THE WINGS OF THE DOVE (Complete Edition). Henry Foss James

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THE WINGS OF THE DOVE (Complete Edition) - Henry Foss James

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a sensitive niece could feel herself extremely under pressure. She knew herself now, the sensitive niece, as having been marked from far back. She knew more than she could have told you, by the upstairs fire, in a whole dark December afternoon. She knew so much that her knowledge was what fairly kept her there, making her at times circulate more endlessly between the small silk-covered sofa that stood for her in the firelight and the great grey map of Middlesex spread beneath her lookout. To go down, to forsake her refuge, was to meet some of her discoveries halfway, to have to face them or fly before them; whereas they were at such a height only like the rumble of a far-off siege heard in the provisioned citadel. She had almost liked, in these weeks, what had created her suspense and her stress: the loss of her mother, the submersion of her father, the discomfort of her sister, the confirmation of their shrunken prospects, the certainty, in especial, of her having to recognise that should she behave, as she called it, decently — that is still do something for others — she would be herself wholly without supplies. She held that she had a right to sadness and stillness; she nursed them for their postponing power. What they mainly postponed was the question of a surrender, though she couldn’t yet have said exactly of what: a general surrender of everything — that was at moments the way it presented itself — to Aunt Maud’s looming “personality.” It was by her personality that Aunt Maud was prodigious, and the great mass of it loomed because, in the thick, the foglike air of her arranged existence, there were parts doubtless magnified and parts certainly vague. They represented at all events alike, the dim and the distinct, a strong will and a high hand. It was perfectly present to Kate that she might be devoured, and she compared herself to a trembling kid, kept apart a day or two till her turn should come, but sure sooner or later to be introduced into the cage of the lioness.

      The cage was Aunt Maud’s own room, her office, her counting-house, her battlefield, her especial scene, in fine, of action, situated on the ground-floor, opening from the main hall and figuring rather to our young woman on exit and entrance as a guardhouse or a toll-gate. The lioness waited — the kid had at least that consciousness; was aware of the neighbourhood of a morsel she had reason to suppose tender. She would have been meanwhile a wonderful lioness for a show, an extraordinary figure in a cage or anywhere; majestic, magnificent, high-coloured, all brilliant gloss, perpetual satin, twinkling bugles and flashing gems, with a lustre of agate eyes, a sheen of raven hair, a polish of complexion that was like that of well-kept china and that — as if the skin were too tight — told especially at curves and corners. Her niece had a quiet name for her — she kept it quiet: thinking of her, with a free fancy, as somehow typically insular, she talked to herself of Britannia of the Market Place — Britannia unmistakeable but with a pen on her ear — and felt she should not be happy till she might on some occasion add to the rest of the panoply a helmet, a shield, a trident and a ledger. It wasn’t in truth, however, that the forces with which, as Kate felt, she would have to deal were those most suggested by an image simple and broad; she was learning after all each day to know her companion, and what she had already most perceived was the mistake of trusting to easy analogies. There was a whole side of Britannia, the side of her florid philistinism, her plumes and her train, her fantastic furniture and heaving bosom, the false gods of her taste and false notes of her talk, the sole contemplation of which would be dangerously misleading. She was a complex and subtle Britannia, as passionate as she was practical, with a reticule for her prejudices as deep as that other pocket, the pocket full of coins stamped in her image, that the world best knew her by. She carried on in short, behind her aggressive and defensive front, operations determined by her wisdom. It was in fact as a besieger, we have hinted, that our young lady, in the provisioned citadel, had for the present most to think of her, and what made her formidable in this character was that she was unscrupulous and immoral. So at all events in silent sessions and a youthful offhand way Kate conveniently pictured her: what this sufficiently represented being that her weight was in the scale of certain dangers — those dangers that, by our showing, made the younger woman linger and lurk above, while the elder, below, both militant and diplomatic, covered as much of the ground as possible. Yet what were the dangers, after all, but just the dangers of life and of London? Mrs. Lowder WAS London, WAS life — the roar of the siege and the thick of the fray. There were some things, after all, of which Britannia was afraid; but Aunt Maud was afraid of nothing — not even, it would appear, of arduous thought.

