Spurning jewelry as intrinsically rinky-dink, she’d moved entirely to flatware, and through the years had crafted a handful of dazzling implements: memorably, the Bakelite inlaid fish slice; that exquisite set of hand-forged, perfectly ergonomic sterling chopsticks, whose heavier ends bent slightly, achingly, as if they were melting. Yet each finished project was the product of so much agony and time that in the end she couldn’t bring herself to sell it.
So what she hadn’t made was money. Were he ever to have observed aloud once Zach and Amelia both entered school that she was still not bringing in a dime, Glynis would have iced over in cold rage (so he hadn’t). But her income of zero dollars wasn’t an objection. It was a fact. That when they married Shep hadn’t imagined he would carry the whole household in perpetuity was also a fact. But he could carry the household, and he had.
Besides, he understood her. Or he understood how much he couldn’t understand, which was a start. Making his own geographical inertia all the more perplexing, by and large Shep decided to do something, and then he did it. For Glynis to get from the deciding to the doing was like leaping the stumps of a washed-out bridge. To put it another way, she had the engine, but a faulty ignition switch. Glynis could decide to do something and then nothing would happen. It was an interior thing, a design flaw, and probably not one she could fix.
Having kept his mouth shut for decades, he should never have let it slip out tentatively over breakfast a couple of years ago (during a particularly galling week at Handy Randy) that it was a shame they hadn’t been socking away the remnants of two incomes all this time, with which they could have left for The Afterlife long ago … Before he had finished the sentence, she’d stood from the table without a word and marched out the door. When he came home that night, she had a job. Apparently all this time he’d have had better luck lighting a fire under the woman not by cajoling but by giving offense. Ever since, she’d been fashioning models for Living in Sin, an upmarket chocolatier whose factory was located in nearby Mount Kisco. This month, the company was already gearing up for Easter. So rather than polish off avant-garde flatware of museum-piece quality, his wife was carving wax bunny rabbits to be cast – aptly – in bitter chocolate, and stuffed with orange cream. The work was part time, without benefits. Her salary made a farcical contribution to their coffers. She kept the job out of spite.
In return, he may have let her keep it out of spite. Besides, she couldn’t help herself. They were very good bunny rabbits.
It was disconcerting to be systematically punished for what might have engendered a modicum of gratitude. He did not require the gratitude, but he could have skipped the resentment, an emotion distinctive for being disagreeable on both its generating and receiving ends. Glynis resented her dependency; she found it humiliating. She resented not being a celebrated metalsmith, and she resented the fact that her status as professional nonentity appeared to everyone, including Glynis, to be all her fault. She resented her two children for diverting her energies when they were young; once they were no longer young, she resented them for failing to divert her energies. She resented that her husband and now her thoughtlessly undemanding children had thieved her most cherished keepsakes: her excuses. As resentment produces the psychic equivalent of acid reflux, she resented the resentment itself. Never having had much of substance to complain about was yet one more reason to feel aggrieved.
Shep was temperamentally predisposed to feel fortunate, although he himself had plenty of substance to resent, had he been so inclined. He supported his wife and son. He subsidized his daughter Amelia, though she was three years out of college. He subsidized his elderly father, and made sure that the prideful retired reverend didn’t know it. He’d made several “loans” to his sister Beryl that she would never pay back, and had probably not made the last; yet they were officially loans and not gifts, so Beryl would never thank him or feel abashed. He’d picked up the entire tab for his mother’s funeral, and since no one else noticed Shep didn’t notice either. Every member of a family has a role, and Shep was the one who paid for things. Because every other party took this state of affairs for granted, Shep took it for granted, too.
He rarely bought anything for himself, but he didn’t want anything. Or he wanted only one thing. Still, why now? Why, if it had already been over eight years since the sale of Knack, could it not be nine? Why, if it could be this evening, could it not be tomorrow night?
Because it was early January in New York State, and it was cold. Because he was already forty-eight years old, and the closer he got to fifty the more The Afterlife, even if he did finally get around to it, looked like routine early retirement. Because his “can’t-lose” mutual funds had only last month recovered the value of his original investment. Because in his idiotic innocence he had broadcast for decades to anyone who seemed interested his intentions to leave behind altogether the world of tax planning, car inspections, traffic jams, and telemarketing. (As his audience had aged, other people’s youthful admiration had long ago soured to mockery behind his back. Or not always behind his back, for at Handy Randy Shep’s “escape fantasy,” as Pogatchnik flippantly tagged it, was a regular source of merciless entertainment.) Because he himself had started dangerously to doubt the reality of The Afterlife, and without the promise of reprieve he could not – he could not – continue. Because he’d tied a carrot in front of his own nose like a goddamned donkey’s, soothed by the seduction of infinite delay, never sorting out that if he could always leave tomorrow then he could also leave today. Indeed, it was the sheer arbitrariness of this Friday evening that made it so perfect.
When Glynis opened the front door, he started guiltily. He had rehearsed his opening lines so many times, and now the script had fled.
“Bourbon,” she said. “What’s the special occasion?”
Still clinging to his last thought, he wanted to explain that the occasion was not special, which was why it was special. “Habits are made to be broken.”
“Some of them,” she reproached, taking off her coat.
“Would you like one?”
She surprised him. “Yes.”
Glynis was still slender, and no one ever pegged her at fifty, though there was a fatigue in her bearing tonight that made it suddenly possible to envision her at seventy-five. She’d been tired since September at least, claiming to run a low-grade fever that he privately failed to detect. Although she’d lately developed a subtle paunch, the rest of her body was if anything thinner; such reapportionment of weight was normal in middle age, and he was too much of a gentleman to pass comment on it.
Their both indulging in hard liquor at barely past seven fostered a warm collusion that he was reluctant to undermine. Yet his innocuous “Where have you been?” came out like an accusation.
She could be evasive, but it was rare for her not to answer at all. He let it go.
Curling protectively around the highball in her usual armchair, Glynis pulled her knees up and tucked her heels. She always seemed enclosed, balled up in another sense, but tonight she seemed uncommonly so. Maybe she intuited his purpose, so long in coming. When he reached into his inside pocket and laid three sheaves of e-ticket printouts silently on the glass table beside the Wedding Fountain, she arched her eyebrows. “Show and tell?”
Glynis was an elegant woman, and he was interested in her – in that way that simple people were so often captivated by the fucked-up. He paused to consider whether, without Glynis, as partner or opponent, The Afterlife might prove desolate.
“Three tickets to Pemba,” he said. “Me, you, and Zach.”
“Another ‘research trip’? You might have thought of that before the Christmas holidays. Zach’s back in school.”
Though she never used to couch the term in quotes,
