An Autobiography. Agatha Christie
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The lovely, safe, yet exciting world of childhood. Perhaps the most absorbing thing in mine is the garden. The garden was to mean more and more to me, year after year. I was to know every tree in it, and attach a special meaning to each tree. From a very early time, it was divided in my mind into three distinct parts.
There was the kitchen garden, bounded by a high wall which abutted on the road. This was uninteresting to me except as a provider of raspberries and green apples, both of which I ate in large quantities. It was the kitchen garden but nothing else. It offered no possibilities of enchantment.
Then came the garden proper–a stretch of lawn running downhill, and studded with certain interesting entities. The ilex, the cedar, the Wellingtonia (excitingly tall). Two fir-trees, associated for some reason not now clear with my brother and sister. Monty’s tree you could climb (that is to say hoist yourself gingerly up three branches). Madge’s tree, when you had burrowed cautiously into it, had a seat, an invitingly curved bough, where you could sit and look out unseen on the outside world. Then there was what I called the turpentine tree which exuded a sticky strong-smelling gum which I collected carefully in leaves and which was ‘very precious balm’. Finally, the crowning glory, the beech tree–the biggest tree in the garden, with a pleasant shedding of beechnuts which I ate with relish. There was a copper beech, too, but this, for some reason, never counted in my tree world.
Thirdly, there was the wood. In my imagination it looked and indeed still looms as large as the New Forest. Mainly composed of ash trees, it had a path winding through it. The wood had everything that is connected with woods. Mystery, terror, secret delight, inaccessibility and distance…
The path through the wood led out on to the tennis or croquet lawn at the top of a high bank in front of the dining-room window. When you emerged there, enchantment ended. You were in the everyday world once more, and ladies, their skirts looped up and held in one hand, were playing croquet, or, with straw boater-hats on their heads, were playing tennis.
When I had exhausted the delights of ‘playing in the garden’ I returned to the Nursery wherein was Nursie, a fixed point, never changing. Perhaps because she was an old woman and rheumatic, my games were played around and beside, but not wholly with, Nursie. They were all make-believe.
From as early as I can remember, I had various companions of my own choosing. The first lot, whom I cannot remember except as a name, were ‘The Kittens’. I don’t know now who ‘The Kittens’ were, and whether I was myself a Kitten, but I do remember their names:
Clover, Blackie and three others. Their mother’s name was Mrs Benson.
Nursie was too wise ever to talk to me about them, or to try to join in the murmurings of conversation going on round her feet. Probably she was thankful that I could amuse myself so easily.
Yet it was a horrible shock to me one day when I came up the stairs from the garden for tea to hear Susan the housemaid saying:
‘Don’t seem to care for toys much, does she? What does she play with?’
And Nursie’s voice replying:
‘Oh she plays that she’s a kitten with some other kittens.’
Why is there such an innate demand for secrecy in a child’s mind?
The knowledge that anyone–even Nursie–knew about The Kittens upset me to the core. From that day on I set myself never to murmur aloud in my games. The Kittens were My Kittens and only mine. No one must know.
I must, of course, have had toys. Indeed, since I was an indulged and much loved child, I must have had a good variety of them, but I do not remember any, except, vaguely, a box of variegated beads, and stringing them into necklaces. I also remember a tiresome cousin, an adult, insisting teasingly that my blue beads were green and my green ones were blue.
My feelings were as those of Euclid: ‘which is absurd’, but politely I did not contradict her. The joke fell flat.
I remember some dolls: Phoebe, whom I did not much care for, and a doll called Rosalind or Rosy. She had long golden hair and I admired her enormously, but I did not play much with her. I preferred The Kittens.
Mrs Benson was terribly poor, and it was all very sad. Captain Benson, their father, had been a Sea Captain and had gone down at sea, which was why they had been left in such penury. That more or less ended the Saga of the Kittens except that there existed vaguely in my mind a glorious finale to come of Captain Benson not being dead and returning one day with vast wealth just when things had become quite desperate in the Kittens’ home.
From the Kittens I passed on to Mrs Green. Mrs Green had a hundred children, of whom the important ones were Poodle, Squirrel and Tree.
Those three accompanied me on all my exploits in the garden. They were not quite children and not quite dogs, but indeterminate creatures between the two.
Once a day, like all well brought-up children, I ‘went for a walk’. This I much disliked, especially buttoning up my boots-a necessary preliminary.
I lagged behind and shuffled my feet, and the only thing that got me through was Nursie’s stories. She had a repertoire of six, all centred on the various children of the families with which she had lived.
I remember none of them now, but I do know that one concerned a tiger in India, one was about monkeys, and one about a snake. They were very exciting, and I was allowed to choose which I would hear. Nursie repeated them endlessly without the least sign of weariness.
Sometimes, as a great treat, I was allowed to remove Nursie’s snowy ruffled cap. Without it, she somehow retreated into private life and lost her official status. Then, with elaborate care, I would tie a large blue satin ribbon round her head–with enormous difficulty and holding my breath, because tying a bow is no easy matter for a four-year-old. After which I would step back and exclaim in ecstasy: ‘Oh Nursie, you are beautiful!’
At which she would smile and say in her gentle voice:
‘Am I, love?’
After tea, I would be put into starched muslin and go down to the drawing-room to my mother to be played with.
If the charm of Nursie’s stories were that they were always the same, so that Nursie represented the rock of stability in my life, the charm of my mother was that her stories were always different and that we practically never played the same game twice. One story, I remember, was about a mouse called Bright Eyes. Bright Eyes had several different adventures, but suddenly, one day, to my dismay, my mother declared that there were no more stories about Bright Eyes to tell. I was on the point of weeping when my mother said: ‘But I’ll tell you a story about a Curious Candle.’ We had two instalments of the Curious Candle, which was, I think, a kind of detective story, when unluckily some visitors came to stay and our private games and stories were in abeyance. When the visitors left and I demanded the end of the Curious Candle, which had paused at a most thrilling moment when the villain was slowly rubbing poison into the candle, my mother looked blank and apparently could remember nothing about the matter. That unfinished serial still haunts my mind. Another delightful