. There by ten, get the four o’clock back and be back home by six. If planes, trains and air-traffic controllers were in a co-operative mood, that is. He only hoped the nightman at the Art Theft Department had instructions to allow him to take the painting away. If he was fortunate, he could be back by evening. And then he could go and see about that apartment. If Flavia didn’t like the idea, then tough.

      So, his decision made, he scrawled a hurried note and left it on the table as he walked out.

      About twenty minutes after he went out, Flavia came in. She too was utterly exhausted, although for different reasons. A long haul. It was amazing how much paper these police could generate in such a short time, and Fabriano had fought hard to avoid giving it to her. It was only when she’d threatened to complain to his boss that he reluctantly gave way. Had she been in a better mood, or less tired, she would just about have seen his point. He was working long hours on this case. It was his big chance, and he wasn’t going to let it get away. He certainly wasn’t going to share the credit with her if he could avoid it. The trouble was, his attitude had the effect of hardening hers. The more he resisted, the more she demanded. The more he – and Bottando, in fact – wanted to keep her out, the more she was determined to take it further. So she’d sat and read. Hundreds of sheets of paper, of interviews and documentation and snapshots and inventories.

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