Lady of Hay: An enduring classic – gripping, atmospheric and utterly compelling. Barbara Erskine
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Taking her elbow he tried to turn her back but she found her feet scrabbling agonisingly on the sharp stones of the river path as she fought against him on the slippery ground.
‘No, no. I can’t go back there. I’ll never go back there, never.’ She broke from him and ran a few steps further on, towards the moon. Before it lay the mountains.
‘Where will you go then?’ The boy caught up with her in three strides and stood in front of her again.
‘I don’t know. I don’t care.’ She looked around desperately.
‘I will take you to Tretower.’ The boy spoke, suddenly making up his mind. ‘You will be safe there.’ He took her firmly by the hand and strode out along the river and in a daze, oblivious of her torn and bleeding feet, she followed him.
She never knew how long she stumbled on behind him. At one point her strength gave way and she sank onto the ground unable to go further along the steep rough bank of the river. The water ran mockingly pure and silver near her as though no blood had ever stained it. Bending she scooped some of it, icy and clean, into her mouth and then she lay back on the wet grass, her eyes closed.
The boy came back for her and coaxed and pleaded, but she was unable to rise. Her back pained spasmodically. She realised suddenly that she was going to lose her baby and she was glad.
The boy tugged at her hand, begging her to go with him, continually glancing over his shoulder, obviously worried that they were being followed, and then suddenly he seemed to give up the struggle and he disappeared as quickly and silently as he had come.
He has left me to die, she thought, but she was past feeling any fear. She tried to recite the Paternoster, but the words would not come in the right order and she gave up. How would God ever find his way again to this country? she wondered bleakly, and she closed her eyes to shut out the silver trail of the moon in the water.
But the boy returned with a shaggy mountain pony and somehow he helped her onto it. They forded a narrow river, the pony picking its way sure-footed through water shadowed now by stark overhanging branches entangled with clinging ivy. They passed the dark shape of Crickhowell Castle in the night, but she did not see it and the boy, apart from detouring slightly to avoid it, did not acknowledge its presence. Somewhere once a vixen screamed and Matilda clutched the pony’s mane as it shied. They left the river and travelled through black unfriendly forest and over hills where the country was silent except for the occasional lonely hoot of an owl and the wind in the branches of the trees. Closing her eyes she rode in a daze of pain and fatigue, not caring where she went or what he intended doing with her. Beneath her the pony, confident even in the dark, followed the boy at a steady pace, slowly climbing through the misty rain.
Then she opened her weary eyes in the cold dawn and saw the keep of Tretower at last in the distance. She knew dimly that they must have been seen and been followed by the people of the forest, but for some reason she had been spared. The boy who held her bridle had been her talisman. He turned as they neared the tower and she studied his face in the colourless light.
He smiled up at her, a sad, fond, smile. Then he pointed. ‘Go,’ he said. ‘There will be your friends. Go with God and be safe, meistress.’ He released her bridle and he was gone, gliding back into the woods on silent feet.
The pony stumbled on some rocks as she guided it as fast as she dared along the winding track towards the castle in the broad valley. She fixed her eye on the tower and refused to look to left or right as her mount carried her at a shambling trot along the path. To her surprise the drawbridge was down and she rode across unchallenged. Had everyone gone mad? Did they not know that the warring Welsh must be everywhere?
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