The Stone Book Quartet. Alan Garner

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      ALAN GARNER

      The Stone Book Quartet

      The Stone Book

      Granny Reardun The Aimer Gate Tom Fobble’s Day

      FOR RALPH ELLIOTT

      CONTENTS

       Cover

       Title Page

       Dedication

       The Aimer Gate

       Tom Fobble’s Day

       P.S.

       About the Author

       A Biographical Sketch

       The Intense Gaze of My People

       About the Book

       What the Papers Said in 1978

       A Thirty-Second Exposure

       Read On

       Must Reads

       Find Out More

       If You Loved This, You Might Like…

       About the Author

       Also by the Author

       Praise

       Copyright

       About the Publisher

       THE STONE BOOK

      A bottle of cold tea; bread and a half onion. That was Father’s baggin. Mary emptied her apron of stones from the field and wrapped the baggin in a cloth.

      The hottest part of the day was on. Mother lay in bed under the rafters and the thatch, where the sun could send only blue light. She had picked stones in the field until she was too tired and had to rest.

      Old William was weaving in the end room. He had to weave enough cuts of silk for two markets, and his shuttle and loom rattled all the time, in the day and the night. He wasn’t old, but he was called Old William because he was deaf and hadn’t married. He was Father’s brother.

      He carried the cuts to market on his back. Stockport was further, but the road was flatter. Macclesfield was nearer, but Old William had to climb Glaze Hill behind the cottage to get to the road. The markets were on Tuesday and Friday, and so he was weaving and walking always: weave and walk. ‘Then where’s time for wedding?’ he used to say.

      Mary opened the door of Old William’s room. ‘Do you want any baggin?’ she said. She didn’t speak, but moved her lips to shape the words.

      ‘A wet of a bottle of tea,’ said Old William. He didn’t speak, either. The loom was too loud. Mary and Old William could talk when everybody else was making a noise.

      ‘Is it sweet?’ he said.

      ‘Yes. I made it for Father.’

      ‘Where’s he working?’

      ‘Saint Philip’s,’ said Mary.

      ‘Haven’t they finished that steeple yet?’ said Old William.

      ‘He’s staying to finish. They want it for Sunday.’

      ‘Tell him to be careful, and then. There’s many another Sunday.’

      Old William was careful. Careful with weaving, careful carrying. He had to be. The weight could break his back if he fell on the hill.

      ‘Mother!’ Mary shouted up the bent stairs. ‘I’m taking Father his baggin!’

      She walked under the trees of the Wood Hill along the edge of Lifeless Moss.

      The new steeple on the new church glowed in the sun: but something glinted. The spire, stone like a needle, was cluttered with the masons’ platforms that were left. All the way under the Wood Hill Mary watched the golden spark that had not been there before.

      She reached the brick cottage on the brink of the Moss. Between there and the railway station were the houses that were being built. The railway had fetched a lot of people to Chorley. Before, Father said, there hadn’t been enough work. But he had made gate posts, and the station walls, and the bridges and the Queen’s Family Hotel; and he had even cut a road through rock with his chisel, and put his mark on it. Every mason had his mark, and Father put his at the back of a stone, or on its bed, where it wouldn’t spoil the facing. But when he cut the road on the hill he put his mark on the face once, just once, to prove it.

      Then Chorley must have a church next, and a school.

      Father had picked the site for the quarry at the bottom of the Wood Hill. Close by the place, at the road, there was stone to be seen, but it was the soft red gangue that wouldn’t last ten years of weather. Yet Father had looked at the way the trees grew, and had felt the earth and the leaf-mould

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