Field and Hedgerow. Richard Jefferies

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Field and Hedgerow - Richard  Jefferies

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as if he were painted there. He is always in the wind on the hill, from the hail of April to August's dry glow. All the mile-long slope of the hill under me is purple-clad with heath down to the tree-filled gorge where the green boughs seem to join the purple. The corn-fields and the pastures of the plain—count them one by one till the hedges and squares close together and cannot be separated. The surface of the earth melts away as if the eyes insensibly shut and grew dreamy in gazing, as the soft clouds melt and lose their outline at the horizon. But dwelling there, the glance slowly finds and fills out something that interposes its existence between us and the further space. Too shadowy for the substance of a cloud, too delicate for outline against the sky, fainter than haze, something of which the eye has consciousness, but cannot put into a word to itself. Something is there. It is the air-cloud adhering like a summer garment to the great downs by the sea. I cannot see the substance of the hills nor their exact curve along the sky; all I can see is the air that has thickened and taken to itself form about them. The atmosphere has collected as the shadow collects in the distant corner of a room—it is the shadow of the summer wind. At times it is so soft, so little more than the air at hand, that I almost fancy I can look through the solid boundary. There is no cloud so faint; the great hills are but a thought at the horizon; I think them there rather than see them; if I were not thinking of them, I should scarce know there was even a haze, with so dainty a hand does the atmosphere throw its covering over the massy downs. Riding or passing quickly perhaps you would not observe them; but stay among the heathbells, and the sketch appears in the south. Up from the sea over the corn-fields, through the green boughs of the forest, along the slope, comes a breath of wind, of honey-sweetened air, made more delicate by the fanning of a thousand wings.

      The labour of the wind: the cymbals of the aspen clashing, from the lowest to the highest bough, each leaf twirling first forwards and then backwards and swinging to and fro, a double motion. Each lifts a little and falls back like a pendulum, twisting on itself; and as it rises and sinks, strikes its fellow-leaf. Striking the side of the dark pines, the wind changes their colour and turns them paler. The oak leaves slide one over the other, hand above hand, laying shadow upon shadow upon the white road. In the vast net of the wide elm-tops the drifting shadow of the cloud which the wind brings is caught for a moment. Pushing aside the stiff ranks of the wheat with both arms, the air reaches the sun-parched earth. It walks among the mowing-grass like a farmer feeling the crop with his hand one side, and opening it with his walking-stick the other. It rolls the wavelets carelessly as marbles to the shore; the red cattle redden the pool and stand in their own colour. The green caterpillar swings as he spins his thread and lengthens his cable to the tide of air, descending from the tree; before he can slip it the whitethroat takes him. With a thrust the wind hurls the swift fifty miles faster on his way; it ruffles back the black velvet of the mole peeping forth from his burrow. Apple bloom and crab-apple bloom have been blown long since athwart the furrows over the orchard wall; May petals and June roses scattered; the pollen and the seeds of the meadow-grasses thrown on the threshing-floor of earth in basketfuls. Thistle down and dandelion down, the brown down of the goat's-beard; by-and-by the keys of the sycamores twirling aslant—the wind carries them all on its back, gossamer web and great heron's vanes—the same weight to the wind; the drops of the waterfall blown aside sprinkle the bright green ferns. The voice of the cuckoo in his season travels on the zephyr, and the note comes to the most distant hill, and deep into the deepest wood.

