tion>William John Locke
The House of Baltazar
Published by Good Press, 2019
EAN 4057664166265
Table of Contents
CHAPTER I
THE early story of Baltazar is not the easiest one to tell. It is episodic. It obeys not the Unities of Time, Place and Action. The only unity to be found in it is the oneness of character in that absurd and accomplished man. The fact of his being lustily alive at the present moment does not matter. To get him in perspective, one must regard him as belonging to the past. Now the past is a relative conception. Save to the academic student of History, Charlemagne is as remote as Sesostris. To the world emerging from the stupor of the great war, Mons is as distant as Balaclava. Time is really reckoned by the heart-throbs of individuals or nations. Yester-year is infinitely far away. …
To get back to Baltazar and his story. In the first place it may be said that he was a man of fits and starts; a description which does not imply irresponsible mobility of purpose and spasmodic achievement. The phrase must be taken in the literal significance of the two terms. A man of fits—of mental, moral and emotional paroxysms; of starts—of swift courses of action which these paroxysms irresistibly determined. Which same causes of action, in each case, he doggedly and ruthlessly pursued. One, an intimate teacher of Baltazar, one who, possessed of the knowledge of the scholar and the wisdom of the man of the world, might be qualified to judge, called him a Fool of Genius. Now the genius is steadfast; the fool erratic. In this apparent irreconcilability of attributes lies the difficulty of presenting the story of Baltazar.
But for the war, the story would scarcely be worth the telling, however interesting might be his sheer personality and his calculated waywardness. It would have led no whither, save to a stage or two further on his journey to the grave. But there is scarcely a human being alive with whose apparently predestined lot the war has not played the very devil. It knocked Baltazar’s world to bits—as soon as the realization of it burst on his astonished senses; yet it seemed to bring finality or continuity into his hitherto disconnected life.
It was during the war that his name was mentioned and his character discussed for the first time for many years, by two persons not without interest in his fate.
Marcelle Baring, a professional nurse of long standing, arrived late one night at Churton Towers, to take up the duties of sister in charge. The place was the country seat of a great family who, like many others, had given it over to the Government as a convalescent home for officers; a place of stately lawns and terraces and fountains; of picture-hung galleries guarded by grim emptinesses in armour; of noble halls heterogeneously furnished—for generosity seldom goes so far as to leave the edges of a priceless marquetry table at the mercy of a feather-headed subaltern’s forgotten cigarette; of tapestried rooms, once filled with the treasures of centuries, now empty save for the rows of little standard War Office bedsteads and the little deal regulation tables at their heads.
Somewhat confused by the vastness of her new home, and by the contrast of its gracious splendour with the utilitarian ugliness and mathematical uniformity of the General Hospital which she had just left, Marcelle Baring went downstairs the next morning to begin her new duties. Once in the wards she felt at home; for a ward of sick men is the same all the world over. The Matron went round with her, performing introductions; but that first morning she only caught a third of the names. It would take a few days to learn them, to learn also the history of the cases. Besides, they were convalescents, dressings were few, and her work was more administrative than
