An Odyssey: A Father, A Son and an Epic: SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017. Daniel Mendelsohn

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       Copyright

      William Collins

      An imprint of HarperCollinsPublishers

      1 London Bridge Street

      London SE1 9GF

       www.WilliamCollinsBooks.com

      This eBook first published in Great Britain by William Collins in 2017

      Copyright © 2017 by Daniel Mendelsohn

      Cover illustration © Ael / Alamy Stock Photo

      Daniel Mendelsohn asserts the moral right to be identified as the author of this work

      A catalogue record for this book is available from the British Library

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins

      Source ISBN: 9780007545124

      Ebook Edition © September 2017 ISBN: 9780007545148

      Version: 2018-05-03

       Dedication

       For my mother

      Contents

       Cover

       Title Page

       2. Homophrosynê

       Apologoi

       Nostos

       Anagnorisis

       Sêma

       Acknowledgments

       Permissions Acknowledgments

       About the Author

       Also by Daniel Mendelsohn

       About the Publisher

       Author’s Note

      For the purposes of narrative coherence and in consideration of the privacy of the students in my Odyssey seminar and the passengers aboard the “Retracing the Odyssey” cruise, names have been changed and a number of details relating to events and characters have been modified.

      All translations from Greek and Latin are my own.

       PROEM

      (Invocation)

      1964–2011

      The plot of the Odyssey is not long in the telling. A man has been away from home for many years; Poseidon is always on the watch for him; he is all alone. As for the situation at home, his goods are being laid waste by the Suitors, who plot against his son. After a storm-tossed journey, he returns home, where he reveals himself, destroys his enemies, and is saved.

      —ARISTOTLE, Poetics

      One January evening a few years ago, just before the beginning of the spring term in which I was going to be teaching an undergraduate seminar on the Odyssey, my father, a retired research scientist who was then aged eighty-one, asked me, for reasons I thought I understood at the time, if he might sit in on the course, and I said yes. Once a week for the next sixteen weeks he would make the trip between the house in the Long Island suburbs where I grew up, a modest split-level in which he still lived with my mother, to the riverside campus of the small college where I teach, which is called Bard. At ten past ten each Friday morning, he would take a seat among the freshmen who were enrolled in the course, seventeen- or eighteen-year-olds not even a quarter his age, and join in the discussion of this old poem, an epic about long journeys and long marriages and what it means to yearn for home.

      It was deep winter when that term began, and when my father wasn’t trying to persuade me that the poem’s hero, Odysseus, wasn’t in fact a “real” hero (because, he would say, he’s a liar and he cheated on his wife!), he was worrying a great deal about the weather: the snow on the windshield, the sleet on the roads, the ice on the walkways. He was afraid of falling, he said, his vowels still marked by his Bronx childhood: fawling. Because of his

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