a word or two, Handel, concerning my father and my father’s son. I am afraid it is scarcely necessary for my father’s son to remark that my father’s establishment is not particularly brilliant in its housekeeping.”
“There is always plenty, Herbert,” said I, to say something encouraging.
“O yes! and so the dustman says, I believe, with the strongest approval, and so does the marine-store shop in the back street. Gravely, Handel, for the subject is grave enough, you know how it is as well as I do. I suppose there was a time once when my father had not given matters up; but if ever there was, the time is gone. May I ask you if you have ever had an opportunity of remarking, down in your part of the country, that the children of not exactly suitable marriages are always most particularly anxious to be married?”
This was such a singular question, that I asked him in return, “Is it so?”
“I don’t know,” said Herbert, “that’s what I want to know. Because it is decidedly the case with us. My poor sister Charlotte, who was next me and died before she was fourteen, was a striking example. Little Jane is the same. In her desire to be matrimonially established, you might suppose her to have passed her short existence in the perpetual contemplation of domestic bliss. Little Alick in a frock has already made arrangements for his union with a suitable young person at Kew. And indeed, I think we are all engaged, except the baby.”
“Then you are?” said I.
“I am,” said Herbert; “but it’s a secret.”
I assured him of my keeping the secret, and begged to be favored with further particulars. He had spoken so sensibly and feelingly of my weakness that I wanted to know something about his strength.
“May I ask the name?” I said.
“Name of Clara,” said Herbert.
“Live in London?”
“Yes, perhaps I ought to mention,” said Herbert, who had become curiously crestfallen and meek, since we entered on the interesting theme, “that she is rather below my mother’s nonsensical family notions. Her father had to do with the victualling of passenger-ships. I think he was a species of purser.”
“What is he now?” said I.
“He’s an invalid now,” replied Herbert.
“Living on — ?”
“On the first floor,” said Herbert. Which was not at all what I meant, for I had intended my question to apply to his means. “I have never seen him, for he has always kept his room overhead, since I have known Clara. But I have heard him constantly. He makes tremendous rows, — roars, and pegs at the floor with some frightful instrument.” In looking at me and then laughing heartily, Herbert for the time recovered his usual lively manner.
“Don’t you expect to see him?” said I.
“O yes, I constantly expect to see him,” returned Herbert, “because I never hear him, without expecting him to come tumbling through the ceiling. But I don’t know how long the rafters may hold.”
When he had once more laughed heartily, he became meek again, and told me that the moment he began to realise Capital, it was his intention to marry this young lady. He added as a self-evident proposition, engendering low spirits, “But you can’t marry, you know, while you’re looking about you.”
As we contemplated the fire, and as I thought what a difficult vision to realise this same Capital sometimes was, I put my hands in my pockets. A folded piece of paper in one of them attracting my attention, I opened it and found it to be the playbill I had received from Joe, relative to the celebrated provincial amateur of Roscian renown. “And bless my heart,” I involuntarily added aloud, “it’s tonight!”
This changed the subject in an instant, and made us hurriedly resolve to go to the play. So, when I had pledged myself to comfort and abet Herbert in the affair of his heart by all practicable and impracticable means, and when Herbert had told me that his affianced already knew me by reputation and that I should be presented to her, and when we had warmly shaken hands upon our mutual confidence, we blew out our candles, made up our fire, locked our door, and issued forth in quest of Mr. Wopsle and Denmark.
Chapter XXXI
On our arrival in Denmark, we found the king and queen of that country elevated in two armchairs on a kitchen-table, holding a Court. The whole of the Danish nobility were in attendance; consisting of a noble boy in the washleather boots of a gigantic ancestor, a venerable Peer with a dirty face who seemed to have risen from the people late in life, and the Danish chivalry with a comb in its hair and a pair of white silk legs, and presenting on the whole a feminine appearance. My gifted townsman stood gloomily apart, with folded arms, and I could have wished that his curls and forehead had been more probable.
Several curious little circumstances transpired as the action proceeded. The late king of the country not only appeared to have been troubled with a cough at the time of his decease, but to have taken it with him to the tomb, and to have brought it back. The royal phantom also carried a ghostly manuscript round its truncheon, to which it had the appearance of occasionally referring, and that too, with an air of anxiety and a tendency to lose the place of reference which were suggestive of a state of mortality. It was this, I conceive, which led to the Shade’s being advised by the gallery to “turn over!” — a recommendation which it took extremely ill. It was likewise to be noted of this majestic spirit, that whereas it always appeared with an air of having been out a long time and walked an immense distance, it perceptibly came from a closely contiguous wall. This occasioned its terrors to be received derisively. The Queen of Denmark, a very buxom lady, though no doubt historically brazen, was considered by the public to have too much brass about her; her chin being attached to her diadem by a broad band of that metal (as if she had a gorgeous toothache), her waist being encircled by another, and each of her arms by another, so that she was openly mentioned as “the kettledrum.” The noble boy in the ancestral boots was inconsistent, representing himself, as it were in one breath, as an able seaman, a strolling actor, a gravedigger, a clergyman, and a person of the utmost importance at a Court fencing-match, on the authority of whose practised eye and nice discrimination the finest strokes were judged. This gradually led to a want of toleration for him, and even — on his being detected in holy orders, and declining to perform the funeral service — to the general indignation taking the form of nuts. Lastly, Ophelia was a prey to such slow musical madness, that when, in course of time, she had taken off her white muslin scarf, folded it up, and buried it, a sulky man who had been long cooling his impatient nose against an iron bar in the front row of the gallery, growled, “Now the baby’s put to bed let’s have supper!” Which, to say the least of it, was out of keeping.
Upon my unfortunate townsman all these incidents accumulated with playful effect. Whenever that undecided Prince had to ask a question or state a doubt, the public helped him out with it. As for example; on the question whether ‘twas nobler in the mind to suffer, some roared yes, and some no, and some inclining to both opinions said “Toss up for it;” and quite a Debating Society arose. When he asked what should such fellows as he do crawling between earth and heaven, he was encouraged with loud cries of “Hear, hear!” When he appeared with his stocking disordered (its disorder expressed, according to usage, by one very neat fold in the top, which I suppose to be always got up with a flat iron), a conversation took place in the gallery respecting the paleness of his leg, and whether
