Illumination. Matthew Plampin

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conversation. It was an uncanny moment – gratifying and mystifying in equal measure. Her silver-blonde hair was tied beneath a length of red muslin. She was thinner than Clem remembered, but in a way that suggested vitality and energy rather than privation. And how like them she was! He’d never paid it much mind before, but there in that booth he saw his mother’s oval face and clever grey eyes; the gentle point to the chin that he’d never cared for on himself, but on Hannah was nothing short of beautiful. There was his sister, his twin, for many years his closest friend. He’d found her.

      This relief was tempered with disquiet. She was surrounded by men, all of them wearing simple, faded clothes. They looked more like a band of revolutionaries than artists. Han had never been one for gangs, being an impatient, solitary type; yet here she was holding court, telling these moustachioed fellows what was what in French that sounded even better than Elizabeth’s. She didn’t need rescuing, by Clem or anyone else. The letter was a lie. His sister was neither friendless nor destitute; she wouldn’t be leaving Paris, no matter what danger the city might be in. They’d been misled.

      The copper-haired woman reached out to Hannah, attracting her attention and jerking a thumb towards Clem. His sister’s astonishment seemed to smack against her, knocking her back in her seat.

      ‘Dear God!’ she cried. ‘What – what the devil are you doing here?’

      The booth went quiet.

      ‘Well, Han,’ Clem began, ‘with everything that’s going on, it was felt—’

      Hannah got to her feet. ‘Please, Clem,’ she said, ‘just tell me she isn’t with you.’

       II

      Hannah took hold of Clement’s lapel and pulled him away from the booth, into a doorway beside the bar. The material was well worn; it was the same coat he’d been using when she went, and it hadn’t been new then. The fortunes of the Pardy household had plainly not improved. He’d started talking in his old manner, rambling on about how very well she looked and how much this place seemed to suit her; hearing and speaking English again after so long felt strange, a little wrong, like walking in someone else’s boots.

      ‘Shut up, Clem,’ she said, ‘for pity’s sake.’

      She considered him for a second: a guileless boy still, largely unchanged by the two years that had passed. His face, freckled by another idle summer, lacked the pinched quality Hannah had grown used to in Montmartre. Poor he might be, but he had food; he had a good bed and an easy mind. A flicker of contempt gave way immediately to guilt. Clement had been her sole regret when she’d fled from London. She’d abandoned her brother to Elizabeth. This could not be ducked or denied. He had every right to resent her – to demand that she explain herself and listen to the suffering he’d endured in her absence – but he was grinning, saying how pleased he was that they’d been reunited, whatever the circumstances. She released his coat.

      ‘Is she here with you? Answer me.’

      Clem’s grin fell. He scratched at his blond whiskers and glanced along the bar. ‘Over there somewhere, I’m afraid. Her blood’s up something awful, Han. You’d better get ready.’

      Hannah was glad of the anger that gripped her; it at least dictated a clear course of action. ‘Why have you come? Why now?’

      A letter was produced from his coat pocket, written in an official-looking hand. She read it with gathering dismay.

      ‘But this is quite untrue. It’s nonsense.’

      ‘Who could’ve sent it, do you reckon?’

      Hannah thought hard. This letter was obviously intended to humiliate. The arrival of her family from London at this pivotal time would make her seem like a hopeless ingénue – no different from the hundreds of hare-brained English girls who ran away to Paris every year, only to be retrieved by their relatives. It labelled her a tourist, an outsider, someone not to be taken seriously. The list of suspects was long. She’d learned that camaraderie between artists was a fragile thing, in constant danger of tipping into rivalry. They might share a philosophy of painting, but each one of these professed comrades, in some private chamber of his heart, desired the ruination of the rest. There were others as well; impatient creditors, a handful of rebuffed suitors, and the likes of Laure Fleurot, who’d pointed Clement in her direction with such malevolent delight. Any of them could be responsible.

      Ingenuity had been required, of course, both to discover the St John’s Wood address and compose a letter in English. Nobody of Hannah’s acquaintance had ever admitted familiarity with her mother tongue. Translators and draughtsmen could be found throughout the city, though; and besides, who could say what knowledge people chose to keep hidden?

      ‘I’ve no idea,’ she said.

      ‘Things are getting bad here though, aren’t they? It’s like the city has been given over entirely to soldiers. I’ve heard that there’s to be a siege, Han – a bloody siege.’

      Clem’s experience of Paris had plainly unnerved him. Her brother led a sheltered life, seldom straying from long-established paths; he was singularly ill-equipped to cope with the upheaval that had come to define the city. The past few months had seen wild jubilation at the outbreak of war, the misery of subsequent defeat and then a bloodless revolution, swift and uproarious, unseating an empire in a single day. And now, almost impossibly, events were escalating yet further. The end of Napoleon III had not brought the end of the war he’d started. The Prussians were coming for Paris – set on razing her to the ground, it was rumoured, and then remaking her in their own forbidding image.

      Hannah shook her head, remembering Jean-Jacques’s words. ‘These invaders do not see what Paris is,’ she said. ‘They think we’ve been cowed by the fall of the Empire and the destruction of the Imperial armies, but the opposite is true. Our city has been liberated.’

      ‘Our city? Quite the loyal Parisian these days, Han, ain’t you?’ Clem’s laugh was tense. ‘I mean to say, that’s all well and good, but these Prussian blighters are approaching in their hundreds of thousands. They have guns like you wouldn’t believe. I read in The Times that at the battle of Sedan they—’

      Hannah wasn’t listening. She looked at the letter – at her address on the rue Garreau. ‘How did you find me? Here in the Danton, I mean?’

      Clem stopped; he grinned again, pride in his detective powers displacing his apprehension. ‘Why, from your paintings. This fine establishment features in a good few of them. I asked your landlady about it and she was kind enough to provide directions. Then I recognised that girl, the one in blue, from your portrait of her. Simple stuff, really.’

      ‘You went into my home? What were you thinking, Clem?’

      He became defensive. ‘We were worried, Han. We thought you might be poorly, or starving, or—’

      A murmur of excitement spread through the Danton, rippling out from the doors to its furthest corners. Many turned to stare; Hannah overheard a nearby labourer say ‘l’Alsatian’ to his companions. Jean-Jacques had arrived. Two inches taller than the next tallest man, black hat still on his head, he was moving slowly towards the bar, shaking hands and giving nods of acknowledgement. A squad of National Guard pulled him among them, hailing him as a brother as they poured him a glass from their wine jug.

      ‘I

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