the Aaskouandy is an independent being, the owner is careful to stay on the right side of it, keeping it happy with gifts and feasts.
If an Aaskouandy appears in the shape of a fish or serpent, then this is particularly potent because of the inherent power of these creatures. In this case, the Aaskouandy changes its name, too, and becomes an Onniont.
ABRAXAS
Depending on your point of view, Abraxas is either an Egyptian Sun God who was adopted by the early Christian Gnostics, or a demon from Hell who is closely associated with Lucifer, although there is a case for the former, since he was not demoted to the ranks of a demon until the Middle Ages.
Abraxas was no ordinary god, however. As Ruler of the First Heaven he had dominion over the cycles of birth, death, and resurrection.
Whatever the case, the symbol for Abraxas is a very unusual one. He has the head of a chicken, the torso of a man, and two serpents for legs. He holds a shield in one hand and a flail-like instrument in the other. The image of Abraxas was carved onto stones (called Abraxas Stones) and the stone used as a magical amulet. Occasionally Abraxas will appear driving a chariot drawn by four horses; these horses represent the elements.
This Abraxas symbol was adopted by the Knights Templar, who used it on their seals. No one knows precisely why this symbol was of particular significance, but a hidden secret within the name “Abraxas” may provide a clue.
In Greek, the 7 letters are the initials of the first 7 planets in the Solar System.
Further, if we apply numerology to the name then it adds up to 365, not only the number of days in a year but also the number of the spirits that those same early Gnostics believed were emanations from God.
Added to the mix is the speculation that the supreme magical word, “Abracadabra,” may derive from the name Abraxas, which means “harm me not.”
ADRINKA SYMBOLS
Originating in Ghana, Adrinka symbols are now related, in general, to the Ashanti people. There are hundreds of these signs, which were originally printed on the cloth that was used in sacred ceremonies and rituals, funerals in particular. “Adrinka” means “goodbye.”
The patterns are created using a block printing method. The symbols are cut into a calabash gourd, and then stamped onto the cloth in ink or paint.
The language of Adrinka is rich and varied, embracing philosophical concepts and sociological ideas as well as straightforward words. The symbols take their influence from plants, animals, the landscape, and the natural world, as well as manmade objects. There is a vast Adrinka vocabulary, with complex meanings attached to what might appear, at first glance, to be simple little doodles.
AESCLEPIUS WAND
Often confused with the Caduceus, the Wand or Rod of Aesclepius is the true symbol of the medical profession. The symbol belongs to the Greek God of Healing whose name it bears. Although the origins of many symbols are indeterminate, there is a theory that the Aesclepius Wand came about due to the method of removal of a certain parasite that was drawn gradually from the body by winding it around a stick. However, the serpent is a powerful symbol of healing, despite its toxic nature. In general, the symbol of the serpent rising up toward the top of a pole or tree is representative of matter transforming into spirit and of enlightenment.
AGNUS DEI
Agnus Dei translates as the “Lamb of God,” and is also known as the Paschal Lamb. It is symbolized pictorially as a lamb with a halo, proudly trotting along, carrying a banner and a cross.
Lambs were commonly sacrificed during the time of the Passover, the blood sprinkled in the doorway or rubbed onto the lintel, so the connection was made because of the sacrifice of Christ.
Part of the Catholic mass includes the plea, repeated three times:
Lamb of God, who takes away the sins of the world, have mercy on us.
AKHET
In Egyptian, Akhet means “dawn.” This symbol—often made into an amulet by the Ancient Egyptians—symbolized the new Sun rising over the sacred mountain.
The symbol sometimes features the double-headed lion, or Aker, that guards it, and is also related to the glyph used to denote the astrological sign of Libra.
AKWABA
This is an African fertility symbol belonging to the Ashanti tribe. The Akwaba is a doll, usually carved of wood, which commands the same attention as a real infant. It is dressed, washed, and even “fed” until the human child is actually born, an example of sympathetic magic believed to ensure the arrival of the true baby.
ALCHEMY
Alchemy is an ancient art, at the heart of which lies the manufacture of a mysterious substance called the Philosopher’s Stone, the highly desirable and legendary object that is said to transform base metals—such as lead—into gold.
However, the gold in this instance symbolizes not just the valuable metal, but enlightenment and eternal life, and Alchemists are concerned with their own spiritual and personal development as well as the pursuit of the seemingly unattainable goal. The Chinese differentiate these different kinds of alchemy as nei-tan (the alchemy of spiritual transformation) and waitan (the straightforward “lead-into-gold” type).
The motto of the Alchemists is Solve et Coagula, meaning “Solution and Coagulation.”
The work of the early Alchemists was necessarily a secretive and clandestine matter, and its secrets are still held within a rich encrustation of symbols, pictures, oblique references, double meanings, and riddles. Alchemical symbolism features animals, birds, colors, and parables as well as archetypal symbols such as the Cosmic Egg.
The key tenets of alchemy are encompassed in something called the Smaragdina Tablet, or the Emerald Tablet, which is said to have been found by Alexander the Great in the tomb of Hermes Trismegistus (Hermes the Thrice Great) who is the founder of all things alchemical. The Alchemical Tradition exists/existed in Ancient Egypt, China, and India, but its most recent incarnation was in medieval Europe.
Those who dabbled in alchemy include the famous and the infamous, such as John Dee (astrologer to Queen Elizabeth I), Paracelsus, Albertus Magnus, Christian Rosenkreuz, Nicholas Flamel, and Isaac Newton.
