brown acrylic paint from one of their battered art sets, thinned it, and used it judiciously to highlight every crack, chip, and mar in the plaster. She’d even gouged a little plaster away in places to heighten the effect and was pleased when the overall look suggested old adobe.
The faded, dirty, entirely too frilly Priscilla curtains were cleaned, dried and put away for the girls to use at a later time, as was the heavy old crocheted bedspread. After washing the windows, she covered them with a pair of golden tan sheers that she’d found in the back of the linen closet in the hallway, then for a valance she tacked up an old horse blanket with which the kids had been playing. An old hand-sewn quilt was thoroughly cleaned and quickly repaired to serve as a bedspread. A headboard for the bed was fashioned from a stack of oak posts discarded as too crooked for use as fencing sometime in the past.
With Chaz’s help, Mattie dragged a scarred trunk from the unfinished room, first emptying it of carpentry tools, and placed it at the foot of the bed. Next to it, she arranged a pair of old, nearly rotted cowboy boots and a coiled rope that Chaz insisted his daddy had once used to work the cattle they’d kept on the place. Jean Marie declared this an ugly lie, and Mattie suspected that it had something to do with her mother, but she couldn’t imagine what. After receiving specific instructions about what to look for, Chaz unearthed some rusty bits and pieces of bridle, as well as the barrel and stock of a shotgun so ancient it threatened to disintegrate in Mattie’s hands as she cleaned it sparingly and hung it on the wall. A battered, almost shapeless, felt cowboy hat came out of a closet somewhere and found a place on the end of a post in the rustic headboard, and a second horse blanket became a bedside rug.
The true challenge in this transformation was presented by the lamp that offered the room’s only light source. Pearl white, with gold detailing and a ruffled shade, it was completely out of sync with the new Old West flavor of the room. After much thought and many suggestions from the children, most of them nonsensical but funny, Mattie decided to completely sand the finish of the lamp with sandpaper culled from the unfinished room to give it a rustic look. The shade was another matter. It simply could not be made over to work with the rest of the room, but replacement seemed out of the question—until she came across a tin pail with a hole in the bottom.
Jean Marie volunteered the information that Orren had been furious when Chaz had driven a nail into the pail in a misguided effort to create a shelter for a pet squirrel. The idea had been to attach the pail to a tree in the backyard, but Chaz had been unable to manage that. It seemed that the pail he had chosen was a brand-new one with which Orren had intended to feed the premature, motherless calf he’d secured in the small corral out back. Orren had yelled. Chaz had cried. The squirrel had run away, and eventually the calf had died despite Orren’s attempts to save it. The story almost put Mattie off the idea of using the pail, but in the end, it was the only option she could see. She hoped to mitigate the unpleasant memories by having the children draw designs on the side of the pail with crayons, then, using the drawings as patterns, carefully pierce the metal with a hammer and nail. Jean Marie refused to participate, and Mattie wound up having to perform the piercing herself, but once the bail was removed and the hole in the bottom was carefully enlarged, she had herself a suitable, thoroughly unique lamp shade. Jean Marie, however, predicted disaster. Her daddy would hate the dumb old thing, she declared. In fact, he’d hate the whole ugly room.
Mattie was pretty well convinced that Jean Marie was right by the time Orren’s truck turned into the driveway. She felt a wave of panic as she heard the engine die away in the carport and the cab door open and close as he got out. Jean Marie waited at the corner of the dinner table, the gleam of retribution in her eyes. When the door opened and Orren pulled himself sluggishly into the house, she launched her offensive.
“She tore up everything!” she declared, pointing an accusing finger at a quaking Mattie. “She took down Mama’s pretty curtains and put up a dirty old horse blanket, and she moved everything around, and she punched holes in things! And she got out stuff she wasn’t s’posed to, stuff you said we couldn’t even get out!”
Orren stood with a hand on the back of his neck, staring at the belligerent child. “What on earth are you talking about, Red?”
Mattie stepped forward, arms rigid at her sides, chin up and confessed. “I redecorated your bedroom.”
His mouth fell open, his blue eyes widening. “You what?”
“It was presumptuous of me,” Mattie admitted, bowing her head. “I don’t know quite what came over me except…well, it was depressing, even after I cleaned and reorganized it, and I thought…” She blinked, deciding it was better not to say exactly what she’d thought, that it’d be of benefit to everyone to remove every trace of his ex-wife from the room in which he slept night after night—especially of benefit to her. “If you don’t like it,” she said with a sigh, “I’ll put everything back the way it was. I’ll even repaint the walls.”
Orren stared at her for what seemed like an eternity, then he rubbed a hand over the top of his head and said tiredly, “Guess we’d better go take a look at it.”
Jean Marie ran ahead and smugly threw open the door, while Chaz rushed forward to exclaim that he liked the new room, he thought it was swell, he wished it was his room. Orren paused to apologetically pat his son’s head and say, “One of these days it will be your room, Chaz, just as soon as I finish the new master bedroom. Promise.”
The rather forced smile that Chaz gave his father in return for that promise made it clear that the boy didn’t figure it would be kept anytime soon. From the grim expression on Orren’s face, Mattie concluded that Chaz was correct; a conclusion which did nothing to calm the butterflies beating madly in her stomach. She held her breath as Orren moved into his room and abruptly stopped, shock registering on his face. Mattie closed her eyes, biting her lower lip to stifle a moan of distress. Suddenly Orren rounded on her.
“I don’t believe this!”
Feeling sick, Mattie pressed a hand to her abdomen and quickly said, “I’ll put it all back, I swear. I’ll do it before I go home tonight.”
Orren lifted his hands to his hips. “No way!”
“But—”
Throwing his arms out, he whirled. “This is great! It’s wonderful! I can’t believe you did this without spending a cent!” Suddenly he whirled back. “You didn’t, did you? Spend any money, I mean, because if you bought stuff, it’ll have to go back. I can’t afford—”
“No!” she interrupted. “I didn’t buy a thing! I just sort of…rearranged stuff.”
He grinned and pivoted to take another look. “This is amazing. You’re a genius, Mattie, I swear you are! Man, I’m sure glad I didn’t throw any of this stuff away. I nearly stomped that pail there, and I can’t tell you how many times I meant to burn those old crooked fence posts!”
“I he’ped!” Yancy said around the thumb in her mouth.
“Me, too!” Chaz admitted proudly.
“They all did,” Mattie said, tossing a glance in Jean Marie’s direction.
Jean Marie clamped her jaw and glared at her, tears gathering in her eyes. She advanced on her father. “You don’t like all this junk, do you?”
Orren smiled, completely missing the import of the question. “I like it real fine, Red. Y’all did a good job.”
“But what about Mama’s curtains?” she cried.
Orren turned a confused face
