The Hours. Michael Cunningham

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The Hours - Michael  Cunningham

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      The Hours

       MICHAEL CUNNINGHAM

       Dedication

      This book is for Ken Corbett

       Epigraph

      We’ll hunt for a third tiger now, but like the others this one too will be a form of what I dream, a structure of words, and not the flesh and bone tiger that beyond all myths paces the earth. I know these things quite well, yet nonetheless some force keeps driving me in this vague, unreasonable, and ancient quest, and I go on pursuing through the hours another tiger, the beast not found in verse.

      —J. L. Borges, The Other Tiger, 1960

      I have no time to describe my plans. I should say a good deal about The Hours, & my discovery; how I dig out beautiful caves behind my characters; I think that gives exactly what I want; humanity, humour, depth. The idea is that the caves shall connect, & each comes to daylight at the present moment.

      —Virginia Woolf, in her diary, August 30, 1923

      Contents

       Cover

       Title Page

       Mrs. Woolf

       Mrs. Brown

       Mrs. Woolf

       Mrs. Dalloway

       Mrs. Brown

       Mrs. Woolf

       Mrs. Dalloway

       Mrs. Brown

       Mrs. Woolf

       Mrs. Dalloway

       Mrs. Woolf

       Mrs. Dalloway

       Mrs. Brown

       Mrs. Dalloway

       Mrs. Brown

       Mrs. Woolf

       Mrs. Brown

       Mrs. Dalloway

       A Note on Sources

       Acknowledgments

       About the Author

       Praise

       Also by the Author

       Copyright

       About the Publisher

       Prologue

      She hurries from the house, wearing a coat too heavy for the weather. It is 1941. Another war has begun. She has left a note for Leonard, and another for Vanessa. She walks purposefully toward the river, certain of what she’ll do, but even now she is almost distracted by the sight of the downs, the church, and a scattering of sheep, incandescent, tinged with a faint hint of sulfur, grazing under a darkening sky. She pauses, watching the sheep and the sky, then walks on. The voices murmur behind her; bombers drone in the sky, though she looks for the planes and can’t see them. She walks past one of the farm workers (is his name John?), a robust, small-headed man wearing a potato-colored vest, cleaning the ditch that runs through the osier bed. He looks up at her, nods, looks down again into the brown water. As she passes him on her way to the river she thinks of how successful he is, how fortunate, to be cleaning a ditch in an osier bed. She herself has failed. She is not a writer at all, really; she is merely a gifted eccentric. Patches of sky shine in puddles left over from last night’s rain. Her shoes sink slightly into the soft earth. She has failed, and now the voices are back, muttering indistinctly just beyond the range of her vision, behind her, here, no, turn and they’ve gone somewhere else. The voices are back and the headache is approaching as surely as rain, the headache that will crush whatever is she and replace her with itself. The headache is approaching and it seems (is she or is she not conjuring them herself?) that the bombers have appeared again in the sky. She reaches the

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