The Stepsister's Tale. Tracy Barrett
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What really happened after the clock struck midnight?
Jane Montjoy is tired of being a lady. She’s tired of pretending to live up to the standards of her mother’s noble family—especially now that the family’s wealth is gone and their stately mansion has fallen to ruin. It’s hard enough that she must tend to the animals and find a way to feed her mother and her little sister each day. Jane’s burden only gets worse after her mother returns from a trip to town with a new stepfather and stepsister in tow. Despite the family’s struggle to prepare for the long winter ahead, Jane’s stepfather remains determined to give his beautiful but spoiled child her every desire.
When her stepfather suddenly dies, leaving nothing but debts and a bereaved daughter behind, it seems to Jane that her family is destined for eternal unhappiness. But a mysterious boy from the woods and an invitation to a royal ball are certain to change her fate.…
From the handsome prince to the evil stepsister, nothing is quite as it seems in Tracy Barrett’s stunning retelling of the classic Cinderella tale.
The Stepsister’s Tale
Tracy Barrett
www.miraink.co.uk
For everyone who struggles with building a family
made up of new members, new configurations, and new relationships
Contents
The house—it was too small to be called a palace—sat at the top of a hill, overlooking thick woods and a river. At a distance, it appeared to be the same as when Mamma was a girl: stately, welcoming, a place of parties and balls, where visitors came to spend long weeks, where Mamma and Papa had danced until dawn the night of their wedding. But once a traveler drew near, changes appeared. Holes gaped in the roof; some of the windows lacked glass, and most were bare of the curtains that would have softened their black emptiness. The few remaining shutters dangled unevenly and banged when a high wind blew.
Inside, the grand stairway swept up in huge curves, gaps and broken boards making the going treacherous. Once upstairs, a curious visitor who tapped the breastplate of the suit of armor would raise twittering from the nests in the beams high above. The corridors were streaked with white bird droppings and were so dark that you never saw the faces in the portraits that hung crookedly on the walls, their frames riddled with wormholes, until you were almost upon them. And even then, they didn’t look back. Within their grimy outlines the faces of beautiful ladies and handsome gentlemen stared out blindly but still proudly at the few who passed by in the dim halls.
And for many years, only two people had walked through those dark corridors: descendants of the proud women and men depicted in the portraits, the last of their line—Lady Margaret’s daughters, Jane and Maude Montjoy.
Jane stopped at the gate, which was half-overgrown with shrubs and vines, and put down her basket. She balanced on one foot and scratched her calf with the toes of the other. She could tell that Mamma hadn’t come back yet. The house looked dead, just a lot of wood and stone. It was only when Mamma was home that it looked alive.
She sighed and lifted her basket. It was light enough—berries were getting