to use it in everyday life. By 1984 applied psi did become an informal part of a number of fields, including archaeology, agriculture, executive decision-making, scientific discovery, military intelligence, criminal investigations and weather prediction. However, over subsequent years the erratic nature of psi made it an unreliable tool.
Some experiments raised interesting questions as to how effective applied psi can be when it comes to making financial investments. It is not uncommon for people to place a bet or buy and sell stock on gut instinct. Experiments, such as one conducted by the St Louis Business Journal in 1982, compared the results of a group of experienced brokers with a psychic. The stocks picked by the brokers fell in value, but the ones picked by the psychic rose. Despite such successes, however, widespread use of applied psi in the stock market has never materialized – if it did it would probably spell the end of the stock market, thriving as it does on unpredictability and chance.
APPORT
In his Encyclopedia of Psychic Science (1933), Hungarian psychical researcher Nandor Fodor defined apports as the ‘arrival of various objects through an apparent penetration of matter’, one of the most baffling phenomena of spiritualism, he thought. Apports are objects that mediums claim to be able to produce from thin air or transport through solid matter, and to this day they remain as mysterious as ever.
The majority of apports are everyday small objects such as rings, sweets and pebbles, although some can be large and unusual such as books, garden tools, live animals and birds. When spiritualism was at its most popular apports were commonplace at séances. Sufis, mystical adepts of Islam, and Hindu swamis are also renowned for the apports they produce. Some mediums have been exposed as frauds, producing apports that were hidden under the table or on their person prior to the séance, which is held in the dark, making trickery easier. Some adepts also have been exposed as frauds, but there are adepts and mediums whose reputations hold. Sai Baba of India, for example, seems to be able to produce apports, such as sweets, banquets of hot food, statues and many other objects, from his closed fist, while others are pulled from the sand.
Theories to explain apports that appear to be genuine include apports as gifts from the spirits, the pulling of objects from another dimension through some sort of psychic magnetism or the medium somehow taking objects from another location, making them disintegrate and then transporting and reassembling them.
ARRIVAL CASES
The appearance of a person before their actual arrival. Frequently the arriving phantom appears in the same clothing the individual is wearing at the same time. The individual is usually not aware of appearing in a distant location until told about it.
Arrival cases were collected and studied by the founders of the Society for Psychical Research in the early twentieth century. They collected their evidence in their exhaustive survey Phantasms of the Living (1918).
Arrivals have been claimed to eat, sleep and seem so real that anyone could believe it was a double (doppelgänger) of the real person. The most likely explanation of arrival cases is that the individual somehow projects a double, which is perceived as real, perhaps as an out-of-body projection (bilocation) or as a psychic projection of intent or desire to be in that different place. Others think that arrival cases are a quirk of time duplicating itself.
In the Highlands of Scotland, the term for arrival cases is ‘spirits of the living’. In Norway, the arrival case phenomenon is called vardøger, which means ‘forerunner’.
One unusual vardøger case occurred in Oslo and concerned Erikson Gorique, an American importer. For years, Gorique had wanted to go to Norway but was forced to keep postponing the trip. In July 1955 he was finally able to go. On his arrival in Oslo, Gorique asked where he might stay. Much to his astonishment, when he arrived at the recommended hotel he was greeted by name by the hotel clerk. The clerk told him it was nice to see him again. When Gorique protested that he had never before travelled to Norway or been at the hotel, the puzzled clerk insisted that he could not mistake Gorique’s unusual name and American appearance. He said Gorique stayed at the hotel several months earlier and had made reservations to return that month.
Gorique was even more surprised when he visited a wholesale dealer, who also greeted him like an old friend, saying it was terrific to have him back to conclude previous business. Gorique told the dealer that he hadn’t been there before, whereupon the dealer nodded knowingly and explained the vardøger phenomenon: ‘It is not uncommon in Norway,’ he said.
ART, PSYCHIC
Also known as automatic painting, psychic art occurs when individuals who often have little or no artistic training suddenly feel overcome by a desire to draw or paint in distinctive, professional styles. They feel guided by a spirit and may actually feel an invisible hand pushing theirs.
A psychic artist can produce amazing likenesses of deceased relatives of an enquirer, people unknown to the artist. Such an artist may also draw or paint spirit guides, angels, animals or figures who are subsequently discovered to be connected to the enquirer in some way.
In addition to artists who create images of guides and people in spirit, there are others who unconsciously collaborate on pieces of original artwork. Some psychic artists claim contact with great masters who have taught them a special skill or who use them as a vehicle to add new collections to works they produced while still alive. Some psychic art is also sacred art. Many shamanic or healing traditions from around the world have used sacred art in ceremonies of healing and as a bridge between the physical and non-physical worlds. The Navajo people, who reside in the Southwestern region of the USA, have passed down the practices of hand painting from generation to generation. Tibetan monks, too, conduct healing ceremonies that involve the creation and destruction of detailed sand paintings.
One of the most famous psychic art cases is the Thompson-Gifford case, which occurred early in the twentieth century. In 1905 an engraver from New York, Frederic Thompson, was seized with the urge to draw and paint in the style of the recently dead artist Robert Gifford. Thompson had met Gifford when he was alive but was not well acquainted with him. When Thompson painted he felt he was Gifford, and he often heard Gifford’s voice urging him to sketch. Thompson produced many works that reminded buyers of Gifford’s style and sold at good prices.
See also Automatic writing; Automatism.
ARUNDEL CASTLE
This magnificent castle in the heart of West Sussex has been the home of the Dukes of Norfolk since 1580. It was severely damaged by fire in the seventeenth century but has now been restored to its former glory. Not only is Arundel Castle the home of countless priceless works of art, but it also is thought to house several ghosts.
The ghost of a young woman dressed in white has been seen wandering round Hiorne’s Tower, particularly on moonlit nights. According to legend, she threw herself off the tower because of a tragic love affair. A ghost has also been encountered in the library and has become known as the ‘Blue Man’. He has been seen on several occasions searching through books, and is thought to date back to the time of King Charles II (1660–1685).
A kitchen boy of 200 years ago or so is said to have been so badly treated that he died young. His ghost has been seen furiously polishing pots and pans. Another ghost is that of a small white bird, which reputedly flutters around the windows of the castle. It is said to signify the imminent death of someone connected to the castle and was reported to have appeared just before the death of the Duke of Norfolk in 1917.
ASH
