was valuable. The encounter with the policeman was already part of the story.
I looked at the pictures I had taken, I knew I was right. There it was, a small splash of colour on the back screen of my camera, the biggest story of the week. I zoomed in, just to make sure, but I knew. I had recognised the body as soon as I had seen it. Henri Dumas, the Premiership’s top scorer, last seen wearing the big money blue.
I was stunned, too surprised to do anything at first. I took a deep breath and rubbed my eyes, weighing up the need for sleep against the need for the big story. I was freelance. I could go to bed, or have another beer. Let the big guys have their day.
I smiled to myself. Maybe it was my turn for the big time.
Turners Fold, Lancashire, is a small slate town on the edge of the Pennines, an industrial template, surrounded by scrap grass hills and the shadow of Pendle Hill, green at the base, bracken brown at the top, barren, always dark with cloud.
Turners Fold, ‘the Fold’ to the locals, is typically northern: tough, proud, and hard-working. The colour is dark. The grass around it grows short and clings to the hills like stubble, broken only by grey stone walls. The towns and villages are all close by, but the hills intervene, and at night they sit like shadows, topped by the orange glow from the next town.
Like most mill towns, there was nothing before cotton. It breathed life into the town, built its buildings, shaped its people.
But it made the people tough, smothered the town in smoke and scarred the green hills in strips of terraced housing, lined up like computer memory, gutters zigzagging like saw-teeth, doors and windows right onto the streets, dots and bumps in the smooth lines. Cotton owned the town and owned the people, gave them a living, a bond.
The mills have gone now, the land left behind filled with prefab community centres and self-assembly superstores. Some tall chimneys are left, redbrick, out of keeping with the blackened millstone grit that makes up most of the town, reminders of what had once been. A canal runs through the centre, low metal bridges connecting the two sides of the town, weekend barges now the visitors. A hundred years ago the children went to work, their nimble hands good for the machines. Now, they hang around in packs, their faces hidden, living off cheap lager and stolen diazepam.
Just as cotton built the houses, the cotton kings sought a legacy in the civic buildings in the small triangular centre of town, large and impressive against the strips of Victorian shopfronts, dusty and dark, faded glory fighting against the superstores in the next town. Banks, pubs and estate agents cluster around the triangle, spilling onto nearby streets, spreading out like the points on a compass. In the middle of it all is the Horrocks clock, black and white face on a tall stone monument, hemmed in by the town hall and the old Post Office, just by the cobbled town triangle.
The Swan Inn was humming nicely nearby. The name didn’t fit. It had neither grace nor beauty, it was just somewhere for the daytime crowd of never-worked and laid-off to swap stories and hide away. The whole place smelled of old smoke and spilled ale, the varnish on the small round tables cracked like veins and covered in white rings. A large screen hung from the ceiling at one end and there was a pool table at the other.
Two men were sitting on stools by the bar. They were just passing time, swapping tales over warm beer, watching the landlord prop up the bar in the other room, the snug, kept away from them by the wooden partition with stained-glass edges.
One of the men was Bob Garrett, the best policeman in Turners Fold never to be promoted. Middle-aged, his back not quite as straight as maybe it once was, the hair not quite as full either and scattered with grey. But there was a sharpness about him, like he could sense what was going on around him, a stern calm, the eyes brooding and mean. His jaw was set firm, no slack-jawed gum-chew.
He’d looked after the townspeople for twenty years, joined up after walking away from a lower-division football career to spend more time with his young wife and even younger son. He made new drinkers twitchy, drinking on the way home in his black trousers and white shirt, the creases and stiff collar marking him out, but when he was off-duty he was done with judging.
He looked up when he heard a shout.
‘What is it?’ he asked.
It was the landlord.
‘Somebody’s shot Dumas! Look, look! Henri Dumas, he’s fucking dead.’
‘What are you talking about?’
The landlord pointed excitedly at the television, permanently tuned to a sports channel, his stomach quivering with excitement, the sign of too long in the job. The drinkers in the bar shuffled towards the screen, the intermittent barks of conversation hushed into silence.
‘Look at the news. Someone’s shot Dumas.’
‘What? Henri Dumas?’ asked an old man, looking up from his copy of the Valley Post.
‘Is there another? Someone has killed him.’ The landlord reached for the remote to turn up the volume and then grabbed a glass without looking to pour himself a beer, the bitter all tumbling froth.
There was the sound of glasses being put down and then a respectful silence as the latest news from London echoed around the bar. Bob Garrett stared in disbelief.
The landlord walked away, his beer settling in the glass, shouting his opinion as he went. Foreign players. Bring nothing but trouble. Someone shouted that maybe he took a dive. The bulletin soon gave way for a Gillette commercial and everyone drifted back to their space. Bob Garrett watched them all go and then turned back to the television, wondering what sort of world lets people shrug off someone being killed in cold blood.
It didn’t take him long to realise that he didn’t have the answer, so he turned back to his drink. He looked around as he lifted the glass. The news had been a break in the day, nothing more.
It was quiet when Laura McGanity walked towards the corner of Old Compton Street and Greek Street. She could see the small huddle of people around a cafe table: a police photographer, the owner, a mini-flock of detectives, all looking at the floor. They were all grim-faced and quiet, and she knew what they were thinking: that they had met their idol, close enough to touch, but that it wasn’t supposed to happen like this, stood in a flak jacket and protective helmet in a stone-cold empty street, blood at their feet.
There were a few detectives walking with her, the extra hands drafted in to help out. Laura was moving slowly, looking around her, trying to get a feel for where the shots might have come from.
‘What do you think? Evidence collection or a vigil?’
Laura looked towards the voice. It was a young officer she had never met. She looked back to the scene ahead. She could see the photographer getting busy around the bloodstains, a compass on the floor, with a ruler setting the scene for scale. The long-range shots had already been taken, the tourist snaps, a collection of views along a trendy London street. Now he was down to the money shots, the stained pavement under a green awning.
‘I don’t know,’ she replied. ‘Both, I suppose.’
They ducked under the crime-scene tape. The detectives exchanged smiles and nods, businesslike.
‘Detective Constable McGanity. Glad you could join us.’
