A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare. George MacDonald
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slightly varied, for the other occasion, into—
“I heard the water lapping on the crag,
And the long ripple washing in the reeds.”
But, as to this matter of creation, is there, after all, I ask yet, any genuine sense in which a man may be said to create his own thought-forms? Allowing that a new combination of forms already existing might be called creation, is the man, after all, the author of this new combination? Did he, with his will and his knowledge, proceed wittingly, consciously, to construct a form which should embody his thought? Or did this form arise within him without will or effort of his—vivid if not clear—certain if not outlined? Ruskin (and better authority we do not know) will assert the latter, and we think he is right: though perhaps he would insist more upon the absolute perfection of the vision than we are quite prepared to do. Such embodiments are not the result of the man’s intention, or of the operation of his conscious nature. His feeling is that they are given to him; that from the vast unknown, where time and space are not, they suddenly appear in luminous writing upon the wall of his consciousness. Can it be correct, then, to say that he created them? Nothing less so, as it seems to us. But can we not say that they are the creation of the unconscious portion of his nature? Yes, provided we can understand that that which is the individual, the man, can know, and not know that it knows, can create and yet be ignorant that virtue has gone out of it. From that unknown region we grant they come, but not by its own blind working. Nor, even were it so, could any amount of such production, where no will was concerned, be dignified with the name of creation. But God sits in that chamber of our being in which the candle of our consciousness goes out in darkness, and sends forth from thence wonderful gifts into the light of that understanding which is His candle. Our hope lies in no most perfect mechanism even of the spirit, but in the wisdom wherein we live and move and have our being. Thence we hope for endless forms of beauty informed of truth. If the dark portion of our own being were the origin of our imaginations, we might well fear the apparition of such monsters as would be generated in the sickness of a decay which could never feel—only declare—a slow return towards primeval chaos. But the Maker is our Light.
One word more, ere we turn to consider the culture of this noblest faculty, which we might well call the creative, did we not see a something in God for which we would humbly keep our mighty word:—the fact that there is always more in a work of art—which is the highest human result of the embodying imagination—than the producer himself perceived while he produced it, seems to us a strong reason for attributing to it a larger origin than the man alone—for saying at the last, that the inspiration of the Almighty shaped its ends.
We return now to the class which, from the first, we supposed hostile to the imagination and its functions generally. Those belonging to it will now say: “It was to no imagination such as you have been setting forth that we were opposed, but to those wild fancies and vague reveries in which young people indulge, to the damage and loss of the real in the world around them.”
“And,” we insist, “you would rectify the matter by smothering the young monster at once—because he has wings, and, young to their use, flutters them about in a way discomposing to your nerves, and destructive to those notions of propriety of which this creature—you stop not to inquire whether angel or pterodactyle—has not yet learned even the existence. Or, if it is only the creature’s vagaries of which you disapprove, why speak of them as the exercise of the imagination? As well speak of religion as the mother of cruelty because religion has given more occasion of cruelty, as of all dishonesty and devilry, than any other object of human interest. Are we not to worship, because our forefathers burned and stabbed for religion? It is more religion we want. It is more imagination we need. Be assured that these are but the first vital motions of that whose results, at least in the region of science, you are more than willing to accept.” That evil may spring from the imagination, as from everything except the perfect love of God, cannot be denied. But infinitely worse evils would be the result of its absence. Selfishness, avarice, sensuality, cruelty, would flourish tenfold; and the power of Satan would be well established ere some children had begun to choose. Those who would quell the apparently lawless tossing of the spirit, called the youthful imagination, would suppress all that is to grow out of it. They fear the enthusiasm they never felt; and instead of cherishing this divine thing, instead of giving it room and air for healthful growth, they would crush and confine it—with but one result of their victorious endeavours—imposthume, fever, and corruption. And the disastrous consequences would soon appear in the intellect likewise which they worship. Kill that whence spring the crude fancies and wild day-dreams of the young, and you will never lead them beyond dull facts—dull because their relations to each other, and the one life that works in them all, must remain undiscovered. Whoever would have his children avoid this arid region will do well to allow no teacher to approach them—not even of mathematics—who has no imagination.
“But although good results may appear in a few from the indulgence of the imagination, how will it be with the many?”
We answer that the antidote to indulgence is development, not restraint, and that such is the duty of the wise servant of Him who made the imagination.
“But will most girls, for instance, rise to those useful uses of the imagination? Are they not more likely to exercise it in building castles in the air to the neglect of houses on the earth? And as the world affords such poor scope for the ideal, will not this habit breed vain desires and vain regrets? Is it not better, therefore, to keep to that which is known, and leave the rest?”
“Is the world so poor?” we ask in return. The less reason, then, to be
satisfied with it; the more reason to rise above it, into the region of
the true, of the eternal, of things as God thinks them. This outward
world is but a passing vision of the persistent true. We shall not live
in it always. We are dwellers in a divine universe where no desires are
in vain, if only they be large enough. Not even in this world do all
disappointments breed only vain regrets. [Footnote:
“We will grieve not, rather find
Strength in what remains behind;
In the primal sympathy
Which, having been, must ever be;
In the soothing thoughts that spring
Out of human suffering;
In the faith that looks through death,
In years that bring the philosophic mind.”]
And as to keeping to that which is known and leaving the rest—how many affairs of this world are so well-defined, so capable of being clearly understood, as not to leave large spaces of uncertainty, whose very correlate faculty is the imagination? Indeed it must, in most things, work after some fashion, filling the gaps after some possible plan, before action can even begin. In very truth, a wise imagination, which is the presence of the spirit of God, is the best guide that man or woman can have; for it is not the things we see the most clearly that influence us the most powerfully; undefined, yet vivid visions of something beyond, something which eye has not seen nor ear heard, have far more influence than any logical sequences whereby the same things may be demonstrated to the intellect. It is the nature of the thing, not the clearness of its outline, that determines its operation. We live by faith, and not by sight. Put the question to our mathematicians—only be sure the question reaches them—whether