THE TRENCH DAYS: The Collected War Tales of William Le Queux (WW1 Adventure Sagas, Espionage Thrillers & Action Classics). William Le Queux

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      William Le Queux

      The Trench Days: The Collected War Tales of William Le Queux

      WWI Adventure Sagas, Espionage Thrillers & Action Classics

      Published by

      Books

      - Advanced Digital Solutions & High-Quality eBook Formatting -

       [email protected]

      2017 OK Publishing

      ISBN 978-80-272-1979-7

       At the Sign of the Sword

       Number 70, Berlin

       The Way to Win

       The Zeppelin Destroyer

       Sant of the Secret Service

       The Bomb-Makers

       The Devil’s Dice

       The Great Tunnel Plot

       The Hyde Park Plot

       The Explosive Needle

       The Brass Triangle

       The Silent Death

      At the Sign of the Sword

       Table of Contents

       Chapter One The Waters of the Meuse

       Chapter Two The Rising Cloud

       Chapter Three The Heart’s Desire

       Chapter Four The Man from Cologne

       Chapter Five Bursting of the Storm

       Chapter Six In the Trenches before Liège

       Chapter Seven In the Eagle’s Claws

       Chapter Eight The Double Face

       Chapter Nine The Kaiser’s Secret Agent

       Chapter Ten The Hôtel de L’Épée

       Chapter Eleven This Word of the Uhlan

       Chapter Twelve The Fugitives

       Chapter Thirteen Before the Storm

       Chapter Fourteen Held by the Enemy

       Chapter Fifteen Betrays the Traitor

       Chapter Sixteen The Fire of Fate

       Chapter Seventeen In Deadly Peril

       Chapter Eighteen The Gulf of Shadows

      Chapter One

       The Waters of the Meuse

       Table of Contents

      Warm, brilliant, and cloudless was the July noon.

      Beneath the summer sun the broad, shallow waters of the Meuse sparkled as they rippled swiftly onward through the deep, winding valley of grey rocks and cool woods on their way from the mountains of Lorraine, through peaceful, prosperous Belgium, towards the sea.

      That quiet, smiling land of the Ardennes was, in July in the year of grace 1914, surely one of the most romantic in all Europe — a green, peaceful land, undisturbed by modern progress; a land where the peasantry were still both honest and simple, retaining many of their primitive customs; a land where the herdsmen still called home the cattle by the blast of the horn as they had done for past centuries, where the feudal castles studding the country — mostly now in ruins — were once the abodes of robber-knights.

      In that long, deep green valley, which wound from Namur up past Dinant to the French frontier at Givet, the people had advanced but little. Legend and history, poetry and fiction, provoked an interesting reminiscence at almost every turn, for it was, indeed, a land that fascinated those used to the mad hurry of our modern money-making life.

      Not far from quaint, old-world Dinant, with its church with the slate-covered, bulgy spire nestling beneath its fortress-crowned rock, its narrow cobbled streets, and its picturesque little Place, lay the pretty riverside village of Anseremme, the favourite resort of artists, being situated at the junction of the Lesse — one of the loveliest of rivers — with the Meuse.

      Seated

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