silver. It was better, in this way, than the opera—John alertly thought of that: the composition sung might be Wagnerian, but no Tristram, no Iseult, no Parsifal and, no Kundry of them all could ever show, could ever “act” to the music, as our friend had thus the power of seeing his dear contemporaries of either sex (armoured they so otherwise than in cheap Teutonic tinsel!) just continuously and inscrutably sit to it.
It made, the whole thing together, an enchantment amid which he had in truth, at a given moment, ceased to distinguish parts—so that he was himself certainly at last soaring as high as the singer’s voice and forgetting, in a lost gaze at the splendid ceiling, everything of the occasion but what his intelligence poured into it. This, as happened, was a flight so sublime that by the time he had dropped his eyes again a cluster of persons near the main door had just parted to give way to a belated lady who slipped in, through the gap made for her, and stood for some minutes full in his view. It was a proof of the perfect hush that no one stirred to offer her a seat, and her entrance, in her high grace, had yet been so noiseless that she could remain at once immensely exposed and completely unabashed. For Berridge, once more, if the scenic show before him so melted into the music, here precisely might have been the heroine herself advancing to the foot-lights at her cue. The interest deepened to a thrill, and everything, at the touch of his recognition of this personage, absolutely the most beautiful woman now present, fell exquisitely together and gave him what he had been wanting from the moment of his taking in his young Englishman.
It was there, the missing connection: her arrival had on the instant lighted it by a flash. Olympian herself, supremely, divinely Olympian, she had arrived, could only have arrived, for the one person present of really equal race, our young man’s late converser, whose flattering demonstration might now stand for one of the odd extravagant forms taken by nervous impatience. This charming, this dazzling woman had been one member of the couple disturbed, to his intimate conviction, the autumn previous, on his being pushed by the officials, at the last moment, into a compartment of the train that was to take him from Cremona to Mantua—where, failing a stop, he had had to keep his place. The other member, by whose felt but unseized identity he had been haunted, was the unconsciously insolent form of guaranteed happiness he had just been engaged with. The sense of the admirable intimacy that, having taken its precautions, had not reckoned with his irruption—this image had remained with him; to say nothing of the interest of aspect of the associated figures, so stamped somehow with rarity, so beautifully distinct from the common occupants of padded corners, and yet on the subject of whom, for the romantic structure he was immediately to raise, he had not had a scrap of evidence.
If he had imputed to them conditions it was all his own doing: it came from his inveterate habit of abysmal imputation, the snatching of the ell wherever the inch peeped out, without which where would have been the tolerability of life? It didn’t matter now what he had imputed—and he always held that his expenses of imputation were, at the worst, a compliment to those inspiring them. It only mattered that each of the pair had been then what he really saw each now—full, that is, of the pride of their youth and beauty and fortune and freedom, though at the same time particularly preoccupied: preoccupied, that is, with the affairs, and above all with the passions, of Olympus. Who had they been, and what? Whence had they come, whither were they bound, what tie united them, what adventure engaged, what felicity, tempered by what peril, magnificently, dramatically attended? These had been his questions, all so inevitable and so impertinent, at the time, and to the exclusion of any scruples over his not postulating an inane honeymoon, his not taking the “tie,” as he should doubtless properly have done, for the mere blest matrimonial; and he now retracted not one of them, flushing as they did before him again with their old momentary life. To feel his two friends renewedly in presence—friends of the fleeting hour though they had but been, and with whom he had exchanged no sign save the vaguest of salutes on finally relieving them of his company—was only to be conscious that he hadn’t, on the spot, done them, so to speak, half justice, and that, for his superior entertainment, there would be ever so much more of them to come.
II
It might already have been coming indeed, with an immense stride, when, scarce more than ten minutes later, he was aware that the distinguished stranger had brought the Princess straight across the room to speak to him. He had failed in the interval of any glimpse of their closer meeting; for the great tenor had sung another song and then stopped, immediately on which Madame Gloriani had made his pulse quicken to a different, if not to a finer, throb by hovering before him once more with the man in the world he most admired, as it were, looking at him over her shoulder. The man in the world he most admired, the greatest then of contemporary Dramatists—and bearing, independently, the name inscribed if not in deepest incision at least in thickest gilding on the rich recreative roll—this prodigious personage was actually to suffer “presentation” to him at the good lady’s generous but ineffectual hands, and had in fact the next instant, left alone with him, bowed, in formal salutation, the massive, curly, witty head, so “romantic” yet so modern, so “artistic” and ironic yet somehow so civic, so Gallic yet somehow so cosmic, his personal vision of which had not hitherto transcended that of the possessor of a signed and framed photograph in a consecrated quarter of a writing-table.
It was positive, however, that poor John was afterward to remember of this conjunction nothing whatever but the fact of the great man’s looking at him very hard, straight in the eyes, and of his not having himself scrupled to do as much, and with a confessed intensity of appetite. It was improbable, he was to recognise, that they had, for the few minutes, only stared and grimaced, like pitted boxers or wrestlers; but what had abode with him later on, none the less, was just the cherished memory of his not having so lost presence of mind as to fail of feeding on his impression. It was precious and precarious, that was perhaps all there would be of it; and his subsequent consciousness was quite to cherish this queer view of the silence, neither awkward nor empty nor harsh, but on the contrary quite charged and brimming, that represented for him his use, his unforgettable enjoyment in fact, of his opportunity. Had nothing passed in words? Well, no misery of murmured “homage,” thank goodness; though something must have been said, certainly, to lead up, as they put it at the theatre, to John’s having asked the head of the profession, before they separated, if he by chance knew who the so radiantly handsome young woman might be, the one who had so lately come in and who wore the pale yellow dress, of the strange tone, and the magnificent pearls. They must have separated soon, it was further to have been noted; since it was before the advance of the pair, their wonderful dazzling charge upon him, that he had distinctly seen the great man, at a distance again, block out from his sight the harmony of the faded gold and the pearls—to speak only of that—and plant himself there (the mere high Atlas-back of renown to Berridge now) as for communion with them. He had blocked everything out, to this tune, effectually; with nothing of the matter left for our friend meanwhile but that, as he had said, the beautiful lady was the Princess. What Princess, or the Princess of what?—our young man had afterward wondered; his companion’s reply having lost itself in the prelude of an outburst by another vocalist who had approached the piano.
It was after these things that she so incredibly came to him, attended by her adorer—since he took it for absolute that the young Lord was her adorer, as who indeed mightn’t be?—and scarce waiting, in her bright simplicity, for any form of introduction. It may thus be said in a word that this was the manner in which she made our hero’s acquaintance, a satisfaction that she on the spot described to him as really wanting of late to her felicity. “I’ve read everything, you know, and ‘The Heart of Gold’ three times”: she put it all immediately on that ground, while the young Lord now smiled, beside her, as if it were quite the sort of thing he had done too; and while, further, the author of the work yielded to the consciousness that whereas in general he had come at last scarce to be able to bear the iteration of those words, which affected him as a mere vain vocal convulsion, so not a breath of this association now attended them,
