That Kind Of Man. Sharon Kendrick
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‘Did you mean for us to go, too, sir?’ one of the waitresses asked tentatively.
And Abigail then witnessed the most astonishing transformation.
Nick turned to the two women with a wide, apologetic smile and a rueful shake of his dark head. ‘No, of course I didn’t mean for you to go, too,’ he said. ‘And I’m sorry if you thought I did. I just thought that things had gone quite far enough—’
‘Oh, they had, sir!’ piped up the other. ‘They had! And you did absolutely right to say what you did! We was just saying in the kitchen—never heard language like it in our lives! Especially at a funeral! Absolutely disgusting!’
Nick glanced over at Abigail, who was still sitting motionless on the stiff-backed chair. ‘I just didn’t want Mrs Howard distressed any more—’
And suddenly Abigail could bear it no longer. Was Nick an actor, just like Orlando? Able to switch his emotions on and off at will, like a tap? One minute ejecting forty people from a room by the sheer force of his will and the next oozing so much charm that he had two middle-aged women positively eating out of his hand.
Jumping out of the chair, she stumbled towards the door. The older of the two waitresses tried to halt her.
‘Miss—’
The careworn arm she placed on Abigail’s arm was comforting and, Abigail supposed, reassuring, too. But she was still too disturbed to do anything other than shake it off distractedly. ‘Let me go,’ she pleaded, on a harsh gasp which seemed to be torn from somewhere deep inside her. ‘Please! Let me go!’
‘It’s all right,’ she heard Nick tell them, in a clipped and decisive voice. ‘Mrs Howard will be fine. Please let her go.’
ABIGAIL ran out of the room and directly up the staircase which rose from the inner hall, her laboured breathing sounding loud and distorted in the almost eerie silence which had settled on the house.
She did not go to hers and Orlando’s bedroom; she had not slept there for months.
But it was a magnificent room, overlooking the house’s greatest glory—its eighteenth-century garden—and Abigail had half thought that she might move back in, once the policeman had told her that Orlando was never coming home again.
But now she knew that nothing would ever entice her to sleep in that room again.
Instead, she made her way to the East Room, whose curtains were drawn almost shut, leaving only a chink in the heavy brocade, giving the bedroom a gloomy half-light which suited her mood perfectly.
With a sense of relief, she kicked off the spindly high-heeled shoes, unbuttoned her black jacket and lay down on the wide four-poster bed, staring sightlessly up at the ceiling.
In the distance she could hear the faint chink of china and glass being clattered, and supposed that the waitresses were clearing away the debris from the food.
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