“I’m not hitting on you.”
Brody grinned. “Not yet, anyway.”
At the expression on his face Jillian’s body responded, warming, as automatic as a reflex.
“The point is that this job kills relationships. We’re on the road, out all night, always in a crowd, surrounded by people looking to get laid. It can get wild.”
“It’s a tough job, but someone has to do it?”
“You got it.” His eyebrows rose as if her joke had surprised him. She was coming off too serious, she realized, no doubt a strike against her.
“I don’t have a boyfriend, so that’s no problem. Neither is the travel or the hours or whatever it takes. I’ll work hard. I’ll be what you need.”
“And what do you think I need?”
There was heat in his words, something sexy and intimate that caught her short. Something that made her think of bodies entwining on twisted sheets.
“Me,” she blurted. “You need me.”
Dear Reader,
I used to be offended by men. Well, by how sexist they could be, crude and lewd and obsessed with women’s bodies over their minds. I mellowed out—what choice did I have?—and now accept, even occasionally celebrate la différence. Men are visually stimulated and can’t multitask, especially during sex, so we can’t expect to hear how pretty our eyes are during the act, right? It’s a brain thing. Who knew?
It’s also true that we all have an angle on the world. We see it through the eyes of our past, our attitudes, our family roles, our life experiences. That’s how it was for Jillian James in this story. She believed she was open to other viewpoints—crucial for a documentary filmmaker—but she learned through Brody that, well…maybe not so much.
Jillian taught Brody, aka Mr. Love ’Em and Leave ’Em Begging for More, a thing or two as well, such as how to stick around for love. They both saw the world through new eyes.
I hope their story opens your eyes a little, too. Oh, and warms your heart. Always that is my hope.
All my best,
Dawn Atkins
P.S. Please visit me at www.dawnatkins.com.
NO STOPPING NOW
Dawn Atkins
ABOUT THE AUTHOR
Dawn Atkins started her writing career in the second grade, crafting stories that included every single spelling word her teacher gave her. Since then, she’s expanded her vocabulary and her publishing credits. This is her twentieth published book. She won the 2005 Golden Quill Award for Best Sexy Romance and has been a Romantic Times BOOKreviews Reviewers Choice Award finalist for Best Flipside (2005) and Best Blaze (2006). She lives in Arizona with her husband, teenage son and a butterscotch-and-white cat.
Books by Dawn Atkins
HARLEQUIN BLAZE
93—FRIENDLY PERSUASION
155—VERY TRULY SEXY
176—GOING TO EXTREMES
205—SIMPLY SEX
214—TEASE ME
253—DON’T TEMPT ME
294—WITH HIS TOUCH**
306—AT HER BECK AND CALL**
318—AT HIS FINGERTIPS**
348—SWEPT AWAY†
To David, my second set of eyes
Contents
Acknowledgments
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Acknowledgments
A million thanks for a million answers to documentary filmmakers Suzanne Johnson and Penelope Price. I’m awestruck by your skill and dedication. Any film-related errors are strictly my own.
1
ON THE MONITOR, Brody Donegan, aka Doctor Nite, slid a five under the stripper’s G-string and gave the knowing smirk that made his cable show must-see TV for every lounge lizard prowling the meat-market bars.
“I’ve got to get this guy,” Jillian James said to her cousin Nate, in whose video-editing studio they sat. “For the documentary,” she added quickly, hoping Nate hadn’t noticed the edge in her voice. She tapped the Mute button so hard she snapped a nail.
Doctor Nite, Brody Donegan’s show, featured sexy hot spots as the backdrop for advice on how to get laid and stay single. Donegan, who used women like tissues and taught his high-fiving, beer-guzzling fans to do the same, symbolized all that was wrong with a culture that exalted sex over love, external looks over inner beauty and self-involvement over emotional commitment.
Jillian had to get him.
She’d tried for weeks for an interview, but his network had stonewalled her and his agent had e-mailed that he was too busy. “For a no-name filmmaker” was implied, but Jillian got the message loud and clear.
That was where fate, through her cousin, had stepped in. Nate just happened to be good friends with Donegan’s camera guy, who just happened to be out of commission for the upcoming shoot. Nate had recommended Jillian to fill in.
“So, you have the scoop for me?” she asked Nate now.
“Brody wants to meet you tonight.” Nate handed her one of the show’s business cards, which featured the star’s
