Celt and Saxon – Volume 2
CHAPTER XII
MISS MATTOCK
Mrs. Adister O'Donnell, in common with her family, had an extreme dislike of the task of composing epistles, due to the circumstance that she was unable, unaided, to conceive an idea disconnected with the main theme of her communication, and regarded, as an art of conjuring, the use of words independent of ideas. Her native superiority caused her to despise the art, but the necessity for employing it at intervals subjected her to fits of admiration of the conjurer, it being then evident that a serviceable piece of work, beyond her capacity to do, was lightly performed by another. The lady's practical intelligence admitted the service, and at the same time her addiction to the practical provoked disdain of so flimsy a genius, which was identified by her with the genius of the Irish race. If Irishmen had not been notoriously fighters, famous for their chivalry, she would have looked on them as a kind of footmen hired to talk and write, whose volubility might be encouraged and their affectionateness deserved by liberal wages. The promptitude of Irish blood to deliver the war-cry either upon a glove flung down or taken up, raised them to a first place in her esteem: and she was a peaceful woman abhorring sanguinary contention; but it was in her own blood to love such a disposition against her principles.
She led Patrick to her private room, where they both took seats and he selected a pen. Mr. Patrick supposed that his business would be to listen and put her words to paper; a mechanical occupation permitting the indulgence of personal phantasies; and he was flying high on them until the extraordinary delicacy of the mind seeking to deliver itself forced him to prick up all his apprehensiveness. She wished to convey that she was pleased with the news from Vienna, and desired her gratification to be imparted to her niece Caroline, yet not so as to be opposed to the peculiar feelings of her brother Edward, which had her fullest sympathy; and yet Caroline must by no means be requested to alter a sentence referring to Adiante, for that would commit her and the writer jointly to an insincerity.
'It must be the whole truth, madam,' said Patrick, and he wrote: 'My dear Caroline,' to get the start. At once a magnificently clear course for the complicated letter was distinguished by him. 'Can I write on and read it to you afterward? I have the view,' he said.
Mrs. Adister waved to him to write on.
Patrick followed his 'My dear Caroline' with greetings very warm, founded on a report of her flourishing good looks. The decision of Government to send reinforcements to Ireland was mentioned as a prelude to the information from Vienna of the birth of a son to the Princess Nikolas: and then; having conjoined the two entirely heterogeneous pieces of intelligence, the composer adroitly interfused them by a careless transposition of the prelude and the burden that enabled him to play ad libitum on regrets and rejoicings; by which device the lord of Earlsfont might be offered condolences while the lady could express her strong contentment, inasmuch as he deplored the state of affairs in the sister island, and she was glad of a crisis concluding a term of suspense thus the foreign-born baby was denounced and welcomed, the circumstances lamented and the mother congratulated, in a breath, all under cover of the happiest misunderstanding, as effective as the cabalism of Prospero's wand among the Neapolitan mariners, by the skilful Irish development on a grand scale of the rhetorical figure anastrophe, or a turning about and about.
He read it out to her, enjoying his composition and pleased with his reconcilement of differences. 'So you say what you feel yourself, madam, and allow for the feelings on the other side,' he remarked. 'Shall I fold it?
There was a smoothness in the letter particularly agreeable to her troubled wits, but with an awful taste. She hesitated to assent: it seemed like a drug that she was offered.
Patrick sketched a series of hooked noses on the blotter. He heard a lady's name announced at the door, and glancing up from his work he beheld a fiery vision.
Mrs. Adister addressed her affectionately: 'My dear Jane!' Patrick was introduced to Miss Mattock.
His first impression was that the young lady could wrestle with him and render it doubtful of his keeping his legs. He was next engaged in imagining that she would certainly burn and be a light in the dark. Afterwards he discovered her feelings to be delicate, her looks pleasant. Thereupon came one of the most singular sensations he had ever known: he felt that he was unable to see the way to please her. She confirmed it by her remarks and manner of speaking. Apparently she was conducting a business.
'You're right, my dear Mrs. Adister, I'm on my way to the Laundry, and I called to get Captain Con to drive there with me and worry the manageress about the linen they turn out: for gentlemen are complaining of their shirt-fronts, and if we get a bad name with them it will ruin us. Women will listen to a man. I hear he has gone down to the city. I must go and do it alone. Our accounts are flourishing, I'm glad to say, though we cannot yet afford to pay for a secretary, and we want one. John and I verified them last night. We're aiming at steam, you know. In three or four years we may found a steam laundry on our accumulated capital. If only we can establish it on a scale to let us give employment to at least as many women as we have working now! That is what I want to hear of. But if we wait for a great rival steam laundry to start ahead of us, we shall be beaten and have to depend on the charitable sentiments of rich people to support the Institution. And that won't do. So it's a serious question with us to think of taking the initiative: for steam must come. It 's a scandal every day that it doesn't while we have coal. I'm for grand measures. At the same time we must not be imprudent: turning off hands, even temporarily, that have to feed infants, would be quite against my policy.'
Her age struck Patrick as being about twenty-three.
'Could my nephew Arthur be of any use to you?' said Mrs. Adister.
'Colonel Adister?' Miss Mattock shook her head. 'No.'
'Arthur can be very energetic when he takes up a thing.' 'Can he? But, Mrs. Adister, you are looking a little troubled. Sometimes you confide in me. You are so good to us with your subscriptions that I always feel in your debt.'
Patrick glanced at his hostess for a signal to rise and depart.
She gave none, but at once unfolded her perplexity, and requested Miss Mattock to peruse the composition of Mr. Patrick O'Donnell and deliver an opinion upon it.
The young lady took the letter without noticing its author. She read it through, handed it back, and sat with her opinion evidently formed within.
'What do you think of it?' she was asked.
'Rank jesuitry,' she replied.
'I feared so!' sighed Mrs. Adister. 'Yet it says everything I wish to have said. It spares my brother and it does not belie me. The effect of a letter is often most important. I cannot but consider this letter very ingenious. But the moment I hear it is jesuitical I forswear it. But then my dilemma remains. I cannot consent to give pain to my brother Edward: nor will I speak an untruth, though it be to save him from a wound. I am indeed troubled. Mr. Patrick, I cannot consent to despatch a jesuitical letter. You are sure of your impression, my dear Jane?'
'Perfectly,' said Miss Mattock.
Patrick leaned to her. 'But if the idea in the mind of the person supposed to be writing the letter is accurately expressed? Does it matter, if we call it jesuitical, if the emotion at work behind it happens to be a trifle so, according to your definition?'
She rejoined: 'I should say, distinctly it matters.'
'Then you'd not express the emotions at all?'
He flashed a comical look of astonishment as he spoke. She was not to be diverted; she settled into antagonism.
'I
