CALIFORNIA by John Muir: My First Summer in the Sierra, Picturesque California, The Mountains of California, The Yosemite & Our National Parks (Illustrated Edition). John Muir

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CALIFORNIA by John Muir: My First Summer in the Sierra, Picturesque California, The Mountains of California, The Yosemite & Our National Parks (Illustrated Edition) - John Muir

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into joints of the rock. But, finding that the upper portion of the curve would require laborious drilling, they abandoned the attempt, glad to escape from the dangerous position they had reached, some 300 feet above the Saddle.

      Anderson began with Conway's old rope, which had been left in place, and resolutely drilled his way to the top inserting eye-bolts five to six feet apart, and making his rope fast to each in succession, resting his feet on the last bolt while he drilled a hole for the next above. Occasionally some irregularity in the curve or slight foothold, would enable him to climb a few feet without the rope, which he would pass and begin drilling again, and thus the whole work was accomplished in less than a week. Notwithstanding the enthusiastic eagerness of tourists to reach the crown of the Dome, the views of the valley from this lofty standpoint are far less striking than from many other points comparatively low, chiefly on account of the foreshortening effect produced by looking down from so great a height. The North Dome is dwarfed almost beyond recognition, the grand sculpture of the Royal Arches may not be noticed at all, and the whole range of the walls on both sides seem comparatively low and sunken, especially when the valley is flooded with noonday sunshine; while the Dome itself, the most sublime feature of all general views of Yosemite, is beneath one's feet. Little Yosemite Valley is well seen, but a better view of it may be obtained from the base of the Starr King cone. The summit landscapes, however, toward Mounts Ritter, Lyell, and Dana, are very effective and grand. My first view from the top of the Dome, in November, after the first winter snow had fallen on the mountains, was truly glorious. A massive cloud of pure pearl luster was arched across the valley, from wall to wall, one end resting on the grand abutment of El Capitan, the other on Cathedral Rock, apparently as fixed and calm as the brown meadow and groves in the shadow beneath it. Then, as I stood on the tremendous verge overlooking Mirror Lake, a flock of smaller clouds, white as snow came swiftly from the north, trailing over the dark forests and, arriving on the brink of the valley, descended with imposing gestures through Indian Canyon and over the Arches and North Dome. On they came with stately deliberation, nearer, nearer, gathering and massing beneath my feet, and filling the Tenaya abyss. Then the sun shone free, painting them with rainbow colors and making them bum on the edges with glorious brightness. It was one of those brooding, changeful days that come just between the Indian summer and winter, when the leaf colors begin to grow dim and the clouds come and go, moving about among the cliffs like living creatures; now hovering aloft in the tranquil sky, now caressing rugged rock-brows with infinite gentleness, or, wandering afar over the tops of the forests, touch the spires of fir and pine with their soft silken fringes as if telling the coming of the snow. Now and then the valley appeared all bright and cloudless, with its crystal river wavering and shimmering through meadow and grove, while to the eastward the white peaks rose in glorious array keenly outlined on the dark blue sky; then the clouds would gather again, wreathing the Dome and making a darkness like night.

      On the crown of the Dome, notwithstanding its severely bare appearance, there are four clumps of pines representing three species; Pinus albicaulis, P. contorta, and P. ponderosa, var. Jeffreyi, all three repressed and stormbeaten. The alpine spiraea grows there also, and blooms freely with potentilla, ivesia, erigeron, solidago, pentstemon, eriogonum, and four or five species of grasses and sedges, like those of other granite summits of the same elevation.

      When the all-embracing ice-mantle of the Glacial Period began to grow thin and form separate glaciers that flowed like rivers in the canyons, Half Dome was probably the first of the Yosemite rocks to emerge from the ice, burnished and glowing like a crystal. Centuries of storms have passed over it since first it came to light, but it still remains a telling monument of the glaciers that brought it into relief from the general mass of the range. Its flinty surface, scarcely at all wasted, is covered with glacial inscriptions from base to crown, and the meaning of these is the reward of all who devoutly study them.

