it above his head when he burnt his fingers in a fit of deeper abstraction. Sitting there he could hear the murmur of the talk inside the hut, and he could distinguish the voices but not the words. Abdulla spoke in deep tones, and now and then this flowing monotone was interrupted by a querulous exclamation, a weak moan or a plaintive quaver of the old man. Yes. It was annoying not to be able to make out what they were saying, thought Babalatchi, as he sat gazing fixedly at the unsteady glow of the fire. But it will be right. All will be right. Abdulla inspired him with confidence. He came up fully to his expectation. From the very first moment when he set his eye on him he felt sure that this man—whom he had known by reputation only—was very resolute. Perhaps too resolute. Perhaps he would want to grasp too much later on. A shadow flitted over Babalatchi's face. On the eve of the accomplishment of his desires he felt the bitter taste of that drop of doubt which is mixed with the sweetness of every success.
When, hearing footsteps on the verandah of the big house, he lifted his head, the shadow had passed away and on his face there was an expression of watchful alertness. Willems was coming down the plankway, into the courtyard. The light within trickled through the cracks of the badly joined walls of the house, and in the illuminated doorway appeared the moving form of Aissa. She also passed into the night outside and disappeared from view. Babalatchi wondered where she had got to, and for the moment forgot the approach of Willems. The voice of the white man speaking roughly above his head made him jump to his feet as if impelled upwards by a powerful spring.
"Where's Abdulla?"
Babalatchi waved his hand towards the hut and stood listening intently. The voices within had ceased, then recommenced again. He shot an oblique glance at Willems, whose indistinct form towered above the glow of dying embers.
"Make up this fire," said Willems, abruptly. "I want to see your face."
With obliging alacrity Babalatchi put some dry brushwood on the coals from a handy pile, keeping all the time a watchful eye on Willems. When he straightened himself up his hand wandered almost involuntarily towards his left side to feel the handle of a kriss amongst the folds of his sarong, but he tried to look unconcerned under the angry stare.
"You are in good health, please God?" he murmured.
"Yes!" answered Willems, with an unexpected loudness that caused Babalatchi to start nervously. "Yes! . . . Health! . . . You . . ."
He made a long stride and dropped both his hands on the Malay's shoulders. In the powerful grip Babalatchi swayed to and fro limply, but his face was as peaceful as when he sat—a little while ago—dreaming by the fire. With a final vicious jerk Willems let go suddenly, and turning away on his heel stretched his hands over the fire. Babalatchi stumbled backwards, recovered himself, and wriggled his shoulders laboriously.
"Tse! Tse! Tse!" he clicked, deprecatingly. After a short silence he went on with accentuated admiration: "What a man it is! What a strong man! A man like that"—he concluded, in a tone of meditative wonder—"a man like that could upset mountains—mountains!"
He gazed hopefully for a while at Willems' broad shoulders, and continued, addressing the inimical back, in a low and persuasive voice—
"But why be angry with me? With me who think only of your good? Did I not give her refuge, in my own house? Yes, Tuan! This is my own house. I will let you have it without any recompense because she must have a shelter. Therefore you and she shall live here. Who can know a woman's mind? And such a woman! If she wanted to go away from that other place, who am I—to say no! I am Omar's servant. I said: 'Gladden my heart by taking my house.' Did I say right?"
"I'll tell you something," said Willems, without changing his position; "if she takes a fancy to go away from this place it is you who shall suffer. I will wring your neck."
"When the heart is full of love there is no room in it for justice," recommenced Babalatchi, with unmoved and persistent softness. "Why slay me? You know, Tuan, what she wants. A splendid destiny is her desire—as of all women. You have been wronged and cast out by your people. She knows that. But you are brave, you are strong—you are a man; and, Tuan—I am older than you—you are in her hand. Such is the fate of strong men. And she is of noble birth and cannot live like a slave. You know her—and you are in her hand. You are like a snared bird, because of your strength. And—remember I am a man that has seen much—submit, Tuan! Submit! . . . Or else . . ."
He drawled out the last words in a hesitating manner and broke off his sentence. Still stretching his hands in turns towards the blaze and without moving his head, Willems gave a short, lugubrious laugh, and asked—
"Or else what?"
"She may go away again. Who knows?" finished Babalatchi, in a gentle and insinuating tone.
This time Willems spun round sharply. Babalatchi stepped back.
"If she does it will be the worse for you," said Willems, in a menacing voice. "It will be your doing, and I . . ."
Babalatchi spoke, from beyond the circle of light, with calm disdain.
"Hai—ya! I have heard before. If she goes—then I die. Good! Will that bring her back do you think—Tuan? If it is my doing it shall be well done, O white man! and—who knows—you will have to live without her."
Willems gasped and started back like a confident wayfarer who, pursuing a path he thinks safe, should see just in time a bottomless chasm under his feet. Babalatchi came into the light and approached Willems sideways, with his head thrown back and a little on one side so as to bring his only eye to bear full on the countenance of the tall white man.
"You threaten me," said Willems, indistinctly.
"I, Tuan!" exclaimed Babalatchi, with a slight suspicion of irony in the affected surprise of his tone. "I, Tuan? Who spoke of death? Was it I? No! I spoke of life only. Only of life. Of a long life for a lonely man!"
They stood with the fire between them, both silent, both aware, each in his own way, of the importance of the passing minutes. Babalatchi's fatalism gave him only an insignificant relief in his suspense, because no fatalism can kill the thought of the future, the desire of success, the pain of waiting for the disclosure of the immutable decrees of Heaven. Fatalism is born of the fear of failure, for we all believe that we carry success in our own hands, and we suspect that our hands are weak. Babalatchi looked at Willems and congratulated himself upon his ability to manage that white man. There was a pilot for Abdulla—a victim to appease Lingard's anger in case of any mishap. He would take good care to put him forward in everything. In any case let the white men fight it out amongst themselves. They were fools. He hated them—the strong fools—and knew that for his righteous wisdom was reserved the safe triumph.
Willems measured dismally the depth of his degradation. He—a white man, the admired of white men, was held by those miserable savages whose tool he was about to become. He felt for them all the hate of his race, of his morality, of his intelligence. He looked upon himself with dismay and pity. She had him. He had heard of such things. He had heard of women who . . . He would never believe such stories. . . . Yet they were true. But his own captivity seemed more complete, terrible, and final—without the hope of any redemption. He wondered at the wickedness of Providence that had made him what he was; that, worse still, permitted such a creature as Almayer to live. He had done his duty by going to him. Why did he not understand? All men were fools. He gave him his chance. The fellow did not see it. It was hard, very hard on himself—Willems. He wanted to take her from amongst her own people. That's why he had condescended to go to Almayer. He examined himself. With a sinking heart he thought that really he could not—somehow—live without her. It was terrible and sweet. He remembered the first days. Her appearance, her
