with perfect confidence in the correctness of my statement.
"Well," she said, "what happened was this as nearly as I can remember: I was coming up the path from the ponds and I had to pass a man who was leaning against the fence by the stile. As I came near to him, he looked at me, at first, in quite an ordinary way, and then, he suddenly began to stare in a most singular and disturbing fashion, not at me, so much, as at this little crucifix which I wear hung from my neck. As I passed through the turnstile, he spoke to me: 'Would you mind letting me look at that crucifix?' he asked. It was a most astonishing piece of impertinence, and I was so taken aback that I hardly had the presence of mind to refuse. However, I did, and very decidedly, too. Then he came up to me, and, in a most threatening and alarming manner, said: 'You found that crucifix. You picked it up somewhere near here. It's mine, and I'll ask you to let me have it, if you please.'
"Now this was perfectly untrue. The crucifix was given to me by my father when I was quite a little child, and I have worn it ever since I have been grown up—ever since he died, in fact, six years ago. I told the man this, but he made no pretence of believing me, and was evidently about to renew his demand, when two labourers appeared, coming down the lane. I thought this a good opportunity to escape, and walked away quickly up the lane; it was very silly of me; I ought to have gone the other way."
"Of course you ought," I agreed, "you ought to have got out into a public road at once."
"Yes, I see that now," she said. "It was very foolish of me. However, I walked on pretty quickly, for there was something in the man's face that had frightened me, and I was anxious to get home. I looked back, from time to time, and, when I saw no sign of the man, I began to recover myself; but just as I had got to the most solitary part of the lane, just about where we are now, shut in by these high fences, I heard quick footsteps behind me. I looked back and saw the man coming after me. Then, I suppose, I got in a sudden panic, for I dropped my sketching things and began to run. But as soon as I began to run, the man broke into a run too. I raced for my life, and when I heard the man gaining on me, I suppose I must have called out. Then I heard your shout from the upper part of the lane and ran on faster than ever to gain your protection. That's all, and I suppose you think that I have been making a great fuss about nothing."
"I don't think anything of the kind," I said, "and neither would our absent friend if I could get hold of him. By the way, what sort of person was he?—a tramp?"
"Oh, no, quite a respectable looking person; in fact, he would have passed for a gentleman."
"Can you give any sort of description of him, not that verbal descriptions are of much use except in the case of a hunchback or a Chinaman or some other easily identifiable creature."
"No, they are not," she agreed, " and I don't think that I can tell you much about this man excepting that he was clean-shaved, of medium height, quite well dressed, and wore a round hat and slate-coloured suede gloves."
"I'm afraid we shan't get hold of him from that description," I said. "The only thing that you can do is to avoid solitary places for the present and not to come through this lane again alone."
"Yes," she said. "I suppose I must, but it's very unfortunate. One cannot always take a companion when one goes sketching even if it were desirable, which it is not."
As to the desirability, in the case of a good-looking girl, of wandering about alone in solitary places, I had my own opinions; and very definite opinions they were. But I kept them to myself. And so we sat silent for awhile. She was still pale and agitated, and perhaps her recital of her misadventure had not been wholly beneficial. At the moment that this idea occurred to me, a crackling in my breast-pocket reminded me of the forgotten canvas, and I bethought me that perhaps a change of subject might divert her mind from her very disagreeable experience. Accordingly, I drew the canvas out of my pocket, and, unrolling it, asked her what she thought of the sketch. In a moment she became quite animated. "Why," she exclaimed, "this looks exactly like the work of that artist who was working on the Heath a little while ago."
"It is his," I replied, considerably impressed and rather astonished at her instantaneous recognition; "but I didn't know you were so familiar with his work."
"I'm not very familiar with it," she replied;" but, as I told you, I sometimes managed to steal a glance or two when I passed him. You see, his technique is so peculiar that it's easily recognised, and it interested me very much. I should have liked to stop and watch him and get a lesson."
"It is rather peculiar work," I said, looking at the canvas with new interest. "Very solid and yet very smooth."
"Yes. It is typical knife-work, almost untouched with the brush. That was what interested me. The knife is a dangerous tool for a comparative tyro like myself, but yet one would like to learn how to use it. Did he give you this sketch?"
I smiled guiltily. "The truth is," I admitted, "I stole it."
"How dreadful of you!" she said, "I suppose that you could not be bribed to steal another?"
"I would steal it for nothing if you asked me," I answered, "and meanwhile, you had better take possession of this one. It will be of more use to you than to me."
She shook her head: "No, I won't do that," she said, "though it is most kind of you. You paint, I think, don't you?"
"I'm only the merest amateur," I replied. "I annexed the sketch for the sake of the subject. I have rather an affection for this lane."
"So had I," said she, "until to-day. Now, I hate it, but, might I ask how you managed your theft?"
I told her about the empty cottage and the rejected canvasses in the rubbish box. "I'm afraid none of the others would be of any use to you because he had drawn a brushful of paint across each of them."
"Oh, that wouldn't matter," she said. "The brush-strokes would be on dry paint and could easily be scraped off. Besides, it is not the subject but the technique that interests me."
"Then I will get into the cottage somehow and purloin the remaining canvasses for you."
"Oh, but I mustn't give you all this trouble," she protested.
"It won't be any trouble," I said. "I shall quite enjoy a deliberate and determined robbery. But where shall I send the spoil?"
She produced her card-case, and, selecting a card, handed it to me, with a smile: "It seems to me," she said, "that I am inciting you to robbery and acting as a receiver of stolen goods, but I suppose there's no harm in it, though I feel that I ought not to give you all this trouble."
I made the usual polite rejoinder as I took from her the little magical slip of pasteboard that, in a moment, transformed her from a stranger to an acquaintance, and gave her a local habitation and a name. Before bestowing it in my pocket-book, I glanced at the neat copper-plate and read the inscription: "Miss Sylvia Vyne. The Hawthorns. North End."
The effect of our conversation had answered my expectations. Her agitation had passed off, the colour had come back to her cheeks, and, in fact, she seemed quite recovered. Apparently she thought so herself, for she rose, saying that she now felt well enough to walk home, and held out her hand for the colour-box and stool. "I think," said I, "that if you won't consider me intrusive, I should like to see you safely out on to an inhabited road at least."
"I shall accept your escort gratefully," she replied, "as far as the end of the lane, or farther if it is not taking you too much out of your way."
Needless to say, I would gladly have escorted so agreeable and winsome