      The quick, smart visitor to the valley who buys his ticket early, determined to take the water-falls by the forelock, when their streaming manes are whitest, and when the flooded meadows are covered with mirrors, can have but dim conceptions of the beauties of the peaceful yellow autumn when these same Yosemite waters flow gently and calm in the thick golden haze of the Indian summer. The river then forms a series of pools united by gentle trickling currents that glide softly over brown pebbles and sand with scarce an audible murmur. In and out, in bay and promontory, their shore lines curve, giving to each pool the appearance of lake, with banks embossed with briar and azalea, sedge and grass; and above these, in all their glory of autumn colors, a mingled growth of alder and willow, dogwood, and balm of Gilead. Mellow sunshine overhead, mellow shadows beneath, flecked with dashes of free-falling light, the yellow sunbeams falling on the ripe leaves, streaming through their countless thousands of windows, makes an atmosphere of marvelous beauty over each glassy pool, the surface stirred gently in spots by bands of whirling water-beetles, or startled trout glancing from shelter to shelter beneath fallen trees or some overhanging portion of the bank. The falls, too, are quiet; no wind stirs; the whole valley floor is a finely blended mosaic of ripe, painted leaves, all in bloom every morning with crystals of hoar frost. Even the rocks seem strangely mellow and soft, as if they too had ripened, all their flinty strength hidden and held in abeyance.

      In December comes the snow, or perhaps in November. The clouds descending clasp the mountain from base to summit. Then follows an interval of brooding stillness. Small flakes or single crystals at length appear, glinting gently in zigzags and spirals in the dull grey sky. As the storm progresses the thronging flakes darken the air, and soon the rush and roar, and deep muffled booming of avalanches are heard; but we try in vain to catch a glimpse of their noble currents until rifts occur in the clouds and the storm ceases. Then, standing in the middle of the valley, we may witness the descent of several of the largest size within a few minutes or hours, according to the abundance and condition of the snow on the heights. When the mass first slips on the upper slopes of the mountain a dull, rumbling sound is heard, which increases with heavy deliberation, seeming to come nearer and nearer with appalling intensity of tone. Presently the grand flood is seen rushing with wild, outbounding energy over some precipitous portion of its channel, long, back-trailing streamers fringing the main body of the current like the spray and whirling folds of mist about a waterfall. Now it is partly hidden behind fringes of live-oak, now in full view, leaping from bench to bench, spreading and narrowing and throwing out long fringes of rockets airily draped with convolving gossamer tissue of snow-dust.

      Compared with waterfalls, these snow-falls have none of the keen, kissing, clashing sounds so common in some portions of the currents of waterfalls, but the loud, booming thunder-tones, the pearly whiteness of the mass, with lovely grey tones in the half shadows, the arching leaps over precipices, the narrowing in gorges, the expansions into lace-like sheets upon smooth inclines, and the final dashing into upswirling clouds of spray at the bottom are the same in both.

      In winter the thin outer folds and whirling spray of the great Yosemite Fall are frozen while passing through the air freely exposed, and are deposited around the base of the fall in the form of a hollow, truncated cone, which sometimes attains a height of more than 400 feet.

      In the building of this cone, part of the frozen spray falls directly to its place in the form of minute particles like the dust of wind-beaten snow, but a considerable portion is frozen upon the face of the cliff along the edges of the fall, and attains a thickness of a foot or more during the night. When the sun strikes this ice-coating on the cliff it is cracked off in large masses and built into the walls of the cone, while in windy, frosty weather, when the fall is swayed from side to side, the whole surface is drenched, binding the whole mass of loose blocks and dust firmly together. While in process of formation the surface is smooth, and pure white, the outlines finely drawn, the whole presenting the appearance of a beautiful crystal hill wreathed with clouds of irised spray, with the fall descending into the heart of it with a tremendous roar, as if pouring down the throat of a crater. In spring, however, while wasting and breaking up, it is strewn with leaves, pine branches, stones, sand, etc., that have been carried over the fall, making it look like a heap of wasting avalanche detritus.

      After being engulfed and churned in the stormy interior of the cone,

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