a naval airship. And who could blame the gun crew? There was no chance of enemy aircraft out here, so far from the English coast.
‘Ja, Herr Oberleutnant. Right away,’ Peter saluted him. Saluting was not insisted on in such circumstances, but Hildmann, like most regular officers of the old navy, didn’t like the ‘sloppy informality’ of the Airship Division.
Peter climbed the short ladder that connected the control gondola to the keel. To get to the upper gun position took Peter right through the airship’s hull. As he walked along the narrow gangway, he looked down through the gaps in the flapping outer cover and could see the ocean, almost three thousand feet below. The water was grey and spumy, speckled with the last low rays of sunlight coming through the broken cloud. Peter didn’t look down except when he had to. The ocean was a threatening sight. He had never enjoyed sailing since that day when he’d nearly drowned, and the prospect of serving on a surface vessel filled him with horror.
Some light was reflected from below, but the inside of the airship was dark. Above him the huge gas cells moved constantly. All around him there were noises: it was like being in the bowels of some huge monster. Besides the rustling of the gas cells there was the creaking of the aluminium framework along which he walked and the musical cries of thousands of steel bracing wires.
It was a fearsomely long vertical ladder that took him up between the gas cells to the very top of the envelope. Finally he emerged into the daylight on the top of the zeppelin. Suddenly it was very sunny, but the air was bitterly cold and he had to hold tight to the safety rail. What a curious place it was up here on the upper side of the hull. The silver fabric sloped away to each side, and the great length of the airship was emphasized. What an amazing achievement it was for man to build a flying machine as big as a cathedral.
Peter stood there staring for a moment or two. To the port-side he could see two other zeppelins. They were higher, by several hundred feet. Ahead was a flicker of light reflected off another airship’s fabric. That would be the old Dragon fighting to gain height. She’d caught up with the armada. It was good to see her so close; Peter had friends aboard her. They were not alone here in the upper air.
It was late afternoon. Still the airships glowed with sunlight. Soon, as the sun sank lower, the airships would darken one by one, darken like lights being extinguished. Then, when even the highest one went dark, they would move off towards England. Peter shivered; it was cold up here, very cold.
‘Hennig!’ called Peter loudly. He knew where the fellow would be hiding: all the gunners took shelter, but Hennig was the laziest.
‘What’s wrong, Herr Leutnant?’ He emerged blinking into the light and behind him came the loader, a diminutive youth named Stein, who followed the gunner everywhere. Stein was a Bolshevik agitator, though so far he’d been too sly to be caught spreading sedition amongst the seamen. Still, his cunning hadn’t saved him from several nasty beatings from fellow sailors who opposed his political views. Hennig was not thought to be a Bolshevik, but the two men were individualistic to the point of eccentricity, and neither would be welcomed into other gun teams. So they had formed an alliance, a pact of mutual assistance. Erich Hennig pushed his assistant gently aside. It was a gesture that said that if there was any blame to be taken he would take it. ‘What’s wrong, Leutnant?’ he said again. Hennig was a slim, pale youth of about Peter’s age. His dark eyes were heavy-lidded, his lips thin and bloodless.
‘You should be at the gun, Hennig.’
‘Ja, Herr Leutnant.’ Hennig smiled. It was a provocative and superior smile, the smile a man gave to show himself and others that he was not subject to authority. It was a smile for Peter Winter alone: the two men knew each other well. Winter had known Hennig since long before both men volunteered for the navy. Erich Hennig lived in Wedding; his father was a skilled cooper who worked in the docks mending damaged barrels. The apartment in which he grew up, with half a dozen brothers and sisters, was cramped and gloomy. At school Hennig proved below average at lessons, but he earned money by playing the piano in Bierwirtschaften – stand-up bars – and seedy clubs. It was a club owner who brought Erich Hennig’s talent to the attention of the amazing Frau Wisliceny. And through her efforts Hennig spent three years studying composition and theory at the conservatoire. By the time war broke out, Erich Hennig was being spoken of as a talent to watch. In April 1914 he’d given a series of recitals – mostly Chopin and Brahms – at a small concert hall near the Eden Hotel. There was even a paragraph about it in the newspaper: ‘promising,’ said the music critic.
Peter had met Hennig frequently at Frau Wisliceny’s house. Once they’d even played duets, but no friendship ever developed between them. Hennig was fiercely competitive. He saw the privileged Peter Winter as a spoiled dilettante who lacked the passionate love for music that Hennig knew. He’d actually heard Peter Winter discussing with the Wisliceny daughters whether he should pursue a career in music, study higher mathematics, or just prepare himself for a job alongside his father. This enraged Hennig. For Hennig it was a betrayal of talent. How could any talented musician – and even Erich Hennig admitted to himself, if not to others, that Peter Winter was no less talented than himself – speak of any other career?
‘When the telephone rings, you make sure you answer it,’ said Peter.
‘I do, Herr Leutnant.’ He continued leaning against the gun.
‘You should be standing to attention, Hennig.’
‘I’m manning the gun, Herr Leutnant.’
The wretch always had an answer ready. And Peter well knew that any complaint about Hennig would not be welcome. Hennig played piano in the officers’ mess. He could be an engaging young man when he tried, and he had a lot of supporters amongst the senior ranks. When the beer and wine were flowing and the old songs were sung until the small hours of the morning, Hennig became a sort of unofficial member of the officers’ club. It would be a foolish young officer who punished him for what might sound like no reason but jealousy. For Peter would never be able to play the sort of music that got a party going. In this respect he admired Hennig’s talent and envied those years that Hennig had spent strumming untuned pianos for drunken clubgoers. Hennig always found under his fingertips the right melodies for the right moments. And he remembered them. He knew the tune the Kapitänleutnant had danced to the night he met his wife. He knew those bits of Strauss that the observation officer could hum. He knew when the captain might be induced to sing his inimitable tuneless version of ‘I’m Going to Maxim’s’ and changed key to help him; and he knew the hymn tunes for which there were words that could be sung only after the captain departed.
Peter Winter’s musical talent was the talent of the mathematician, and, as was the case with most mathematicians, Bach was his first musical choice. Peter’s love for Bach was a reflection of his upbringing, his social class, and the time and place in which he lived. There was a measured orderliness and formality to Bach’s music: a promise of permanence that most Europeans took for granted. Playing Bach, Peter displayed a skill and devotion that Hennig could never equal. But Hennig never played Bach. And Peter never played the piano in the officers’ mess, where Bach was not revered.
Peter went to the telephone, swung the handle round until the control gondola answered. ‘Upper gun position. Testing,’ said Peter.
‘Your voice is loud and clear, Herr Leutnant,’ said the petty-officer signalman.
Peter replaced the earpiece. ‘Carry on, Hennig,’ he said.
‘I will, Herr Leutnant,’ said Hennig. And as Peter started on the long and treacherous vertical ladder, he heard the loader titter. He decided it was better not to hear it.
As he picked his way back down the ladder to
