The Collector. Cameron Cruise

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The Collector - Cameron  Cruise

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      the COLLECTOR

      CAMERON CRUISE

      To my muse, Leila, and my anchor, Andrew.

      Contents

      Prologue

      Chapter 1

      Chapter 2

      Chapter 3

      Chapter 4

      Chapter 5

      Chapter 6

      Chapter 7

      Chapter 8

      Chapter 9

      Chapter 10

      Chapter 11

      Chapter 12

      Chapter 13

      Chapter 14

      Chapter 15

      Chapter 16

      Chapter 17

      Chapter 18

      Chapter 19

      Chapter 20

      Chapter 21

      Chapter 22

      Chapter 23

      Chapter 24

      Chapter 25

      Chapter 26

      Chapter 27

      Chapter 28

      Chapter 29

      Chapter 30

      Chapter 31

      Chapter 32

      Chapter 33

      Chapter 34

      Chapter 35

      Chapter 36

      Chapter 37

      Chapter 38

      Chapter 39

      Chapter 40

      Chapter 41

      Chapter 42

      Chapter 43

      Chapter 44

      Chapter 45

      Chapter 46

      Chapter 47

      Chapter 48

      Chapter 49

      Chapter 50

      Chapter 51

      Chapter 52

      Chapter 53

      Prologue

      Your name is Dog.

      You don’t find the name cruel, only ironic. When the kids first begin calling you Dog, you think of them as acolytes, unable or unworthy to say your name outright. They say it backward.

      Dog.

      God.

      It’s been that way all your life. Few are worthy.

      You remember all the names you were taught as a novice: Ra, Brahma, Zeus, Quetzalcoatl, Odin. You close your eyes and whisper your own name, adding it to the list. Your skin feels on fire with your brilliance. In some corner of your mind, you understand that the sensation is really pain. This time, he beat you with his belt.

      You give a secret smile. The pain brings with it the power of knowledge: you’re the one in control now, pulling the strings.

      Bloodletting, you were taught, is an important ritual, one that has endured through the ages. Druids would kill a man by slicing open his midsection to divine the future from the convulsion of limbs and the pattern of blood. India’s Thuggee cult, followers of Kali, Hindu goddess of death, mutilated their strangled victims by stabbing the eyes and ripping out the intestines. Centuries ago, Aztec priests reached into the chest cavity to pull out the still-beating heart, the life force flowing from the altar, nectar for the gods.

      You, too, require your sacrifice.

      At this late hour, it isn’t difficult to get by security, if that’s what they call the dozing guard with his chair propped against the chain-link fence. You pass roped-off mosaic tiles and ancient stones and statuary that look like so many Tinker Toys, broken pieces bravely pieced together like something precious. Each day, lines of tourists worship here with their cameras and their guides, but you covet something very different.

      Walking down the limestone path, you pass two coeds speaking in hushed tones in what sounds like German. You will yourself invisible, just another student no one will remember come morning. The girl with shining blond hair slips a glance your way with a smile, giving the greeting, “Grüezi.” Swiss, then. You can’t help it. You smile back.

      The full moon shines down on the ruins like stage lighting. You know the exact moment the play begins because you follow the main characters here. You don’t miss even a second. You know he will take her somewhere safe, somewhere deserted. There is no one but you to stand as audience.

      She follows willingly for the moment, but you expect her to put up a fight.

      From the shadows, you watch them argue. She makes a slashing gesture with her hand, letting him know her answer. No. Absolutely not! That’s when he makes his move.

      He grabs her by the hair, shoving her forward. He strikes her, over and over. She bleeds from her mouth and nose, but she is a strong woman; she doesn’t falter. She swipes her clawed fingers across his face, at the same time kicking wildly. Only, by now he has the rope around her neck.

      He pulls her down to the ground. Sadly, you are reminded of cattle being branded rather than a religious ceremony. You had hoped for better.

      You have extraordinary hearing and take in the music of her death as her breath begins to gurgle deep in her throat. You can’t see her face—he is hunched over her, blocking her from view—but her legs and arms flail in drumbeats on the ground.

      You know his vision is merely to kill her and take his prize. He is quick—too quick. Her death doesn’t do her justice. You want to scream in frustration. Not like this! you plead silently,

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