Crackpot. Philip Loraine

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       PHILIP LORAINE

       Crackpot

      HarperFiction

      A division of HarperCollinsPublishers Ltd.

      1 London Bridge Street

      London SE1 9GF

       www.harpercollins.co.uk

      First published in Great Britain in 1993 by The Crime Club

      Copyright © Philip Loraine 1993

      Philip Loraine asserts the moral right to be identified as the author of this work.

      A catalogue record for this book is available from the British Library

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

      HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

      Source ISBN: 9780002324366

      Ebook Edition © MARCH 2017 ISBN: 9780008252748

      Version: 2017-03-29

       Crackpot

      In the opening paragraph of Philip Loraine’s novel a murderer describes the process of picking up an unknown girl in a club prior to strangling her, and admits to disposing of nine others in a similar manner. The murderer then returns to Crestcote House, a gothic mansion which has been turned into a peaceful retreat for ‘artists of recognized stature’.

      The community comprises an eccentric composer, a reclusive iron-worker, a beautiful sculptress, a discontented novelist, and three assorted painters, one female, two male. The lord of this remarkable manor is a philanderer, and the place is known locally (and not surprisingly) as Crackpot Castle. No one suspects, however, that one of the denizens is a serial killer.

      And no one need ever have suspected if the killer had not elected to play a practical joke on fellow residents which led to a spate of lies, an unsuccessful blackmail attempt—and another killing.

      This time Chief Inspector Tom Pennard is very much on the scene. Under his questioning suspicion flickers like a will-o’-the-wisp from one person to the next, while all the time the murderer, anonymous and supposedly secure, offers the reader a first-hand commentary on the unfolding of events, leading to a dramatic unmasking in the final paragraphs of this cunningly plotted story.

      CONTENTS

       Cover

       Title Page

       Chapter 5

       Chapter 6

       Chapter 7

       Chapter 8

       Chapter 9

       Chapter 10

       Chapter 11

       Chapter 12

       Chapter 13

       Chapter 14

       Chapter 15

       Other Books By

       About the Publisher

      Before I actually kill I seem to experience tunnel-vision, my whole being concentrated on the search and its inevitable conclusion. Although I don’t care for the idea, I suppose I’m like a junkie aiming for the next fix, and certainly what I do is addictive; but at least it doesn’t leave me a snot-dribbling half-human who will only move again when the desire for more becomes unendurable. Like certain drugs, killing enlarges and revitalizes me, enables me to work twice as well and twice as hard, but the period between my fixes is mercifully a long one—I seldom kill more than once a year.

      As for the danger of being caught, it seems that I must take reasonable precautions because I never have been caught, nor, as far as I know, come within a mile of it. I’m not aware of these precautions, any more than a hunting animal is aware of the necessity for slow and cautious movement as it approaches its prey.

      Take

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