A Thorny Path – Volume 05
CHAPTER XV
Nothing delighted old Dido more than to dress the daughter of her beloved mistress in all her best, for she had helped to bring her up; but to-day it was a cruel task; tears dimmed her old eyes. It was not till she had put the finishing touches to braiding the girl's abundant brown hair, pinned her peplos on the shoulders with brooches, and set the girdle straight, that her face cleared, as she looked at the result. Never had she seen her darling look so fair. Nothing, indeed, remained of the child-like timidity and patient submissiveness which had touched Dido only two days since, as she plaited Melissa's hair. The maiden's brow was grave and thoughtful, the lips firmly set; but she seemed to Dido to have grown, and to have gained something of her mother's mature dignity. She looked, the old woman told her, like the image of Pallas Athene; adding, to make her smile, that if she wanted an owl, she, Dido, could fill the part. Jesting had never been the old woman's strong point, and to-day it was less easy than ever; for, if the worst befell, and she were sent in her old age to a strange house—and Argutis, no doubt, to another—she would have to turn the handmill for the rest of her days.
But it was a hard task which the motherless—and now fatherless—girl had set herself, and she must try to cheer her darling. While she was dressing her, she never ceased praying to all the gods and goddesses she could think of to come to the maiden's aid and move the souls of those who could help her. And though she was, as a rule, ready to expect the worst, this time she hoped for the best; for Seleukus's wife must have a heart of stone if she could close it to such innocence, such beauty, and the pathetic glance of those large, imploring eyes.
When at length Melissa quitted the house, deeply veiled, with Argutis to escort her, she took his arm; and he, wearing his master's mantle, and exempted long since from keeping his hair cropped, was so proud of this that he walked with all the dignity of a freeman, and no one could have guessed that he was a slave. Melissa's face was completely hidden, and she, like her companion, was safe from recognition. Argutis, nevertheless, led her through the quietest and darkest lanes to the Kanopic way. Both were silent, and looked straight before them. Melissa, as she walked on, could not think with her usual calm. Like a suffering man who goes to the physician's house to die or be cured by the knife, she felt that she was on her way to something terrible in itself, to remedy, if possible, something still more dreadful. Her father— Alexander, so reckless and so good-hearted—Philip, whom she pitied—and her sick lover, came in turn before her fancy. But she could not control her mind to dwell on either for long. Nor could she, as usual, when she had any serious purpose in hand, put up a prayer to her mother's manes or the immortals; and all the while an inner voice made itself heard, confidently promising her that Caesar, for whom she had sacrificed, and who might be kinder and more merciful than others fancied, would at once grant all she should ask. But she would not listen; and when she nevertheless ventured to consider how she could make her way into Caesar's presence, a cold shiver ran down her back, and again Philip's last words sounded in her ears, "Death rather than dishonor!"
Other thoughts and feelings filled the slave's soul. He, who had always watched over his master's children with far more anxious care than Heron himself, had not said a word to dissuade Melissa from her perilous expedition. Her plan had, indeed, seemed to him the only one which promised any success. He was a man of sixty years, and a shrewd fellow, who might easily have found a better master than Heron had been; but he gave not a thought to his own prospects—only to Melissa's, whom he loved as a child of his own. She had placed herself under his protection, and he felt responsible for her fate. Thus he regarded it as great good fortune that he could be of use in procuring her admission to the house of Seleukus, for the door-keeper was a fellow-countryman of his, whom Fate had brought hither from the banks of the Moselle. At every festival, which secured a few hours' liberty to all the slaves, they had for years been boon companions, and Argutis knew that his friend would do for him and his young mistress all that lay in his power. It would, of course, be difficult to get an audience of the mistress of a house where Caesar was a guest, but the door-keeper was clever and ingenious, and would do anything short of the impossible.
So he walked with his head high and his heart full of pride, and it confirmed his courage when one of Zminis's men, whom they passed in the brightly illuminated Kanopic street, and who had helped to secure Philip, looked at him without recognizing him.
There was a great stir in this, the handsomest road through the city. The people were waiting for Caesar; but stricter order was observed than on the occasion of his arrival. The guard prohibited all traffic on the southern side of the way, and only allowed the citizens to walk up and down the footpath, shaded by trees, between the two roadways paved with granite flags, and the arcades in front of the houses on either side. The free inhabitants, unaccustomed to such restrictions, revenged themselves by cutting witticisms at Caesar's expense, "for clearing the streets of Alexandria by his men-at-arms as he did those of Rome by the executioner. He seemed to have forgotten, as he kept the two roads open, that he only needed one, now that he had murdered his brother and partner."
Melissa and her companion were ordered to join the crowd on the footway; but Argutis managed to convince a man on guard that they were two of the mimes who were to perform before Caesar—the door-keeper at the house of Seleukus would confirm the fact—and the official himself made way for them into the vestibule of this splendid dwelling.
But Melissa was as little in the humor to admire all the lavish magnificence which surrounded her as Alexander had been a few days since. Still veiled, she modestly took a place among the choir who stood on each side of the hall ready to welcome Caesar with singing and music. Argutis stopped to speak with his friend. She dimly felt that the whispering and giggling all about her was at her expense; and when an elderly, man, the choir-master, asked her what she wanted, and desired her to remove her veil, she obeyed at once, saying: "Pray let me stand here, the Lady Berenike will send for me."
"Very well," replied the musician; and he silenced the singers, who were hazarding various impertinent guesses as to the arrival of so pretty a girl just when Caesar was expected.
As Melissa dropped her veil the splendor of the scene, lighted up by numberless tapers and lamps, forced itself on her attention. She now perceived that the porphyry columns of the great hall were wreathed with flowers, and that garlands swung in graceful curves from the open roof; while at the farther end, statues had been placed of Septimus Severus and Julia Domna, Caracalla's parents. On each side of these works of art stood bowers of plants, in which gay-plumaged birds were fluttering about, excited by the lights. But all these glories swam before her eyes, and the first question which the artist's daughter was wont to ask herself, "is it really beautiful or no?" never occurred to her mind. She did not even notice the smell of incense, until some fresh powder was thrown on, and it became oppressive.
She was fully conscious only of two facts, when at last Argutis returned: that she was the object of much curious examination and that every one was wondering what detained Caesar so long.
At last, after she had waited many long minutes, the door-keeper approached her with a young woman in a rich but simple dress, in whom she recognized Johanna, the Christian waiting-maid of whom Alexander had spoken. She did not speak, but beckoned her to come.
Breathing anxiously, and bending her head low, Melissa, following her guide, reached a handsome impluvium, where a fountain played in the midst of a bed of roses. Here the moon and starlight mingled with that of lamps without number, and the ruddy glare of a blaze; for all round the basin, from which the playing waters danced skyward, stood marble genii, carrying in their hands or on their heads silver dishes, in which the leaping flames consumed cedar chips and aromatic resins.
At the back of this court, where it was as light as day, at the top of three steps, stood the statues of Alexander the Great and Caracalla. They were of equal size; and the artist, who had wrought the second in great haste out of the slightest materials, had been enjoined to make Caesar as like as possible in every respect to the
