The Bad Boy of Athens: Classics from the Greeks to Game of Thrones. Daniel Mendelsohn

Чтение книги онлайн.

Читать онлайн книгу The Bad Boy of Athens: Classics from the Greeks to Game of Thrones - Daniel Mendelsohn страница 21

The Bad Boy of Athens: Classics from the Greeks to Game of Thrones - Daniel  Mendelsohn

Скачать книгу

he leaves Athens and embarks on his difficult northward journey, turning an idea over in his mind – an idea that comes to him, as it happens, from Thesmophoriazousae itself. An all-female festival; a man eager to see what the women get up to, when the men aren’t watching. A grotesque foray into drag that convinces no one; a masquerade that ends in apprehension, and terrible peril. Not a bad idea for a play – not a comedy, this time around, but something terrible, something that will bring his citizen audience close to the core of what great theatre is about: plotting, disguise, recognition, revelation, violence, awful knowledge. He arrives in Macedon and gets to work. Three years later, the play is finished: Bacchae. By the time it is produced back home in Athens, winning its author one of his rare first prizes, Euripides is dead. But from the mockers, those who wilfully mistake his meanings, he has stolen a victory. This show, it is safe to say, will go on.

      – The New York Review of Books, 13 February 2003

      Whatever else you say about the career of Alexander the Great – and classicists, at least, say quite a lot (one website that tracks the bibliography lists 1200 items) – it was neither funny nor dull. So it was a sign that something had gone seriously wrong with Oliver Stone’s long, gaudy, and curiously empty new biopic about Alexander when audiences at both showings I attended greeted the movie with snickering and evident boredom. The first time I saw the picture was at a press screening at a commercial theatre, and even from the large central section that was (a personage with a headset informed us) reserved for ‘friends of the filmmaker’ you could hear frequent tittering throughout the film – understandable, given that the characters often have to say things like ‘from these loins of war, Alexander was born’. A week later, at a matinee, I got to witness a reaction by those unconstrained by the bonds of either duty or amity: by the end of the three-hour-long movie, four of the twelve people in the audience had left.

      He was born in 356 BC, the product of the stormy marriage between Philip II of Macedon and his temperamental fourth wife, Olympias, a princess from Epirus (a wild western kingdom encompassing parts of present-day Albania). His childhood was appropriately dramatic. At around twelve he had already gained a foothold on legend by taming a magnificent but dangerously wild stallion called Bucephalas (‘Oxhead’) – a favourite episode in what would become, after Alexander’s death, a series of increasingly fantastical tales and legends that finally coalesced into a literary narrative known as the Alexander Romance, which as time passed was elaborated, illuminated, and translated into everything from Latin to Armenian. While still in his early teens, he was at school with no less a teacher than Aristotle, who clearly made a great impression on the youth. Years later, as he roamed restlessly through the world, Alexander took care to send interesting zoological and botanical specimens back to his old tutor.

      That, of course, was just the beginning. At twenty-two, Alexander led his father’s superbly trained army across the Hellespont into Asia. Next he liberated the Greek cities of Asia Minor from their Persian overlords (i.e., made them his own: the governors he appointed were not always champions of Hellenic civic freedoms), staged his most brilliant military victory by successfully besieging the Phoenician island fortress of Tyre (part of his famous strategy to ‘defeat the Persian navy on land’ by seizing its bases), and freed a grateful Egypt from harsh Persian suzerainty. While in Egypt, he indulged in one of the bizarre gestures that, wholly apart from his indisputable genius as a general, helped make him a legend: he made an arduous and dangerous detour to the oracle of Ammon in the desert oasis of Siwah, where the god revealed that Alexander was in fact his own son – a conclusion with which Alexander himself came increasingly to agree. While in Egypt he also founded the most famous of his Alexandrias, a city that eventually displaced Athens as the centre of Greek intellectual culture, and where his marvellous tomb, a tourist attraction for centuries after, would eventually rise.

      His brilliant victory on the plain of Gaugamela in Mesopotamia in October, 331 BC, made him the most powerful man the world had ever known, ruler of territories from the Danube in the north, to the Nile valley in the south, to the Indus in the east. He was also the world’s richest person: the opulent treasuries of the Persians at Babylon, Susa, and Persepolis yielded him the mind-boggling sum of 180,000 silver talents – the sum of three talents being enough to make someone a comfortable millionaire by today’s standards.

      After Gaugamela, Alexander, driven by a ferocious will to power or inspired by an insatiable curiosity (or both), just kept going. He turned first to the northeast, where he subdued stretches of present-day Afghanistan, Uzbekistan, and Tajikistan, and there took as a wife the beautiful Roxana, daughter of a local chieftain, much to the consternation of his xenophobic aides. Then he moved to the south, where his designs on India – he believed it to be bordered by the ‘Encircling Ocean’ which he longed to see – were thwarted, in the end, not by military defeat but by the exhaustion and demoralization of his men, who by that point, understandably, wanted to head back to Macedon and enjoy their loot. Himself demoralized by this failure in support, Alexander relented and agreed to turn back.

Скачать книгу