Gascoyne, the Sandal-Wood Trader. Robert Michael Ballantyne

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Gascoyne, the Sandal-Wood Trader - Robert Michael Ballantyne

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      Gascoyne, the Sandal-Wood Trader

      Chapter One

      The Schooner

      The Great Pacific is the scene of our story. On a beautiful morning, many years ago, a little schooner might have been seen floating, light and graceful as a sea-mew, on the breast of the slumbering ocean. She was one of those low black-hulled vessels, with raking, taper masts, trimly cut sails, and elegant form, which we are accustomed to associate with the idea of a yacht or a pirate.

      She might have been the former, as far as appearance went, for the sails and decks were white as snow, and every portion of brass and copper above her water-line shone in the hot sun with dazzling brilliancy. But pleasure-seekers were not wont, in those days, to take such distant flights, or to venture into such dangerous seas—dangerous alike from the savage character of the islanders, and the numerous coral-reefs that lie hidden a few feet below the surface of the waves.

      Still less probable did it seem that the vessel in question could belong to the lawless class of craft to which we have referred; for, although she had what may be styled a wicked aspect, and was evidently adapted for swift sailing, neither large guns nor small arms of any kind were visible.

      Whatever her nature or her object, she was reduced, at the time we introduce her to the reader, to a state of inaction by the dead calm which prevailed. The sea resembled a sheet of clear glass. Not a cloud broke the softness of the sky, in which the sun glowed hotter and hotter as it rose towards the zenith. The sails of the schooner hung idly from the yards; her reflected image was distorted, but scarcely broken, by the long gentle swell; her crew, with the exception of the watch, were asleep either on deck or down below, and so deep was the universal silence, that, as the vessel rose and fell with a slow, quiet motion, the pattering of the reef points on her sails forcibly attracted the listener’s attention, as does the ticking of a clock in the deep silence of night. A few sea-birds rested on the water, as if in the enjoyment of the profound peace that reigned around; and, far away on the horizon might be seen the tops of the palm-trees that grew on one of those coral islands which lie scattered in thousands, like beautiful gems, on the surface of that bright blue sea.

      Among the men who lay sleeping in various easy off-hand attitudes on the schooner’s deck was one who merits special attention—not only because of the grotesque appearance of his person, but also because he is one of the principal actors in our tale.

      He was a large powerful man, of that rugged build and hairy aspect that might have suggested the idea that he would be difficult to kill. He was a fair man, with red hair and a deeply sun-burned face, on which jovial good-humour sat almost perpetually enthroned. At the moment when we introduce him to the reader, however, that expression happened to be modified in consequence of his having laid him down to sleep in a sprawling manner on his back—the place as well as the position being, apparently, one of studied discomfort. His legs lay over the heel of the bowsprit; his big body reposed on a confused heap of blocks and cordage, and his neck rested on the stock of an anchor, so that his head hung down over it, presenting the face to view, with the large mouth wide open, in an upside down position. The man was evidently on the verge of choking, but, being a strong man, and a rugged man, and a healthy man, he did not care. He seemed to prefer choking to the trouble of rousing himself and improving his position.

      How long he would have lain in this state of felicity it is impossible to say, for his slumbers were rudely interrupted by a slight lurch of the schooner, which caused the blocks and cordage attached to the sheet of the jib to sweep slowly, but with rasping asperity, across his face. Any ordinary man would have been seriously damaged—at least in appearance—by such an accident; but this particular sea-dog was tough in the skin—he was only awakened by it—nothing more. He yawned, raised himself lazily, and gazed round with that vacant stare of unreasonable surprise which is common to man on passing from a state of somnolence to that of wakefulness.

      Gradually the expression of habitual good-humour settled on his visage, as he looked from one to another of his sleeping comrades, and at last, with a bland smile, he broke forth into the following soliloquy:—

      “Wot a goose, wot a grampus you’ve bin, John Bumpus: firstly, for goin’ to sea; secondly, for remainin’ at sea; thirdly, for not forsakin’ the sea; fourthly, for bein’ worried about it at all, now that you’ve made up your mind to retire from the sea, and, fifthly—”

      Here John Bumpus paused as if to meditate on the full depth and meaning of these polite remarks, or to invent some new and powerful expression wherewith to deliver his fifth head. His mental efforts seemed to fail, however, for instead of concluding the sentence, he hummed the following lines, which, we may suppose, were expressive of his feelings as well as his intentions:—

          “So goodbye to the mighty ocean,

              And adoo to the rollin’ sea,

          For it’s nobody has no notion

              Wot a grief it has bin’ to me.”

      “Ease off the sheets and square the topsail yards,” was at that moment said, or rather murmured, by a bass voice so deep and rich, that, although scarcely raised above a whisper, it was distinctly heard over the whole deck.

      John Bumpus raised his bulky form with a degree of lithe activity that proved him to be not less agile than athletic, and, with several others, sprang to obey the order. A few seconds later, the sails were swelled out by a light breeze, and the schooner moved through the water at a rate which seemed scarcely possible under the influence of so gentle a puff of air. Presently the breeze increased, the vessel cut through the blue water like a knife, leaving a long track of foam in her wake as she headed for the coral-island before referred to. The outer reef, or barrier of coral which guarded the island, was soon reached. The narrow opening in this natural bulwark was passed. The schooner stood across the belt of perfectly still water that lay between the reef and the shore, and entered a small bay, where the calm water reflected the strip of white sand, green palms, and tropical plants that skirted its margin, as well as the purple hills of the interior.

      Here she swept round in a sudden, but graceful curve, until all her canvas fluttered in the breeze, and then dropt anchor in about six fathoms water.

      Chapter Two

      Bumpus is Fiery and Philosophical—Murderous Designs Frustrated

      The captain of the schooner, whose deep voice had so suddenly terminated the meditations of John Bumpus, was one of those men who seem to have been formed for the special purpose of leading and commanding their fellows.

      He was not only unusually tall and powerful—physical qualities which, in themselves, are by no means sufficient to command respect—but, as we have said, he possessed a deep full-toned bass voice in which there seemed to lie a species of fascination, for its softest tones riveted attention, and when it thundered forth commands in the fiercest storms it inspired confidence and a feeling of security in all who heard it. The countenance of the captain, however, was that which induced men to accord to him a position of superiority in whatever sphere of action he chanced to move. It was not so much a handsome as a manly and singularly grave face, in every line of which was written inflexible determination. His hair was short, black, and curly. A small moustache darkened his upper lip, but the rest of his face was closely shaven, so that his large chin and iron jaw were fully displayed. His eyes were of that indescribable blue colour which can exhibit the intensest passion, or the most melting tenderness.

      He wore a sombre but somewhat picturesque costume—a dark-coloured flannel shirt and trousers, which latter were gathered in close round his lower limbs by a species of drab gaiter that appeared somewhat incongruous with the profession of the man. The only bit of bright colour about him was a scarlet belt round his waist, from the side of which depended a long knife

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