The Complete Works of Nathaniel Hawthorne (Illustrated Edition). Nathaniel Hawthorne
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Happy the man that has such a friend beside him when he comes to die! and unless a friend like Hollingsworth be at hand, — as most probably there will not, — he had better make up his mind to die alone. How many men, I wonder, does one meet with in a lifetime, whom he would choose for his deathbed companions! At the crisis of my fever I besought Hollingsworth to let nobody else enter the room, but continually to make me sensible of his own presence by a grasp of the hand, a word, a prayer, if he thought good to utter it; and that then he should be the witness how courageously I would encounter the worst. It still impresses me as almost a matter of regret that I did not die then, when I had tolerably made up my mind to it; for Hollingsworth would have gone with me to the hither verge of life, and have sent his friendly and hopeful accents far over on the other side, while I should be treading the unknown path. Now, were I to send for him, he would hardly come to my bedside, nor should I depart the easier for his presence.
“You are not going to die, this time,” said he, gravely smiling. “You know nothing about sickness, and think your case a great deal more desperate than it is.”
“Death should take me while I am in the mood,” replied I, with a little of my customary levity.
“Have you nothing to do in life,” asked Hollingsworth, “that you fancy yourself so ready to leave it?”
“Nothing,” answered I; “nothing that I know of, unless to make pretty verses, and play a part, with Zenobia and the rest of the amateurs, in our pastoral. It seems but an unsubstantial sort of business, as viewed through a mist of fever. But, dear Hollingsworth, your own vocation is evidently to be a priest, and to spend your days and nights in helping your fellow creatures to draw peaceful dying breaths.”
“And by which of my qualities,” inquired he, “can you suppose me fitted for this awful ministry?”
“By your tenderness,” I said. “It seems to me the reflection of God’s own love.”
“And you call me tender!” repeated Hollingsworth thoughtfully. “I should rather say that the most marked trait in my character is an inflexible severity of purpose. Mortal man has no right to be so inflexible as it is my nature and necessity to be.”
“I do not believe it,” I replied.
But, in due time, I remembered what he said.
Probably, as Hollingsworth suggested, my disorder was never so serious as, in my ignorance of such matters, I was inclined to consider it. After so much tragical preparation, it was positively rather mortifying to find myself on the mending hand.
All the other members of the Community showed me kindness, according to the full measure of their capacity. Zenobia brought me my gruel every day, made by her own hands (not very skilfully, if the truth must be told), and, whenever I seemed inclined to converse, would sit by my bedside, and talk with so much vivacity as to add several gratuitous throbs to my pulse. Her poor little stories and tracts never half did justice to her intellect. It was only the lack of a fitter avenue that drove her to seek development in literature. She was made (among a thousand other things that she might have been) for a stump oratress. I recognized no severe culture in Zenobia; her mind was full of weeds. It startled me sometimes, in my state of moral as well as bodily faintheartedness, to observe the hardihood of her philosophy. She made no scruple of oversetting all human institutions, and scattering them as with a breeze from her fan. A female reformer, in her attacks upon society, has an instinctive sense of where the life lies, and is inclined to aim directly at that spot. Especially the relation between the sexes is naturally among the earliest to attract her notice.
Zenobia was truly a magnificent woman. The homely simplicity of her dress could not conceal, nor scarcely diminish, the queenliness of her presence. The image of her form and face should have been multiplied all over the earth. It was wronging the rest of mankind to retain her as the spectacle of only a few. The stage would have been her proper sphere. She should have made it a point of duty, moreover, to sit endlessly to painters and sculptors, and preferably to the latter; because the cold decorum of the marble would consist with the utmost scantiness of drapery, so that the eye might chastely be gladdened with her material perfection in its entireness. I know not well how to express that the native glow of coloring in her cheeks, and even the flesh-warmth over her round arms, and what was visible of her full bust, — in a word, her womanliness incarnated, — compelled me sometimes to close my eyes, as if it were not quite the privilege of modesty to gaze at her. Illness and exhaustion, no doubt, had made me morbidly sensitive.
I noticed — and wondered how Zenobia contrived it — that she had always a new flower in her hair. And still it was a hothouse flower, — an outlandish flower, — a flower of the tropics, such as appeared to have sprung passionately out of a soil the very weeds of which would be fervid and spicy. Unlike as was the flower of each successive day to the preceding one, it yet so assimilated its richness to the rich beauty of the woman, that I thought it the only flower fit to be worn; so fit, indeed, that Nature had evidently created this floral gem, in a happy exuberance, for the one purpose of worthily adorning Zenobia’s head. It might be that my feverish fantasies clustered themselves about this peculiarity, and caused it to look more gorgeous and wonderful than if beheld with temperate eyes. In the height of my illness, as I well recollect, I went so far as to pronounce it preternatural.
“Zenobia is an enchantress!” whispered I once to Hollingsworth. “She is a sister of the Veiled Lady. That flower in her hair is a talisman. If you were to snatch it away, she would vanish, or be transformed into something else.”
“What does he say?” asked Zenobia.
“Nothing that has an atom of sense in it,” answered Hollingsworth. “He is a little beside himself, I believe, and talks about your being a witch, and of some magical property in the flower that you wear in your hair.”
“It is an idea worthy of a feverish poet,” said she, laughing rather compassionately, and taking out the flower. “I scorn to owe anything to magic. Here, Mr. Hollingsworth, you may keep the spell while it has any virtue in it; but I cannot promise you not to appear with a new one tomorrow. It is the one relic of my more brilliant, my happier days!”
The most curious part of the matter was that, long after my slight delirium had passed away, — as long, indeed, as I continued to know this remarkable woman, — her daily flower affected my imagination, though more slightly, yet in very much the same way. The reason must have been that, whether intentionally on her part or not, this favorite ornament was actually a subtile expression of Zenobia’s character.
One subject, about which — very impertinently, moreover — I perplexed myself with a great many conjectures, was, whether Zenobia had ever been married. The idea, it must be understood, was unauthorized by any circumstance or suggestion that had made its way to my ears. So young as I beheld her, and the freshest and rosiest woman of a thousand, there was certainly no need of imputing to her a destiny already accomplished; the probability was far greater that her coming years had all life’s richest gifts to bring. If the great event of a woman’s existence had been consummated, the world knew nothing of it, although the world seemed to know Zenobia well. It was a ridiculous piece of romance, undoubtedly, to imagine that this beautiful personage, wealthy as she was, and holding a position that might fairly enough be called distinguished, could have given herself away so privately, but that some whisper and suspicion, and by degrees a full understanding of the fact, would eventually be blown abroad. But then, as I failed not to consider, her original home was at a distance of many hundred miles. Rumors might fill the social atmosphere, or might once have filled it,