was very poor, sometimes so poor that he hardly had enough to eat, and this made me proud of him, for I felt sure he could have got money if he would have condescended to do inferior work. Of course, as I too was poor, we could not think of marrying before his position improved. At last he painted 'Sanctuary.' He told me nothing about it. I came and saw it on the easel, nearly finished. And—this is the shocking thing—I pretended to admire it. I was astonished, pained—yet I had the worldliness to smile and praise. There's the fault of my character. At that moment, truth and courage were wanted, and I had neither. The dreadful thing is to think that he degraded himself on my account. If I had said at once what I thought, he would have confessed—would have told me that impatience had made him untrue to himself. And from that day; oh, this is the worst of all, Bertha—he has adapted himself to what he thinks my lower mind and lower aims; he has consciously debased himself, out of thought for me. Horrible! Of course he believes in his heart that I was a hypocrite before. The astonishing thing is that this didn't cause him to turn cold to me. He must have felt that, but somehow he overcame it. All the worse! The very fact that he still cared for me shows how bad my influence has been. I feel that I have wrecked his life, Bertha—and yet I cannot give him my own, to make some poor sort of amends."
Bertha was listening with a face that changed from puzzled interest to wondering confusion.
"Good gracious!" she exclaimed when the speaker ceased. "Is it possible to get into such entanglements of reasoning about what one thinks and feels? It's beyond me. Oh they're bringing the tea. Perhaps a cup of tea will clear my wits."
Rosamund at once began to speak of the landscape by Leader, which hung near them, and continued to do so even after the servant had withdrawn. Her companion was silent, smiling now and then in an absent way. They sipped tea.
"The tea is doing me so much good," Bertha said, "I begin to feel equal to the most complicated reflections. And so you really believe that Mr. Franks is on the way to perdition, and that you are the cause of it?"
Rosamund did not reply. She had half averted her look; her brows were knit in an expression of trouble; she bit her lower lip. A moment passed, and—
"Suppose we go into the garden," she said, rising. "Don't you feel it a little close here?"
They strolled about the paths. Her companion, seeming to have dismissed from mind their subject of conversation, began to talk of Egypt, and the delight she promised herself there.
Presently Bertha reverted to the unfinished story.
"Oh, it doesn't interest you."
"Doesn't it indeed! Please go on. You had just explained all about 'Sanctuary'—which isn't really a bad picture at all."
"Oh, Bertha!" cried the other in pained protest. "That's your good nature. You never can speak severely of anybody's work. The picture is shameful, shameful! And its successor, I am too sure, will be worse still, from what I have heard of it. Oh, I can't bear to think of what it all means—Now that it's too late, I see what I ought to have done. In spite of everything and everybody I ought to have married him in the first year, when I had courage and hope enough to face any hardships. We spoke of it, but he was too generous. What a splendid thing to have starved with him—to have worked for him whilst he was working for art and fame, to have gone through and that together, and have come out triumphant! That was a life worth living. But to begin marriage at one's ease on the profits of pictures such as 'Sanctuary'—oh, the shame of it! Do you think I could face the friends who would come to see me?"
"How many friends," asked Bertha, "would be aware of your infamy? I credit myself with a little imagination. But I should never have suspected the black baseness which had poisoned your soul."
Again Rosamund bit her lip, and kept a short silence.
"It only shows," she said with some abruptness, "that I shall do better not to speak of it at all, and let people think what they like of me. If even you can't understand."
Bertha stood still, and spoke in a changed voice.
"I understand very well—or think I do. I'm perfectly sure that you could never have broken your engagement unless for the gravest reason—and for me it is quite enough to know that. Many a girl ought to do this, who never has the courage. Try not to worry about explanations, the thing is done, and there's an end of it. I'm very glad indeed you're going quite away; it's the best thing possible. When do you start?" she added.
"In three days.—Listen, Bertha, I have something very serious to ask of you. It is possible—isn't it?—that he may come to see you some day. If he does, or if by chance you see him alone, and if he speaks of me, I want you to make him think—you easily can—that what has happened is all for his good. Remind him how often artists have been spoilt by marriage, and hint—you surely could—that I am rather too fond of luxury, and that kind of thing."
Bertha wore an odd smile.
"Trust me," she replied, "I will blacken you most effectually."
"You promise? But, at the same time, you will urge him to be true to himself, to endure poverty—"
"I don't know about that. Why shouldn't poor Mr. Franks have enough to eat it he can get it?"
"Well—but you promise to help him in the other way? You needn't say very bad things; just a smile, a hint—"
"I quite understand," said Bertha, nodding.
CHAPTER 13
Warburton had never seen Godfrey Sherwood so restless and excitable as during these weeks when the business in Little Ailie Street was being brought to an end, and the details of the transfer to Bristol were being settled. Had it not been inconsistent with all the hopeful facts of the situation, as well as with the man's temper, one would have thought that Godfrey suffered from extreme nervousness; that he lived under some oppressive anxiety, which it was his constant endeavour to combat with resolute high spirits. It seemed an odd thing that a man who had gone through the very real cares and perils of the last few years without a sign of perturbation, nay, with the cheeriest equanimity, should let himself be thrown into disorder by the mere change to a more promising state of things. Now and then Warburton asked himself whether his partner could be concealing some troublesome fact with regard to Applegarth's concern; but he dismissed the idea as too improbable; Sherwood was far too good a fellow, far too conscientious a man of business, to involve his friend in obvious risk—especially since it had been decided that Mrs. Warburton's and her money should go into the affair. The inquiries made by Mr. Turnbull had results so satisfactory that even the resolute pessimist could not but grudgingly admit his inability to discover storm-signals. Though a sense of responsibility made a new element in his life, which would not let him sleep quite so soundly as hitherto, Will persuaded himself that he had but to get to work, and all would be right.
The impression made upon him by Applegarth himself was very favourable. The fact that the jam manufacturer was a university man, an astronomer, and a musician, had touched Warburton's weak point, and he went down to Bristol the first time with an undeniable prejudice at the back of his mind; but this did not survive a day or two's intercourse. Applegarth recommended himself by an easy and humorous geniality of bearing which Warburton would have been the last man to resist; he talked of his affairs with the utmost frankness.
"The astonishing thing to me is," he said, "that I've made this business pay. I went into it on abstract principle. I knew nothing of business. At school, I rather think, I learnt something about 'single and double entry,' but I had forgotten it all—just as I find myself forgetting how to multiply and divide, now that I am accustomed to the higher mathematics. However, I had to earn a little money, somehow, and I thought I'd try jam. And it went by itself, I
