Chasing Harry Winston. Lauren Weisberger
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Moving quietly around her apartment so as not to wake Otis, Emmy realized there wasn’t all that much to straighten. It was a small apartment, even for a studio in Manhattan, and the bathroom was a bit grimy and the light – especially on Saturday afternoons, when you were accustomed to staying at your boyfriend’s place – was virtually nonexistent, but how else could she hope to live on the best tree-lined block of the West Village for under $2,500 a month? She had decorated it as carefully as her graduate school budget would allow, which wasn’t much, but at least she had managed to paint the walls a pale yellow, install a space-saving Murphy bed in the far wall, and place some comfy floor cushions around an extra-fluffy shag carpet she’d found on clearance in a remnant store. It wasn’t big, but it was cozy, and so long as Emmy didn’t think about the kitchens in Izzie’s Miami apartment or Leigh’s new one-bedroom or Adriana’s palatial penthouse pad – especially Adriana’s – she might have even liked it. It just seemed so fundamentally cruel that someone who loved food as much as she did, who would happily spend every free minute at either the farmers’ market or the stove, should not have a kitchen. Where else on earth did $30,000 a year in rent not entitle one to an oven? Here she was forced to make do with a sink, a microwave, and a dorm-sized refrigerator, and the landlord – only after a ridiculous amount of begging and pleading – had bought Emmy a brand-new hotplate. For the first few years she’d fought valiantly to create dishes using her limited facilities, but the struggle to do anything more than reheat had worn her down. Now, like most New Yorkers, the ex-culinary student only ordered in or dined out.
She gave up on the idea of cleaning, flopped onto her unmade bed, and began to flip through the pages of the hardcover photo book she’d designed at kodakgallery.com to commemorate the first three years of her relationship with Duncan. She’d spent hours selecting the best pictures and cropping them to varying sizes and removing the red eyes. Click, click, click – she clicked the mouse until her fingers tingled and her hand ached, determined to make it perfect. Some of the pages were collage-style and others had only a single dramatic candid. The one she’d chosen for the cutout window on the cover had been her absolute favorite: a black-and-white photo someone had snapped at Duncan’s grandfather’s eighty-fifth birthday dinner at Le Cirque; Emmy remembered the transcendent sesame-crusted cod more than anything else from that night. She hadn’t even noticed until now, years later, how her arms wrapped protectively around Duncan’s shoulders, or the way she looked at him, grinning, while he smiled in that controlled way of his and gazed in another direction. The body language experts at US Weekly would have a field day with this one! Not to mention the fact that the book, presented at a dinner celebrating their third anniversary, had elicited the kind of excitement one usually expects only from the receipt of a scarf or a pair of gloves (which, incidentally, was precisely what he had given her, a matching set, prepackaged and professionally wrapped). Duncan tore the paper and ribbons painstakingly selected for their masculinity and tossed them aside without bothering to unstick – never mind read – the card taped to the back. He thanked her and kissed her on the cheek and flipped through it while smiling that tight smile and then excused himself to answer a call from his boss. He asked her to take the photo book home with her that night so he wouldn’t have to carry it back to the office, and it had remained in her living room for the next two years, opened only by the occasional visitor who inevitably commented on what a good-looking couple Duncan and Emmy made.
Otis cawed from his cage in the corner of her L-shaped studio. He hooked his beak around one of the metal bars, gave it a determined shake, and squawked, ‘Otis wants out. Otis wants out.’
Eleven years and counting, and Otis was still going strong. She’d read somewhere that African Greys can live to be sixty, but prayed daily that it had been a misprint. She hadn’t particularly liked Otis when he was squarely under the ownership of Mark, the first of Emmy’s three boyfriends, but she liked him even less now that he shared her 350-square-foot apartment and had learned (with zero coaching and even less encouragement) an uncomfortably large vocabulary that focused almost exclusively on demands, criticisms, and discussions of himself in the third person. At first she had refused to watch him for the three weeks when, the July after graduation, Mark went to hone his Spanish in Guatemala. But he had pleaded and she conceded: the story of her life. Mark’s two weeks became a month, and a month became three, and three became a Fulbright to study the aftereffects of civil war on a generation of Guatemalan children. Mark had long since married a Nicaraguan-born, American-educated Peace Corps volunteer and moved to Buenos Aires, but Otis remained.
Emmy unhooked the cage and waited for Otis to shove the swinging door open. He hopped ungracefully onto her proffered arm and stared her straight in the eye. ‘Grape!’ he shrieked. She sighed and plucked one from the bowl that nestled in the puff of her down comforter. Generally Emmy preferred fruit that she could cut or peel, but Otis was fixated on grapes. The bird snatched it from her fingers, swallowed it whole, and immediately demanded another.
She was such a cliché! Dumped by her cad boyfriend, replaced by a younger woman, prepared to shred the pictorial symbol for their sham of a relationship, and kept company only by an ungrateful pet. It would be funny if it weren’t her own pathetic life. Hell, it was funny when it was Renée Zellweger playing a sweet, chubby girl in the throes of an alcohol-fueled pity party, but it somehow wasn’t so hysterical when you were that sweet, chubby girl – okay, skinny, but not attractively so – and your life had just morphed into a chick flick.
Five years down the drain. Ages twenty-four to twenty-nine had been all Duncan, all the time, and what did she have to show for it now? Not the position Chef Massey had begun offering a year ago that would give her the opportunity to travel around the world scouting new restaurant locations and overseeing openings – Duncan had begged her to keep her general manager position in New York so they could see each other more regularly. Certainly not an engagement ring. No, that would be reserved for the barely legal virgin cheerleader who would never, ever have to endure vivid nightmares involving her own shriveled ovaries. Emmy would just have to make do with the sterling silver Tiffany heart pendant Duncan had given her on her birthday, identical to the ones – she later discovered – he’d also bought for his sister and grandmother on their birthdays. Of course, were Emmy being really masochistic here, she might note that it was actually Duncan’s mother who had selected and purchased all three in order to save her busy son the time and effort such gift-giving required.
When had she gotten so bitter? How had everything played out like this? It was no one’s fault but her own; of that she was absolutely certain. Sure, Duncan had been different when they first started dating – boyish, charming, and if not exactly attentive, then at least a bit more present – but then again, so had Emmy. She had just left a waitressing job in Los Angeles to go back to culinary school, her dream since girlhood. For the first time since college she was reunited with Leigh and Adriana, and exhilarated by Manhattan, and proud of herself for taking such decisive action. Granted, culinary school wasn’t exactly as she had envisioned it: the classes were often rigorous and tedious, and her classmates were shockingly competitive for externships and other restaurant opportunities. Since so many were temporary New Yorkers and knew no one but other students, the social life quickly became incestuous. Oh, and there was that small incident with the visiting Michelin-starred chef that had circulated in less time than it took to make a croque-monsieur. Emmy was still in love with cooking but disillusioned with culinary school when she scored an externship at Chef Massey’s New York restaurant, Willow. She’d met Duncan during that externship: a crazy, sleep-deprived time in her life when she was beginning to realize that she enjoyed the front of the house more than the kitchen and was working around the clock to figure out where, if anywhere, she belonged in the food-service industry. She hated the egos of the chefs and the lack of creativity it took to merely re-create carefully dictated recipes. She hated not being able to interact with the actual people who ate the food