Letters from Switzerland and Travels in Italy. Иоганн Вольфганг фон Гёте

      LETTERS FROM SWITZERLAND.

       Table of Contents

      When, a few years ago, the copies of the following letters were first made known to us, it was asserted that they had been found among Werther's papers, and it was pretended that before his acquaintance with Charlotte, he had been in Switzerland. We have never seen the originals: however we would not on any account anticipate the judgment and feelings of our readers; for whatever may be their true history, it is impossible to read them without sympathy.

      PART THE FIRST.

      How do all my descriptions disgust me, when I read them over. Nothing but your advice, your command, your injunction could have induced me to attempt anything of the kind. How many descriptions, too, of these scenes had I not read before I saw them. Did these, then, afford me an image of them—or at best but a mere vague notion? In vain did my imagination attempt to bring the objects before it; in vain did my mind try to think upon them. Here I now stand contemplating these wonders, and what are my feelings in the midst of them? I can think of nothing—I can feel nothing—and how willingly would I both think and feel. The glorious scene before me excites my soul to its inmost depths, and impels me to be doing; and yet what can I do—what do I? I set myself down and scribble and describe!—Away with you, ye descriptions—delude my friend—make him believe that I am doing something—that he sees and reads something.

      Were, then, these Switzers free? Free, these opulent burghers in their little pent-up towns—free, those poor devils on their rocks and crags? What is it that man cannot be made to believe, especially when he cherishes in his heart the memory of some old tale of marvel? Once, forsooth, they did break a tyrant's yoke, and might for the moment fancy themselves free; but out of the carcase of the single oppressor the good sun, by a strange new birth, has hatched a swarm of petty tyrants. And so now they are ever telling that old tale of marvel: one hears it till one is sick of it. They formerly made themselves free, and have ever since remained free! and now they sit behind their walls, hugging themselves with their customs and laws—their philandering and philistering. And there, too, on the rocks, it is surely fine to talk of liberty, when for six months of the year they, like the marmot, are bound hand and foot by the snow.

      Alas! how wretched must any work of man look, in the midst of this great and glorious Nature, but especially such sorry, poverty-stricken works as these black and dirty little towns—such mean heaps of stones and rubbish! Large rubble and other stones on the roofs too, that the miserable thatch may not be carried off from the top of them—and then the filth, the dung, and the gaping idiots! When here you meet with man and the wretched work of his hands, you are glad to fly away immediately from both.

      That there are in man very many intellectual capacities which in this life he is unable to develope, which therefore point to a better future, and to a more harmonious state of existence: on this point we are both agreed. But further than this I cannot give up that other fancy of mine, even though on account of it you may again call me, as you have so often done already, a mere enthusiast. For my part, I do think that man feels conscious also of corporeal qualities, of whose mature expansion he can have no hope in this life. This most assuredly is the case with "flying." How strongly at one time used the clouds, as they drove along the blue sky, to tempt me to travel with them to foreign lands! and now in what danger do I stand, lest they should carry me away with them from the mountain peak as they sweep violently by. What desire do I not feel to throw myself into the boundless regions of the air—to poise over the terrific abyss, or to alight on some otherwise inaccessible rock. With what a longing do I draw deeper and deeper breath, when, in the dark blue depth below, the eagle soars over rocks and forests, or in company, and in sweet concord with his mate, wheels in wide circles round the eyrie to which he has entrusted his young. Must I then never do more than creep up to the summits? Must I always go on clinging to the highest rocks, as well as to the lowest plain; and when I have at last, with much toil, reached the desired eminence, must I still anxiously grasp at every holding place, shudder at the thought of return, and tremble at the chance of a fall.

      Fancies and feelings.

      With what wonderful properties are we not born—what vague aspirations rise within us! How rarely do imagination and our bodily powers work in opposition! Peculiarities of my early boyhood again recur. While I am walking, and have a long road before me, my arms go dangling by my side, I often make a grasp, as if I would seize a javelin, and hurl it I know not at whom, or what; and then I fancy an arrow is shot at me which pierces me to the heart; I strike my hand upon my breast, and feel an inexpressible sweetness; and then after this I soon revert to my natural state. Whence comes this strange phenomenon—what is the meaning of it? and why does it invariably recur under the same figures, in the same bodily movement, and with the same sensation?

      I am repeatedly told that the people who have met me on my journey are little satisfied with me. I can readily believe it, for neither has any one of them contributed to my satisfaction. I cannot tell how it comes to pass, that society oppresses me; that the forms of politeness are disagreeable to me—that what people talk about does not interest me—that all that they show to me is either quite indifferent, or else produces quite an opposite impression to what they expect. When I am shown a drawing or painting of any beautiful spot, immediately a feeling of disquiet arises within me which is utterly inexpressible. My toes within my shoes begin to bend, as if they would clutch the ground-a cramp-like motion runs through my fingers. I bite my lips, and I hasten to leave the company I am in, and throw myself down in the presence of the majesty of nature on the first seat however inconvenient. I try to take in the scene before me with my eye—to seize all its beauties, and on the spot I love to cover a whole sheet with scratches, which represent nothing exactly, but which, nevertheless, possess an infinite value in my eyes, as serving to remind me of the happy moment, whose bliss even this bungling exercise could not mar. What means, then, this strange effort to pass from art to nature, and then back again from nature to art: If it gives promise of an artist, why is steadiness wanting to me? If it calls me to enjoyment, wherefore, then, am I not able to seize it? I lately had a present of a basket of fruit. I was in raptures at the sight of it as of something heavenly—such riches, such abundance, such variety and yet such affinity! I could not persuade myself to pluck off a single berry—I could not bring myself to take a single peach or a fig. Most assuredly this gratification of the eye and the inner sense is the highest and most worthy of man; in all probability it is the design of Nature, when the hungry and thirsty believe that she has exhausted herself in marvels merely for the gratification of their palate. Ferdinand

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