him in a moment. There was still on his face that strange, puzzled look that it habitually wore, only now, of course, the financial papers were calling it "unfathomable." There was a certain way in which his eye roved to and fro inquiringly that might have looked like perplexity, were it not that the Financial Undertone had recognized it as the "searching look of a captain of industry." One might have thought that for all the goodness in it there was something simple in his face, were it not that the Commercial and Pictorial Review had called the face "inscrutable," and had proved it so with an illustration that left no doubt of the matter. Indeed, the face of Tomlinson of Tomlinson's Creek, now Tomlinson the Wizard of Finance, was not commonly spoken of as a face by the paragraphers of the Saturday magazine sections, but was more usually referred to as a mask; and it would appear that Napoleon the First had had one also. The Saturday editors were never tired of describing the strange, impressive personality of Tomlinson, the great dominating character of the newest and highest finance. From the moment when the interim prospectus of the Erie Auriferous Consolidated had broken like a tidal wave over Stock Exchange circles, the picture of Tomlinson, the sleeping shareholder of uncomputed millions, had filled the imagination of every dreamer in a nation of poets.
They all described him. And when each had finished he began again.
"The face," so wrote the editor of the "Our Own Men" section of Ourselves Monthly, "is that of a typical American captain of finance, hard, yet with a certain softness, broad but with a certain length, ductile but not without its own firmness."
"The mouth," so wrote the editor of the "Success" column of Brains, "is strong but pliable, the jaw firm and yet movable, while there is something in the set of the ear that suggests the swift, eager mind of the born leader of men."
So from state to state ran the portrait of Tomlinson of Tomlinson's Creek, drawn by people who had never seen him; so did it reach out and cross the ocean, till the French journals inserted a picture which they used for such occasions, and called it Monsieur Tomlinson, nouveau capitaine de la haute finance en Amerique; and the German weeklies, inserting also a suitable picture from their stock, marked it Herr Tomlinson, Amerikanischer Industrie und Finanzcapitan. Thus did Tomlinson float from Tomlinson's Creek beside Lake Erie to the very banks of the Danube and the Drave.
Some writers grew lyric about him. What visions, they asked, could one but read them, must lie behind the quiet, dreaming eyes of that inscrutable face?
They might have read them easily enough, had they but had the key. Anyone who looked upon Tomlinson as he stood there in the roar and clatter of the great rotunda of the Grand Palaver with the telegram in his hand, fumbling at the wrong end to open it, might have read the visions of the master-mind had he but known their nature. They were simple enough. For the visions in the mind of Tomlinson, Wizard of Finance, were for the most part those of a wind-swept hillside farm beside Lake Erie, where Tomlinson's Creek runs down to the low edge of the lake, and where the off-shore wind ripples the rushes of the shallow water: that, and the vision of a frame house, and the snake fences of the fourth concession road where it falls to the lakeside. And if the eyes of the man are dreamy and abstracted, it is because there lies over the vision of this vanished farm an infinite regret, greater in its compass than all the shares the Erie Auriferous Consolidated has ever thrown upon the market.
When Tomlinson had opened the telegram he stood with it for a moment in his hand, looking the boy full in the face. His look had in it that peculiar far-away quality that the newspapers were calling "Napoleonic abstraction." In reality he was wondering whether to give the boy twenty-five cents or fifty.
The message that he had just read was worded, "Morning quotations show preferred A. G. falling rapidly recommend instant sale no confidence send instructions."
The Wizard of Finance took from his pocket a pencil (it was a carpenter's pencil) and wrote across the face of the message: "Buy me quite a bit more of the same yours truly."
This he gave to the boy. "Take it over to him," he said, pointing to the telegraph corner of the rotunda. Then after another pause he mumbled, "Here, sonny," and gave the boy a dollar.
With that he turned to walk towards the elevator, and all the people about him who had watched the signing of the message knew that some big financial deal was going through—a coup, in fact, they called it.
The elevator took the Wizard to the second floor. As he went up he felt in his pocket and gripped a quarter, then changed his mind and felt for a fifty-cent piece, and finally gave them both to the elevator boy, after which he walked along the corridor till he reached the corner suite of rooms, a palace in itself, for which he was paying a thousand dollars a month ever since the Erie Auriferous Consolidated Company had begun tearing up the bed of Tomlinson's Creek in Cahoga County with its hydraulic dredges.
"Well, mother," he said as he entered.
There was a woman seated near the window, a woman with a plain, homely face such as they wear in the farm kitchens of Cahoga County, and a set of fashionable clothes upon her such as they sell to the ladies of Plutoria Avenue.
This was "mother," the wife of the Wizard of Finance and eight years younger than himself. And she, too, was in the papers and the public eye; and whatsoever the shops had fresh from Paris, at fabulous prices, that they sold to mother. They had put a Balkan hat upon her with an upright feather, and they had hung gold chains on her, and everything that was most expensive they had hung and tied on mother. You might see her emerging any morning from the Grand Palaver in her beetle-back jacket and her Balkan hat, a figure of infinite pathos. And whatever she wore, the lady editors of Spring Notes and Causerie du Boudoir wrote it out in French, and one paper had called her a belle chatelaine, and another had spoken of her as a grande dame, which the Tomlinsons thought must be a misprint.
But in any case, for Tomlinson, the Wizard of Finance, it was a great relief to have as his wife a woman like mother, because he knew that she had taught school in Cahoga County and could hold her own in the city with any of them.
So mother spent her time sitting in her beetle jacket in the thousand-dollar suite, reading new novels in brilliant paper covers. And the Wizard on his trips up and down to the rotunda brought her the very best, the ones that cost a dollar fifty, because he knew that out home she had only been able to read books like Nathaniel Hawthorne and Walter Scott, that were only worth ten cents.
"How's Fred?" said the Wizard, laying aside his hat, and looking towards the closed door of an inner room. "Is he better?"
"Some," said mother. "He's dressed, but he's lying down."
Fred was the son of the Wizard and mother. In the inner room he lay on a sofa, a great hulking boy of seventeen in a flowered dressing-gown, fancying himself ill. There was a packet of cigarettes and a box of chocolates on a chair beside him, and he had the blind drawn and his eyes half-closed to impress himself.
Yet this was the same boy that less than a year ago on Tomlinson's Creek had worn a rough store suit and set his sturdy shoulders to the buck-saw. At present Fortune was busy taking from him the golden gifts which the fairies of Cahoga County, Lake Erie, had laid in his cradle seventeen years ago.
The Wizard tip-toed into the inner room, and from the open door his listening wife could hear the voice of the boy saying, in a tone as of one distraught with suffering.
"Is there any more of that jelly?"
"Could he have any, do you suppose?" asked Tomlinson coming back.
"It's all right," said mother, "if it will sit on his stomach." For this, in the dietetics of Cahoga County, is the sole test. All those things
