Familiar Studies of Men and Books. Robert Louis Stevenson

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       Robert Louis Stevenson

      Familiar Studies of Men and Books

      Published by Good Press, 2019

       [email protected]

      EAN 4057664621887

       PREFACE BY WAY OF CRITICISM.

       VICTOR HUGO’S ROMANCES.

       SOME ASPECTS OF ROBERT BURNS

       Youth .

       The Love Stories .

       Downward Course .

       Works .

       WALT WHITMAN.

       I.

       II.

       III.

       IV.

       V.

       VI.

       HENRY DAVID THOREAU: HIS CHARACTER AND OPINIONS.

       I.

       II.

       III.

       IV.

       V.

       YOSHIDA-TORAJIRO

       FRANÇOIS VILLON, STUDENT, POET, AND HOUSEBREAKER.

       A Wild Youth .

       A Gang of Thieves .

       Villon and the Gallows .

       The Large Testament .

       CHARLES OF ORLEANS.

       I.

       II.

       III.

       IV.

       V.

       SAMUEL PEPYS.

       The Diary .

       A Liberal Genius .

       Respectability .

       JOHN KNOX AND HIS RELATIONS TO WOMEN.

       I.— The Controversy about Female Rule .

       II.— Private Life .

       BY WAY OF CRITICISM.

       Table of Contents

      These studies are collected from the monthly press. One appeared in the New Quarterly, one in Macmillan’s, and the rest in the Cornhill Magazine. To the Cornhill I owe a double debt of thanks; first, that I was received there in the very best society, and under the eye of the very best of editors; and second, that the proprietors have allowed me to republish so considerable an amount of copy.

      These nine worthies have been brought together from many different ages and countries. Not the most erudite of men could be perfectly prepared to deal with so many and such various sides of human life and manners. To pass a true judgment upon Knox and Burns implies a grasp upon the very deepest strain of thought in Scotland—a country far more essentially different from England than many parts of America; for, in a sense, the first of these men re-created Scotland, and the second is its most essentially national production. To treat fitly of Hugo and Villon would involve yet wider knowledge, not only of a country foreign to the author by race, history, and religion, but of the growth and liberties of art. Of the two Americans, Whitman and

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