      These impressions, none the less, Kate kept so much to herself that she scarce shared them with poor Marian, the ostensible purpose of her frequent visits to whom yet continued to be to talk over everything. One of her reasons for holding off from the last concession to Aunt Maud was that she might be the more free to commit herself to this so much nearer and so much less fortunate relative, with whom Aunt Maud would have almost nothing direct to do. The sharpest pinch of her state, meanwhile, was exactly that all intercourse with her sister had the effect of casting down her courage and tying her hands, adding daily to her sense of the part, not always either uplifting or sweetening, that the bond of blood might play in one’s life. She was face to face with it now, with the bond of blood; the consciousness of it was what she seemed most clearly to have “come into” by the death of her mother, much of that consciousness as her mother had absorbed and carried away. Her haunting harassing father, her menacing uncompromising aunt, her portionless little nephews and nieces, were figures that caused the chord of natural piety superabundantly to vibrate. Her manner of putting it to herself — but more especially in respect to Marian — was that she saw what you might be brought to by the cultivation of consanguinity. She had taken, in the old days, as she supposed, the measure of this liability; those being the days when, as the second-born, she had thought no one in the world so pretty as Marian, no one so charming, so clever, so assured in advance of happiness and success. The view was different now, but her attitude had been obliged, for many reasons, to show as the same. The subject of this estimate was no longer pretty, as the reason for thinking her clever was no longer plain; yet, bereaved, disappointed, demoralised, querulous, she was all the more sharply and insistently Kate’s elder and Kate’s own. Kate’s most constant feeling about her was that she would make her, Kate, do things; and always, in comfortless Chelsea, at the door of the small house the small rent of which she couldn’t help having on her mind, she fatalistically asked herself, before going in, which thing it would probably be this time. She noticed with profundity that disappointment made people selfish; she marvelled at the serenity — it was the poor woman’s only one — of what Marian took for granted: her own state of abasement as the second-born, her life reduced to mere inexhaustible sisterhood. She existed in that view wholly for the small house in Chelsea; the moral of which moreover, of course, was that the more you gave yourself the less of you was left. There were always people to snatch at you, and it would never occur to THEM that they were eating you up. They did that without tasting.

      There was no such misfortune, or at any rate no such discomfort, she further reasoned, as to be formed at once for being and for seeing. You always saw, in this case something else than what you were, and you got in consequence none of the peace of your condition. However, as she never really let Marian see what she was Marian might well not have been aware that she herself saw. Kate was accordingly to her own vision not a hypocrite of virtue, for she gave herself up; but she was a hypocrite of stupidity, for she kept to herself everything that was not herself. What she most kept was the particular sentiment with which she watched her sister instinctively neglect nothing that would make for her submission to their aunt; a state of the spirit that perhaps marked most sharply how poor you might become when you minded so much the absence of wealth. It was through Kate that Aunt Maud should be worked, and nothing mattered less than what might become of Kate in the process. Kate was to burn her ships in short, so that Marian should profit; and Marian’s desire to profit was quite oblivious of a dignity that had after all its reasons — if it had only understood them — for keeping itself a little stiff. Kate, to be properly stiff for both of them, would therefore have had to be selfish, have had to prefer an ideal of behaviour — than which nothing ever was more selfish — to the possibility of stray crumbs for the four small creatures. The tale of Mrs. Lowder’s disgust at her elder niece’s marriage to Mr. Condrip had lost little of its point; the incredibly fatuous behaviour of Mr. Condrip, the parson of a dull suburban parish, with a saintly profile which was always in evidence, being so distinctly on record to keep criticism consistent. He had presented his profile on system, having,

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