The Family on Paradise Pier. Dermot Bolger
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‘But surely Moscow won’t abandon the rest of us?’ Art argued. ‘What is the point in mankind taking one step forward and then simply stopping?’
‘Who mentioned stopping?’ Mr Ffrench replied. ‘Moscow cannot be a wet nurse to everyone. It is up to us who live here to fan the flames of revolution.’
Art went quiet and even Eva ceased to prattle on about the scraps of local gossip that Mrs Ffrench had been enjoying. There was a subtext in her husband’s remark, a Rubicon quietly crossed, a declaration she had not dared to seek from him. Hope surged inside her in direct opposition to Art’s baffled disbelief.
‘What do you mean by us?’ he enquired. ‘Surely once you recuperate you will return to Russia. I understand your desire to come back here and recover your strength, but…’
‘Desire did not enter into it,’ Mr Ffrench interjected. ‘It was necessity. Because I could seek medical treatment elsewhere it would therefore have been a selfish, counter-revolutionary act to deny a comrade treatment by clogging up a Moscow hospital. Medical supplies are crucial, as are able-bodied workers. My arm will never fully recover. The revolution is no rest home for cripples. Do you think I wish to be a parasite in Moscow, living off the sweat of my fellow workers? Mrs Ffrench and I had no desire to ever return to Donegal. Crossing into Finland was the hardest chore we ever did. I curse my disability for dragging Janet away from an environment where I saw her blossom with such happiness and purpose. But personal feelings cannot be allowed to rule. What is vital is that we each contribute to the maximum of our potential. I was shocked in London to read appalling propaganda in the capitalist newspapers. Janet and I have decided that for now our place in the revolution is here where we can counter lies and bear testament to the amazing society that we were privileged to witness and to which one day we will hopefully return. Here we can serve a purpose which you can help with too. The Irish peasants imagine that they have undergone a revolution, but they’ve just swapped one master on horseback for another. We can show them the truth – and do you know the great thing? They will listen to us because even in my short time back I see that the old respect remains for people who speak with authority. They don’t look up to this new Johnny-Come-Lately Free State government trying to lord it over them. Oh, no doubt there will be fireworks with their priests waving sticks and shouting threats from the far side of the bridge leading onto my property but they can’t stop us telling the truth to those who will listen.’
Mrs Ffrench saw Art trying to shape a question, but no words came because the boy needed to believe in her husband. What did she believe? She watched her husband grow so animated that soon Art was caught up in his enthusiasm and asking questions again about the factory and the workers’ debates. Both she and Eva stopped talking so that they could listen too, because his version of Moscow was so wonderful that it felt like a poultice on her mental scars. It was simpler not to argue or even contradict him in her mind because maybe he was telling the truth and she had been too preoccupied with her own petty concerns to appreciate the wonder of revolution.
The children had brought food and it felt like a picnic to share it out by the fire in the study. The mantelpiece clock had long stopped and she had no idea what time it was when the young Goold Verschoyles left. But it was too late to do anything except retire to the main bedroom where the sheets felt damp. Her husband was asleep within minutes and she knew that he would not wake. She slipped from bed and walked from room to room, trying to reclaim all this space and make it feel that it belonged to her. But she felt uneasy, as if hordes of strangers might arrive at any moment to stake a claim to the kitchen or the locked room overlooking Donegal Bay that had been once intended as a nursery. She longed to immerse herself in a bath but knew that she could never scrub herself clean. Closing her eyes she could still smell in her pores the stink of foul breath and unwashed clothes in that Moscow room. So why was it that she could not hear the voices of the children who had clambered onto her knee to stare at her like a curio? She could not feel their fingers that had gripped hers, hoping that she might produce a morsel to feed them. Why was it that the single experience she treasured seemed to be erased from her mind, so that all she could hear was silence as she wandered from room to room, barefoot in her thin nightgown?
Donegal, August 1924
The more that Eva drew, alone in her studio, the less she could hear of the raised voices from the house. Her fingers shook, giving the elfin figures a slightly blurred outline. She had intended painting in oils today but once the shouting started she reverted to using this sketchpad on her knee, hunching over it to make herself as small as possible. She longed to escape and sketch wild flowers in the hedgerows, but was reluctant to leave her studio and cross the courtyard where the angry clash of voices would be impossible to ignore. Eva hated these arguments and the terse silence that followed them. During the fragile suspension of hostilities her brothers and Cousin George would individually visit the studio, ostensibly to comfort her, but each would start to justify their case, anxious to convert her into an ally.
Eva had no wish to take sides in the quarrels that had raged all summer. The Free State’s civil war was over, with de Valera’s Diehard Irregulars defeated. But just as an uneasy normality settled over the new nation they found themselves in, a civil war had commenced in the heart of her family. Friends and relations who visited earlier in the summer had helped to paper over the fault lines by dragging them back into a childhood world of tennis and picnics on the strand. These visitors inscribed amusing notes of thanks in the visitors’ book and carefully avoided politics like an unmentionable family illness. So perhaps Father was foolish to invite Cousin George to stay for Eva’s birthday party because Cousin George knew Art and Thomas too well to allow for any pretence. As a true Verschoyle he was as headstrong as they were. To him the family’s reputation was being indelibly eroded by Art’s wilful madness in embracing communism, which he considered to be a cancer gradually infecting them all. Such lunacy might be all right for pagans like the Ffrenches, but his uncle was always too soft in allowing inflammatory discussions at the table.
If Eva was forced to listen to George she knew that she would be swayed by the power of his argument but Art’s impassioned defence would equally convince her in turn. Her beliefs were more obscure and less dogmatic than either point of view. Although influenced by Mother, Eva found it hard to believe in the occult world as passionately as she did. Seances – with desperate women holding photographs of slain sons – seemed a form of voyeurism, making her as uncomfortable as these political arguments. This was why she locked herself away in her studio when the quarrelling started – not to avoid venturing an opinion, but to avoid favouring one family member over another. Ironically her silence seemed to lend weight to her opinions, with the others frequently appealing to her as if she were a judge who, when she finally spoke, could attest to the rights and wrongs of their dispute.
The voices grew louder as Eva crouched over her sketchpad, focusing all her attention on the tiny figures she was conjuring. They had wings and asexual bodies, flitting like bees around blooming foxgloves growing in a ditch. Her fingers were steadier now and she sketched the ditch with intense concentration. After some time Eva ceased to hear the arguing voices and initially thought that this was because she had managed to block them out. Then she realised that hostilities had paused. Soon the first petitioner would arrive to solicit support – George or Thomas, who generally sided with Art while maintaining his own slant on things, or Father, weary of trying to see both sides. By now Mother would have retreated to her bedsitting room