‘I’m fine, Charlie, my darling. That’s not really the point.’
‘I know it isn’t.’ He turned back to face her. ‘The point is I’ve got to get this place soundproofed before morning. So please. Seriously. I love you and everything. But either give me a hand, or – go away.’
She looked at the old cows, so gentle and decrepit, their heads and necks still bobbing rhythmically from the trouble of getting down the cellar stairs, flakes of paint the size of saucers hanging off their enormous horns. She looked at Charlie, so utterly in earnest. A year ago, in her more black-and-white days, she might easily, at this point, have decided to bring in the police. That night she didn’t know what to do. The cows couldn’t do any harm, working out their quarantine down here in the cellar, and the idea of getting them out again, and then tomorrow of watching Charlie lining them up for the stocks…
‘By the way, Charlie,’ Jo said sulkily about a minute later, sounding absurdly, self-consciously casual. They were squeezed between the cows and the decaying wall, trying together to fix the soundproofing plank without causing the whole rotten cellar to disintegrate. ‘I’m pregnant. Already. OK?’ (She was embarrassed; it was embarrassingly quick.) ‘I only mention it because we’d better not get caught. I mean I’m definitely not going to prison over this.’
The extermination process was a long and horrible one, beginning before dawn had properly broken, and not ending until dusk on the following day. First to be slaughtered was the dairy herd. It took seven men five hours to dispatch them. Les, the Fiddleford farm hand, would set each one on her journey, steering her the hundred-odd yards through the snow, down the steep path, to the makeshift stall where Charlie stood ready to slip her head into a brace. She would be injected with sedative and then led from the stocks to the land in front of the pyre, as close as possible to the body of the cow which had preceded her, where she would be shot in the head.
Nobody spoke much. The animals rolled in, the animals rolled out, the bodies piled up. The Ministry people had seen it all before. They’d been doing it every day for weeks, which isn’t to suggest that they were enjoying themselves. But it was a job with an hourly rate. It wasn’t their twin sister’s billy goat who was waiting in the yard to have its brain scrambled.
Grey McShane shuffled out to the killing fields just before noon, by which time the slaughterer’s regulation white body suits were soaked in blood. He should have been wearing one himself. One had been left by the back door for him. But Grey was not fond of orders.
In fact he was wearing a Prada suit which had lost its buttons and a pair of the General’s old gumboots. He was carrying a bottle of gin, as he always did, and his big black coat was dragging in the mud behind him. One of the Ministry men hurried across the field to intercept him.
‘It’s strictly no access without the suit,’ he said, inadvertently wiping the blood from his cuff across his nose and forehead. ‘I’m sorry, sir. Someone should have told you. The clothes will have to be burnt now.’
‘What clothes?’
‘The er—suit. Everything. Sorry. Regulations.’
‘Aye,’ muttered Grey distractedly, walking politely around him.
Having offered Charlie his help, and been greatly relieved when it was rejected, Grey had intended to play as supportive a role as he could in the proceedings, but from inside the house, as far away from the smell of blood as was supportively possible. Looking at the carnage, the rows of bodies, the white-suited men with their disinfectant sprays and bloodstains, the sound of the gun, he was finding it very hard to stay focused. He wished he could turn back, but a crisis was developing and he needed Charlie’s help. He took a deep swig at the gin to stop himself from vomiting. He looked back at the Ministry man. ‘Where is he, then?’
‘Who?’
‘Where’s Charlie?’
‘Charlie?’
‘Charlie,’ he said coldly, ‘is the man whose animals you’re in the process of exterminatin’. Charlie Maxwell McDonald.’ Grey glanced disconsolately around the field. ‘Where the fuck is he?’
‘He’s round the corner, by the stocks. But you really can’t—I must insist—’
Grey, thirty-eight years old that summer, had been quite famous once, when he was thirty-seven. Like his friend Jo, he was a refugee from London, from the successful people’s party circuit, but unlike Jo, who’d thrived in it for ten years or more before she pressed the ejector button, Grey McShane had lasted only a matter of weeks. An enormous, miraculously handsome Scottish ex-jailbird, alcoholic and former tramp, he was ‘discovered’ by a handful of fashionable opinion makers, drunkenly reciting his own poetry outside a well-known theatre in Islington. Not long afterwards, Phonix Records had hitched itself onto the McShane bandwagon and offered him an unheard of £1 million contract to make an album of his poetry. The marketing people proclaimed him a genius, a voice for a disenfranchised generation, a living embodiment of a modern generation’s pain. And Grey was one of the few people who had never believed them. Anyway the contract was withdrawn soon afterwards, when Grey was wrongly denounced as a paedophile, at which point (for about a week) he became the nation’s most hated figure, hounded and jeered at on the front of every newspaper. Nobody was surprised when, a week or so after that, the geniuses at Phonix suddenly came to the conclusion that Grey wasn’t a genius after all.
That was back in October. He’d been hiding out with his friends at Fiddleford ever since, the living inspiration for Charlie and Jo’s new business venture, a lonely, private figure who insisted on paying over the odds for his board and lodging, and who so far displayed no signs of ever planning to leave. He was bad-tempered, lazy, reckless, argumentative, funny, brave and, when he thought someone deserved it, heroically loyal. The General adored him. Charlie and Jo, both several years his junior, often suggested that he find somewhere else to live, but they no longer expected it and in fact they would have been quite sorry to see him go. He had been instrumental in bringing the two of them together, and now, as he picked his way through the carcasses, swallowing his own bile and dodging the bossy men in suits, he was about to fight for their interests once again.
‘Ah. There you are, Charlie,’ he said. ‘At last. How’s it goin’?’
‘Hi Grey,’ muttered Charlie, without looking up. There was a cow’s head lodged between his forearms. He was watching intently while a vet emptied his syringe into the vein beneath her tail. A moment later Charlie released the cow and stood back, patting its fat, healthy rump for the last time as it was ushered away. Grey leant towards Charlie. ‘Something’s come up,’ he whispered. ‘You’re needed at the house.’
‘Is it Jo?’
‘Excuse me,’ interrupted the vet, ‘but you need to be wearing one of the suits down here. Someone should have told you.’
‘I know that already,’ said Grey helpfully. ‘I’ve come to fetch Charlie.’ He looked back at the space where Charlie had been standing. ‘…Charlie?’
Grey didn’t catch up with him until they reached the boot room door. ‘It’s nothing to do with Jo, you silly sod,’ he panted irritably. ‘Calm down. It’s yer bloody cows.’
‘Cows? What cows?’
‘Och, for God’s sake! You woke the whole bloody house last night. What bloody cows do you think?’
Just then, from almost directly beneath
