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Reader,
She Married Me
Salley Vickers
Published by The Borough Press
An imprint of HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
First published in Great Britain by HarperCollinsPublishers 2016
Foreword © Tracy Chevalier 2016
Reader, She Married Me © Salley Vickers 2016
The moral rights of the authors have been asserted
Cover design by Heike Schüssler © HarperCollinsPublishers Ltd 2016
Jacket photograph © Dan Saelinger/Trunk Archive
A catalogue copy of this book is available from the British Library.
This story is entirely a work of fiction. The names, characters and incidents portrayed in it, while at times based on historical events and figures, are the works of the authors’ imaginations.
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Source ISBN: 9780008150594
Ebook Edition © April 2016 ISBN: 9780008173449
Version: 2016-03-16
Contents
Reader, She Married Me – Salley Vickers
Why is Charlotte Brontë’s “Reader, I married him” one of the most famous lines in literature? Why do we remember it and quote it so much?
Jane Eyre is “poor, obscure, plain, and little”, with no family and no prospects; the embodiment of the underdog who ultimately triumphs. And “Reader, I married him” is Jane’s defiant conclusion to her rollercoaster story. It is not, “Reader, he married me” – as you would expect in a Victorian society where women were supposed to be passive; or even, “Reader, we married.” Instead Jane asserts herself; she is the driving force of her narrative, and it is she who chooses to be with Rochester. Her self-determination is not only very appealing; it also serves to undercut the potential over-sweetness of a classic happy ending where the heroine gets her man. The mouse roars, and we pump our fist with her.
Twenty-one writers, then, have taken up this line and written what it has urged them to write. I liken it to a stone thrown into a pond, with its resulting ripples. Always, always in these stories there is love – whether it is the first spark or the last dying embers – in its many heart-breaking, life-affirming forms.
All of these stories have their own memorable lines, their own truths, their own happy or wry or devastating endings, but each is one of the ripples that finds its centre in Jane and Charlotte’s decisive clarion call: Reader, I married him.
Tracy Chevalier
IT WAS SIMPLY JOY at first. So often it is joy “at first”, would you not say? It is the “at last” we should judge our human dealings by. Yet who but the Great Judge is able to do that? I do not speak here of God, for about Him I remain a cautious sceptic. No, it is that other exigent imponderable, Death, towards whose kingdom I, Edward Rochester, draw daily closer, whose judgment I am most disposed to trust now.
During those long months, when I searched vainly for Jane, I rehearsed all the blessed times we had spent together. Our first meeting that chilly winter afternoon, when, unaware of my identity, she aided me with the injury sustained from my fall and I teased her that she had bewitched my horse. The time she came in search of me, braving the wind and rain, and on finding me flew like a bird to my glad arms. The many times I found her sitting with that indefatigable knitter, good old Mrs Fairfax (who was always so doubtful over our intended union), a book in her hands and that little burr, Adele, my foster child, idly content at her knee; most speakingly, the recollection of her at the wicket gate, standing beside me in the plain square of blond she had fashioned herself for a bridal veil, when, caught by some impalpable intimation of the coming doom, I delayed our entry into the church. A myriad such images lived on in my memory. And, threaded through them all, the luminous aura of elfishness which had so enchanted me. From