      The light and fire of summer are made beautiful by the air, without whose breath the glorious summer were all spoiled. Thick are the hawthorn leaves, many deep on the spray; and beneath them there is a twisted and intertangled winding in and out of boughs, such as no curious ironwork of ancient artist could equal; through the leaves and metal-work of boughs the soft west wind wanders at its ease. Wild wasp and tutored bee sing sideways on their course as the breeze fills their vanes; with broad coloured sails boomed out, the butterfly drifts alee. Beside a brown coated stone in the shadowed stream a brown trout watches for the puffs that slay the May-flies. Their ephemeral wings were made for a more exquisite life; they endure but one sun; they bear not the touch of the water; they die like a dream dropping into the river. To the amethyst in the deep ditch the wind comes; no petal so hidden under green it cannot find; to the blue hill-flower up by the sky; it lifts the guilty head of the passionate poppy that has sinned in the sun for love. Sweet is the rain the wind brings to the wallflower browned in the heat, a-dry on the crumbling stone. Pleasant the sunbeams to the marigold when the wind has carried the rain away and his sun-disc glows on the bank. Acres of perfume come on the wind from the black and white of the bean-field; the firs fill the air by the copse with perfume. I know nothing to which the wind has not some happy use. Is there a grain of dust so small the wind shall not find it out? Ground in the mill-wheel of the centuries, the iron of the distant mountain floats like gossamer, and is drunk up as dew by leaf and living lung. A thousand miles of cloud go by from morn till night, passing overhead without a sound; the immense packs, a mile square, succeed to each other, side by side, laid parallel, book-shape, coming up from the horizon and widening as they approach. From morn till night the silent footfalls of the ponderous vapours travel overhead, no sound, no creaking of the wheels and rattling of the chains; it is calm at the earth, but the wind labours without an effort above, with such case, with such power. Grey smoke hangs on the hill-side where the couch-heaps are piled, a cumulus of smoke; the wind comes, and it draws its length along like the genii from the earthen pot; there leaps up a great red flame shaking its head; it shines in the bright sunlight; you can see it across the valley.

      A perfect summer day with a strong south wind; a cloudless blue sky blown pale, a summer sun blown cool, deep draughts of refreshing air to man and horse, clear definition of red-tile roof and conical oast, perfect colour of soft ash-green trees. In the evening, fourteen black swifts rushing together through the upper atmosphere with shrill cries, sometimes aside and on the tip of one wing, with a whirl descending, a black trail, to the tiled ridge they dwell in. Fine weather after this.

      A swooning August day, with a hot east wind, from which there is no escape, which gives no air to the chest—you breathe and are not satisfied with the inspiration; it does not fill; there is no life in the killed atmosphere. It is a vacuum of heat, and yet the strong hot wind bends the trees, and the tall firs wrestle with it as they did with Sinis, the Pine-bender, bowed down and rebounding as if they would whirl their cones away like a catapult. Masses of air are moving by, and yet there is none to breathe. No escape in the shadow of hedge or wood, or in the darkened room; darkness excludes the heat that comes with light, but the heat of the oven-wind cannot be shut out. Some monstrous dragon of the Chinese sky pants his fiery breath upon us, and the brown grass stalks threaten to catch flame in the field. The grain of wheat that was full of juice dries hard in the ears, and water is no more good for thirst. There is not a cloud in the sky; but at night there is heavy rain, and the flowers are beaten down. There is a thunder-wind that blows at intervals when great clouds are visibly gathering over the hayfield. It is almost a calm; but from time to time a breath comes, and a low mournful cry sounds in the hollow farmhouse—the windows and doors are open, and the men and women have gone out to make hasty help in the hay ere the storm—a mournful cry in the hollow house, as unhappy a note as if it were soaked February.

      In April, six miles away in the valley, a vast cloud came down with swan-shot of hail, black as blackest smoke, overwhelming house and wood, all gone and mixed with the sky; and behind the mass there followed a white cloud, sunlit, dragging along the ground like a cumulus fallen to the earth. At sunset the sky cleared, and under the glowing rim of the sun a golden wind drove the host of vapour before it, scattering it to the right and left. Large pieces caught and tore themselves in the trees of the forest, and one curved fragment hurled from the ridge fell in the narrow coombe, lit up as it came down with golden sunset rays, standing out bright against the shadowed wood. Down it came slowly as it were with outstretched arms, both to fall, carrying the coloured light of the sky to the very surface of the earth.

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