attention in the child's bedroom was the figure of the nurse-maid, leaning back, fast asleep, in an easy-chair by the window. Venturing, after this discovery, to look more boldly into the room, she next saw her master sitting with his back toward her, by the side of the child's crib. Little Rosamond was awake, and was standing up in bed with her arms round her father's neck. One of her hands held over his shoulder the doll that she had taken to bed with her, the other was twined gently in his hair. The child had been crying bitterly, and had now exhausted herself, so that she was only moaning a little from time to time, with her head laid wearily on her father's bosom.
The tears stood thick in Sarah's eyes as they looked on her master and on the little hands that lay round his neck. She lingered by the raised curtain, heedless of the risk she ran, from moment to moment, of being discovered and questioned—lingered until she heard Captain Treverton say soothingly to the child:
"Hush, Rosie, dear! hush, my own love! Don't cry any more for poor mamma. Think of poor papa, and try to comfort him."
Simple as the words were, quietly and tenderly as they were spoken, they seemed instantly to deprive Sarah Leeson of all power of self-control. Reckless whether she was heard or not, she turned and ran into the passage as if she had been flying for her life. Passing the candle she had left there, without so much as a look at it, she made for the stairs, and descended them with headlong rapidity to the kitchen-floor. There one of the servants who had been sitting up met her, and, with a face of astonishment and alarm, asked what was the matter.
"I'm ill—I'm faint—I want air," she answered, speaking thickly and confusedly. "Open the garden door, and let me out."
The man obeyed, but doubtfully, as if he thought her unfit to be trusted by herself.
"She gets stranger than ever in her ways," he said, when he rejoined his fellow-servant, after Sarah had hurried past him into the open air. "Now our mistress is dead, she will have to find another place, I suppose. I, for one, sha'n't break my heart when she's gone. Shall you?"
CHAPTER III.
THE HIDING OF THE SECRET.
The cool, sweet air in the garden, blowing freshly over Sarah's face, seemed to calm the violence of her agitation. She turned down a side walk, which led to a terrace and overlooked the church of the neighboring village.
The daylight out of doors was clear already. The misty auburn light that goes before sunrise was flowing up, peaceful and lovely, behind a line of black-brown moorland, over all the eastern sky. The old church, with the hedge of myrtle and fuchsia growing round the little cemetery in all the luxuriance which is only seen in Cornwall, was clearing and brightening to view, almost as fast as the morning firmament itself. Sarah leaned her arms heavily on the back of a garden-seat, and turned her face toward the church. Her eyes wandered from the building itself to the cemetery by its side, rested there, and watched the light growing warmer and warmer over the lonesome refuge where the dead lay at rest.
"Oh, my heart! my heart!" she said. "What must it be made of not to break?"
She remained for some time leaning on the seat, looking sadly toward the church-yard, and pondering over the words which she had heard Captain Treverton say to the child. They seemed to connect themselves, as every thing else now appeared to connect itself in her mind, with the letter that had been written on Mrs. Treverton's death-bed. She drew it from her bosom once more, and crushed it up angrily in her fingers.
"Still in my hands! still not seen by any eyes but mine!" she said, looking down at the crumpled pages. "Is it all my fault? If she was alive now—if she had seen what I saw, if she had heard what I heard in the nursery—could she expect me to give him the letter?"
Her mind was apparently steadied by the reflection which her last words expressed. She moved away thoughtfully from the garden-seat, crossed the terrace, descended some wooden steps, and followed a shrubbery path which led round by a winding track from the east to the north side of the house.
This part of the building had been uninhabited and neglected for more than half a century past. In the time of Captain Treverton's father the whole range of the north rooms had been stripped of their finest pictures and their most valuable furniture, to assist in redecorating the west rooms, which now formed the only inhabited part of the house, and which were amply sufficient for the accommodation of the family and of any visitors who came to stay with them. The mansion had been originally built in the form of a square, and had been strongly fortified. Of the many defenses of the place, but one now remained—a heavy, low tower (from which and from the village near, the house derived its name of Porthgenna Tower), standing at the southern extremity of the west front. The south side itself consisted of stables and out-houses, with a ruinous wall in front of them, which, running back eastward at right angles, joined the north side, and so completed the square which the whole outline of the building represented.
The outside view of the range of north rooms, from the weedy, deserted garden below, showed plainly enough that many years had passed since any human creature had inhabited them. The window-panes were broken in some places, and covered thickly with dirt and dust in others. Here, the shutters were closed—there, they were only half opened. The untrained ivy, the rank vegetation growing in fissures of the stone-work, the festoons of spiders' webs, the rubbish of wood, bricks, plaster, broken glass, rags, and strips of soiled cloth, which lay beneath the windows, all told the same tale of neglect. Shadowed by its position, this ruinous side of the house had a dark, cold, wintry aspect, even on the sunny August morning when Sarah Leeson strayed into the deserted northern garden. Lost in the labyrinth of her own thoughts, she moved slowly past flower-beds, long since rooted up, and along gravel walks overgrown by weeds; her eyes wandering mechanically over the prospect, her feet mechanically carrying her on wherever there was a trace of a footpath, lead where it might.
The shock which the words spoken by her master in the nursery had communicated to her mind, had set her whole nature, so to speak, at bay, and had roused in her, at last, the moral courage to arm herself with a final and desperate resolution. Wandering more and more slowly along the pathways of the forsaken garden, as the course of her ideas withdrew her more and more completely from all outward things, she stopped insensibly on an open patch of ground, which had once been a well-kept lawn, and which still commanded a full view of the long range of uninhabited north rooms.
"What binds me to give the letter to my master at all?" she thought to herself, smoothing out the crumpled paper dreamily in the palm of her hand. "My mistress died without making me swear to do that. Can she visit it on me from the other world, if I keep the promises I swore to observe, and do no more? May I not risk the worst that can happen, so long as I hold religiously to all that I undertook to do on my oath?"
She paused here in reasoning with herself—her superstitious fears still influencing her out of doors, in the daylight, as they had influenced her in her own room, in the time of darkness. She paused—then fell to smoothing the letter again, and began to recall the terms of the solemn engagement which Mrs. Treverton had forced her to contract.
What had she actually bound herself to do? Not to destroy the letter, and not to take it away with her if she left the house. Beyond that, Mrs. Treverton's desire had been that the letter should be given to her husband. Was that last wish binding on the person to whom it had been confided? Yes. As binding as an oath? No.
As she arrived at that conclusion, she looked up.
At first her eyes rested vacantly on the lonely, deserted north front of the house; gradually they became attracted by one particular
